Ken Bentley, Matt Fitton, James Joyce and Tracy Wiles join us for a very special panel episode discussing all things related to Big Finish's UNIT series. 

Seán Carlsen joins us to look back on 20 years of playing Narvin for Big Finish Productions. 

Tim Treloar tells us how he ended up of taking on the role of the Third Doctor for Big Finish Productions. 

Screenwriter Joseph Lidster discusses his early career at Big Finish Productions and how he subsequently ended up writing television stories for Torchwood and The Sarah Jane Adventures. 

On her first ever Doctor Who podcast interview, Steph de Whalley talks about how she got the role of Anita in the Christmas special Joy to the World. She discusses her reaction to the instant positive response to the character. Before talking about having to keep the secret of her return for Ncuti Gatwa's final episode. 

Colourisation Artist Rich Tipple talks about the process of turning black and white TV into colour; fit for broadcast on the BBC. He also gives us an in depth look at the decisions that went into creating both The Daleks in Colour and The War Games in Colour. 

Paul Clayton discusses playing Mr Colchester in Torchwood for Big Finish Productions over the last eight years. He also shares memories of a vast and varied career, including his time on Peep Show. 

Screenwriter Roland Moore explains how history informs his writing both in relation to his series Land Girls and his work on the Early Adventures for Big Finish Productions. He discusses the ways in which he evokes specific eras when it comes to his writing. As well as telling us why the Tom Baker story The Robots of Death is so influential to him. 

Best selling science fiction writer Una McCormack discusses her early days in the Doctor Who fandom, how fanfiction started the process of her becoming a novelist for both Star Trek and Doctor Who, and explains the difference between writing prose and scripts for audio dramas. 

Miles Richardson first discusses playing his role Irving Braxiatel for Big Finish Productions, before exploring his theatrical and academical Shakespeare work for the RSC.