This year's Summerween is bringing the pain. As Above, So Below is once again the scariest movie we've ever seen, but it's also been designed in a lab to perfectly appeal to Maggie's medieval art history background and Cam's undying fascination with Faustus, Dante, and literary demons. This discussion runs through the uniquely varied style of found footage employed here, which deftly balances the objective and the subjective. We also work through the film's commitment to interpreting Dante's vision of the afterlife – and that's before we get to the catacombs or the creature design. Did we mention this film is terrifying?

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