Director Michael Mayer explains the juxtaposition of turn of the 20th century German teenage angst with modern rock and roll in "Spring Awakening", recounts his first meeting with master playwright Arthur Miller before "A View From The Bridge", addresses why he felt "You're A Good Man, Charlie Brown" needed a freshening up for its Broadway revival, and shares the process that made Sutton Foster the star of "Thoroughly Modern Millie". Original air date - July 7, 2006.

Director-choreographer Kathleen Marshall discusses remounting "Wonderful Town" for Broadway following its resounding success at Encores! two seasons earlier, growing up in Pittsburgh with her director-choreographer brother Rob, and making the transition from choreographer to director. Original air date - June 4, 2004.

Tonya Pinkins takes listeners from the triumph of "Jelly's Last Jam" to the extraordinary personal challenges that faced her on her return to Broadway as the title character in Tony Kushner and Jeanine Tesori's musical "Caroline, or Change". Original air date - May 28, 2004.

Martha Plimpton talks about her acting journey from "The Goonies" to "Hedda Gable", exploring her experience growing up in the theatre, with childhood performances at The Public; the importance of her joining Chicago's noted Steppenwolf ensemble, and the unique challenge of capturing her character with a single scene in the current Broadway production of Conor McPherson's "Shining City". Original air date - June 30, 2006.

Liev Schreiber takes time out from The Public Theatre's production of "Macbeth" to reflect on the humanity of that villainous role, his love for the Delacorte Theatre in Central Park, how directing his first film has informed his own work as an actor, and why he thinks Pinter and Mamet are similar to Shakespeare. Original air date - June 23, 2006.

Three-time Tony nominee Kate Burton discusses her newest show, the family drama "The Water's Edge" by Theresa Rebeck, and why she's drawn to characters who are once dark and witty, and she talks about other family matters as well, including how her famous father Richard felt about her entering the family business and her 17 summers at the Williamstown Theatre Festival, including 9 years when it was led by her husband Michael Ritchie. Original air date - June 16, 2006.

Stage and screen legend Angela Lansbury surveys her theatre career, from her wartime drama school scholarship (courtesy of the American Theatre Wing) to her acclaimed work in the musicals of Stephen Sondheim ("Anyone Can Whistle" and "Sweeney Todd") and Jerry Herman ("Mame" and "Dear World") to dramatic roles in Shakespeare and Albee and muses on whether audiences might see her on the stage once again. Original air date - June 9, 2006.

Actor and author Bob Martin chronicles the journey of "The Drowsy Chaperone" from sophisticated bachelor party entertainment to success on the Toronto fringe to its current berth as a full-scale Broadway musical, and talks about the creation of his critically acclaimed television series "Slings & Arrows", which portrays life on stage and off at a Canadian Shakespeare festival. Original air date - June 2, 2006.

During the run of her solo gig at the Cafe Carlyle in New York, Maria Friedman talks about her extensive relationship with the work of Stephen Sondheim, including English productions of "Merrily We Roll Along" and "Passion"; the health challenge that faced her during the Broadway run of "The Woman In White"; and working with her sister, producer Sonia Friedman. Original air date - May 26, 2006.

One of America's most prolific playwrights, Richard Greenberg discusses the wave of media attention that has accompanied the current Broadway revival of "Three Days of Rain", and its effect on him in a theatre season which has seen premieres of his new works on Broadway ("A Naked Girl on the Appian Way" at Roundabout), Off-Broadway ("The House in Town" at Lincoln Center), in Chicago ("The Well-Appointed Room" at Steppenwolf) and in Washington DC ("Bal Masque" at Theater J). Original air date - May 19, 2006.