“What’s the best song for two people kissing in the rain in 1926?” In episode three, we are joined by music executive and recording artist Sarah McMullen, who is leading the way as part of a new generation of music supervisors redefining what that role means and what it means for the future of music itself. The new ears behind beloved film and TV company A24’s music supervision slate, Sarah's resume includes dynamic projects with Netflix, Apple, TBWA\Media Arts Lab and more. In this episode, Sarah shares how the creative challenge of clearing samples and placing music in film, television and beyond is shaped by her family’s own notable musical legacy, details how she is navigating the introduction of AI into a rapidly changing music and technological environment, and offers advice for aspiring supervisors on how to set boundaries for success in creative fields.
Music Credits
"Creativity," Rob Base and DJ EZ Rock
The New Lost City Ramblers
Mother Maybelle Carter
“Skyscraper,” Sarah McMullen
“Never Too Much,” Luther Vandross
Sweet Emma Barrett And Her New Orleans Music
Super Bowl LIX Halftime Show (Live), Kendrick Lamar
“Reunion,” Matthew Herbert
Matteah Baim
Arts Talk is hosted by Josh Kun, USC Vice Provost for the Arts and USC Annenberg Professor and Chair in Cross Cultural Communication at the University of Southern California. Arts Talk is produced by Perry B. Johnson, with sound design, editing and mixing by Matteah Baim.
Special thanks to Suzanne Felson for her generous support of the podcast.
artsnow.usc.edu