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The picture restorer’s invoice
Under honeysuckle sprays, a cinder path
runs up to the barn and around its brick footings
to a thick archway of clipped privet, through which
lies the picture restorer’s door. He stands mixing
pigments with linseed oil, cleans brushes with turps
and stares intently at the painting before him.
A woman in rags looks up from the canvas
to feet she has tenderly washed. At night
She licks a bowl in the stairwell’s shadow,
left there for her wellbeing. As usual, her meal’s
gruel. She is offered little but a goodnight kiss
and willingly binds wounds for peach stones.
Too soon the clatter of others’ laden breakfasts
drowns out dawn chorus. She has washed
his white dress, which has fallen from a nail
at the focal centre of this period piece.
A subtle tint of Western flesh turns her anguish
into something warmer but expressionless.
The craftsman clouds over with past’s varnish
and wearily writes out an invoice for his work.
Complete, he follows the cinder path round the barn,
under the pink and fragrant canopy to the yard
and lifts the latch to his terracotta tiled kitchen,
where the smell of Arabica coffee greets him.
His wife’s smile meets his. Her complexion
Is olive-skinned, a brunette, Middle Eastern.
He addresses an envelope, seals it with a lick,
kisses his wife’s forehead and counts his blessings.
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Stable Press, Haverhill Poetry Group, Ipswich Poetry Workshop and the Jubilee... with a poem, The Corn Dolly dole queue blues,' to round it off.
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From skimming the pit in the meat factory to riding the Lansing Bagnall across the factory floor, while trying to hang on to a dream.
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Back from Liverpool I returned to education, briefly, but was I born to tip my cap or was I a fire raiser after all?
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Called back to Liverpool from Clare, Suffolk, to help make a film. Here too is 'Something in the Air,' the Woodside Ferry and the reality of poverty in the city.
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The Haverhill Echo was an independent newspaper in Suffolk. Now long gone, I look back at my highs and lows working as a trainee reporter there in 1972
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Here is part one of my autobiography (1967-1971). This autobiography will cover my enthusiasms in drama, art and poetry over the years. In part one, an English teacher saves me via a play, a drama course makes me and a spell in Liverpool finds me eating supper with Adrian Henri.
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A diary exploring playwriting. In this edition: theatre courses, psychology in plays, 1968, Silent Witness and remembering Max Wall.
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A fortnightly diary on playwriting and culture. First episode: Line of Duty, the existential threat and writing an audio play. Coming up: my journey in staging a play.
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An appreciation of poet Lawrence Ferlinghetti, who died this week. Through him, I discovered poetry and a lot more besides.
Note: apologies for pronouncing the poet Rimbaud as Rambo - but hey, Rambo The Poet is quite cool...
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A weekly podcast on Art and Life