In her new work Baltimore, playwright Kirsten Greenidge grapples with the issue of race on college campuses.

Archie Shepp shares his musical biography—and his thoughts about the legacy of African-American music.

Poets and social workers, the twins’ primary audience have been Wilmington’s underserved children.

In his memoir Soul Serenade, Ollison describes how music was a lifeline during a difficult upbringing.

Giving voice to the human cost of workers without work.

Harrell Fletcher shares his passion for social practice—creative projects in communities that are by, for, and of the residents.

Creating American music that’s intense, sensual, and meaningful.

 Teaching the next generation of digital artists.

Harriet Wolf’s Seventh Book of Wonders took Julianna Baggott 18 years to write… Julianna discusses how writing 14 other novels in a variety of genres, three collections of poetry, and a children’s series helped her finish Harriet Wolf.

A half-century of musical innovation and self-determination, told by AACM co-founder (currently AACM-New York president) and 2010 NEA Jazz Master Muhal Richard Abrams, current AACM-Chicago chairman Ernest Dawkins, and AACM member and 2014 NEA Jazz Master Anthony Braxton.