In this episode, we talk with American medical student Esther Kim (pictured). She's trying to overcome her suspicion of people with a particular accent, one that she's come to associate with racist taunts.  The COVID-19 wave of anti-Asian harassment has made things worse. Also, Stanford professor Seema Yasmin tells us why pandemics bring out the language of war. 



Photo by Esther Kim. Music by Bonnie Grace, David Celeste, Podington Bear, Philip Ayers, Craft Case, Airae, and Joseph Alesci. Read a transcript of this episode here.

At war, and not at war

Language unites and divides us. It mystifies and delights us. Patrick Cox and Kavita Pillay tell the stories of people with all kinds of linguistic passions: comedians, writers, researchers; speakers of endangered languages; speakers of multiple languages; and just speakers—people like you and me.

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Icelanders are protective of their language. When a new piece of tech or a new disease emerges, people debate what to call these things in Icelandic. New words must sound and look Icelandic, otherwise they may not survive. The country's Knitting Words Committee is one of dozens of community panels charged with proposing new words. Typically, they repurpose old words that have fallen out of use. Who doesn't want to revive a word or phrase from Iceland's sagas? In this episode, we take you to Iceland to discover how, seemingly, an entire nation has coalesced around the maxim, "We have a very good old word for that." 



Music in this episode by Taomito, Silver Maple, pär, Medité, Nathan Welch, and Trabant 33. Photo of Hulda Hákonardóttir and Guðrún Hannele Henttinen of Iceland's Knitting Words Committee by Patrick Cox. 



Read a transcript of the episode here. And sign up for Subtitle’s newsy, nerdy, fortnightly newsletter here.

Icelandic, the language that recycles everything

In recent decades, Americans' perception of bilingualism has been transformed. As recently as the 1990s, the prevailing belief was that if a child grew up bilingual, they would be at a linguistic and cognitive disadvantage. Today, many Americans believe the opposite, that speaking more than one language carries advantages. But the hundreds of studies of the bilingual brain don't all draw the same conclusions. In this episode, we sample some recent research whose findings are helping to paint a more nuanced picture of how bilingual speakers function differently from monolinguals. 



Music in this episode by Walt Adams, Blue Dot Sessions, Medité, Podington Bear and Trabant 33. Photo of a bilingual street sign in Sydney's Chinatown by Jordanopia/Wikimedia Commons.



Read a transcript of the episode here. And sign up for Subtitle’s newsy, nerdy, fortnightly newsletter here.

The bilingual edge: what the research says

How did Basque survive Spain's military dictatorship under Francisco Franco when speaking, writing and reading it were illegal? With more than six dialects, how did its speakers agree on a standard way of writing the language? And how has Basque thrived in the decades since Franco died? Nina Porzucki tells the story of Europe's most mysterious language and its tenacious speakers— a story that includes immigration to the American West, decades of exile in South America, translations of Shakespeare's plays and an epic struggle over the letter H. 



Music in this episode by Blue Dot Sessions, Josef Falkensköld, and Trabant 33.Photo of participants in a relay ‘marathon’ in support of the Basque language by Tintxarri via Wikimedia Commons. Info about Nina Porzucki here. 



Read a transcript of the episode here. And sign up for Subtitle’s newsy, nerdy, fortnightly newsletter here.

How Basque speakers saved their language

Netflix's lavish new adaptation of Liu Cixin's The Three-Body Problem is the latest 'translation' of one of this century's best, and best-selling, sci-fi novels. In this episode, we track the role of translation—on screen and on the page—in the global rise of Chinese sci-fi. Our guide is reporter and sci-fi aficionada Lydia Emmanouilidou who talks with several people involved in the Chinese literary scene, notably The Three-Body Problem's English translator Ken Liu. 



More about Lydia Emmanouilidou here. Music in this episode by Ambre Jaune, Medité, Pearce Roswell and Trabant 33. 



Read a transcript of the episode here. And sign up for Subtitle’s newsy, nerdy, fortnightly newsletter here.

Chinese sci-fi has crossed the translation barrier

The French language is replete with words borrowed from English, like 'weekend' and 'podcasting.' But French speakers' use of 'black' is in a category of its own: this one short syllable tells the story of France's racial and colonial legacies and how they stack up against U.S. history, from slavery to Black Lives Matter. Both countries are idealistic, rooted in 18th-century revolutions and grand principles. But while many in the US value racial and ethnic difference, France sees itself as a color-blind society that rejects the race-based policies of its past. So, using the French word noir is almost un-French—prompting many Black French citizens to embrace 'black.'  Reporting this episode is former Paris resident, Emma Jacobs. 



More about Emma Jacobs here and here. Music by Martin Klem, Medité, Trabant 33, Podington Bear and Blue Dot Sessions. Photo by Lea Dasenka. 



Read a transcript of this episode here. And sign up for Subtitle’s newsy, nerdy, fortnightly newsletter here.

At war, and not at war

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