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Of course, for the week of Halloween, we had to talk about a book that keeps you looking over your shoulder.
Hunter Gillum of Beaverdale Books in Des Moines, Iowa, recommends the mystery/crime novel “Scrap” by Calla Henkel.
The novel focuses on Esther Ray, a multimedia artist with a true-crime podcast obsession. Recently dumped, she accepts a scrapbooking job from wealthy Naomi Duncan. The items to be scrapbooked purport to trace the 25 years of Naomi’s marriage, and the number of files — nearly 200 boxes — are enough for any crime-lover to get lost in.
Early files mention two daughters, but later there is only a record of one: why? Esther soon finds herself going down a rabbit hole. And when Naomi dies mid-project, Esther is certain foul play was involved.
Hunter says the true-crime elements of the book reminded him of John Darnielle’s “The Devil House,” though he says “Scrap” is lighter and funnier.
That said, Esther’s increasing paranoia and second-guessing of what was true brought Thomas Pynchon’s “Bleeding Edge” to mind.
By Minnesota Public Radio4
44 ratings
Of course, for the week of Halloween, we had to talk about a book that keeps you looking over your shoulder.
Hunter Gillum of Beaverdale Books in Des Moines, Iowa, recommends the mystery/crime novel “Scrap” by Calla Henkel.
The novel focuses on Esther Ray, a multimedia artist with a true-crime podcast obsession. Recently dumped, she accepts a scrapbooking job from wealthy Naomi Duncan. The items to be scrapbooked purport to trace the 25 years of Naomi’s marriage, and the number of files — nearly 200 boxes — are enough for any crime-lover to get lost in.
Early files mention two daughters, but later there is only a record of one: why? Esther soon finds herself going down a rabbit hole. And when Naomi dies mid-project, Esther is certain foul play was involved.
Hunter says the true-crime elements of the book reminded him of John Darnielle’s “The Devil House,” though he says “Scrap” is lighter and funnier.
That said, Esther’s increasing paranoia and second-guessing of what was true brought Thomas Pynchon’s “Bleeding Edge” to mind.

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