Audibly Audiobooks

While working one night, Victor begins to think about what might happen after he finishes his creation. He imagines that his new creature might not want to seclude herself, as the monster had promised, or that the two creatures might have children, creating “a race of devils . . . on the earth.” In the midst of these reflections and growing concern, Victor looks up to see the monster grinning at him through the window. Overcome by the monster’s hideousness and the possibility of a second creature like him, he destroys his work in progress. The monster becomes enraged at Victor for breaking his promise, and at the prospect of his own continued solitude. He curses and vows revenge, then departs, swearing that he will be with Victor on his wedding night.  The following night, Victor receives a letter from Henry, who, tired of Scotland, suggests that they continue their travels. Before he leaves his shack, Victor cleans and packs his chemical instruments and collects the remains of his second creature. Late that evening, he rows out onto the ocean and throws the remains into the water, allowing himself to rest in the boat for a while. When he wakes, he finds that the winds will not permit him to return to shore. Panicking, in fear for his life, he contemplates the possibility of dying at sea, blown far out into the Atlantic. Soon the winds change, however, and he reaches shore near a town. When he lands, a group of townspeople greet him rudely, telling him that he is under suspicion for a murder discovered the previous night.

The narrator explains how he instigated a secret investigation of the ruined town of Innsmouth, Massachusetts, by the U.S. government. He proceeds to describe in detail the events surrounding his initial interest in the town, which lies along the route of his tour across New England, taken when he was twenty-one. While he waits for the bus that will take him to Innsmouth, he busies himself in the neighboring Newburyport by gathering information on the town from the locals; all of it having superstitious overtones.

 The story depicts a future where robotic prosthetics for humans and artificially-created organic body-parts for robots (known as Metallos) are commonplace. Metallos have been granted equal status with 'normal' humans.  A man, who has been granted the right to long life (possibly immortality) by an official Board of Mortality, meets the surgeon who is to assist in the performance of heart replacement surgery on the man. The surgeon offers him a choice between a metallic or fibrous cyber-heart. The man stubbornly refuses the doctor's attempts to persuade him to accept a fibrous heart, saying that it's "weak," as compared to a metal heart.  Later, the surgeon remarks to a medical engineer that he would rather that humans and robots stick to being what they are instead of becoming similar. The engineer calls such talk "segregationist", to which the surgeon replies that he "doesn't care." At the end of the story, the surgeon is revealed to be a robot himself. 

 The story is about a class of students on Venus, which, in this story, is a world of constant rainstorms, where the Sun is visible for only one hour every seven years.  One of the children, Margot, moved to Venus from Earth five years earlier, and she is the only one who remembers sunshine, since the Sun shone regularly on Earth. When the teacher asks them to write a poem about the sun, hers is:  "I think the sun is a flower, That blooms for just one hour." She describes the Sun as "a penny", or "like a fire in the stove". The other children, being too young ever to have seen it themselves, do not believe her. Led by a boy named William, they bully and antagonize her, and just before the sun comes out, William rallies the other children and they lock her in a closet down a tunnel.  As the Sun is about to appear, their teacher arrives to take the class outside to enjoy their one hour of sunshine and, in their astonishment and joy, they all forget about Margot. They run, play, skip, jump, and prance about, savoring every second of their newly found freedoms. "Oh, it's better than the sunlamps, isn't it?" one of them cries.  Suddenly, a girl catches a raindrop in her hands. Thunder sounds, then the lightning comes, and the children run back inside as the sun disappears and it starts to pour again. At this point, one of them remembers Margot, who is still locked in the closet. Ashamed, they let her out of the closet, standing frozen, embarrassed over what they have done and unable to "meet each other's glances."  The precious Sun has come and gone, and because of their despicable act, Margot, who loved the Sun the most, has missed it. 

 The Wood-Sprite is a story by Vladimir Nabokov, originally published in Russian in 1921. It was his first published story. 

 “The End of Something” is a short story written by Ernest Hemingway, published in the 1925 New York edition of In Our Time, by Boni & Liveright. 

 Randolph Carter has been found wandering through swampland in an amnesiac shock. In his statement, Carter attempts to explain the disappearance of his companion, the occultist Harley Warren.  Warren has come into the possession of a book, written in an unknown language, that he forbids Carter from seeing. Carter mentions that Warren has other "strange, rare books on forbidden subjects", several of which are in Arabic.  From his mysterious book, Warren apparently deduces that doors or stairways exist between the surface world, and the underworld, through which demons may travel. He encourages Carter to travel with him to the location of one such portal, an ancient graveyard near Big Cypress Swamp. Upon arriving, Warren locates a particular tomb, and opens it to reveal a staircase that descends into the earth. Taking a lantern, he leaves Carter on the surface, and follows the stairs into the darkness, communicating with his companion by a telephone wire.  After several minutes of silence, Warren suddenly begins to make vague, panicked outbursts that culminate in a desperate plea for Carter to flee. Finally, after Warren is silent for several minutes, Carter calls to him down the line, only to hear an alien voice telling him that Warren is dead.  The Statement of Randolph Carter By H. P. Lovecraft 

 Victor and Henry journey through England and Scotland, but Victor grows impatient to begin his work and free himself of his bond to the monster. Victor has an acquaintance in a Scottish town, with whom he urges Henry to stay while he goes alone on a tour of Scotland. Henry consents reluctantly, and Victor departs for a remote, desolate island in the Orkneys to complete his project.  Quickly setting up a laboratory in a small shack, Victor devotes many hours to working on his new creature. He often has trouble continuing his work, however, knowing how unsatisfying, even grotesque, the product of his labor will be. 

Set in the pseudo-historical Hyborian Age and details Conan pursuing a spectral nymph across the frozen tundra of Nordheim. Rejected as a Conan story by Weird Tales magazine editor Farnsworth Wright, Howard changed the main character's name to "Amra of Akbitana" and retitled the piece as "The Gods of the North", in which it was published in the March 1934 issue of The Fantasy Fan.  Gods of the North by Robert E. Howard the frost-giant's daughter by Robert E. Howard 

 The story is the testament of a tortured, morphine-addicted man who plans to commit suicide over an incident that occurred early on in WWI when he was a merchant marine officer.  In the unnamed narrator's account, his cargo ship is captured by a German sea-raider in "one of the most open and least frequented parts of the broad Pacific." He escapes on a lifeboat and drifts aimlessly across the sea "somewhat south of the equator" until he eventually finds himself inexplicably stranded on "a slimy expanse of hellish black mire which extended about me in monotonous undulations as far as I could see.... The region was putrid with the carcasses of decaying fish, and of other less describable things which I saw protruding from the mud of the unending plain." He speculates that this land mass could be "a portion of the ocean floor... thrown to the surface" by a volcanic upheaval, "exposing regions which for innumerable millions of years had lain hidden under unfathomable watery depths."  After waiting three days for the seafloor to dry out sufficiently to walk on, he strikes out on foot to find the sea and possible rescue. After two days of walking, he reaches his goal, a "hummock" that turns out to be a mound on the edge of an "immeasurable pit or canyon". Descending the slope, he sees a gigantic white stone object that he soon perceives to be a "well-shaped monolith whose massive bulk had known the workmanship and perhaps the worship of living and thinking creatures."  The monolith, situated next to a channel of water in the bottom of the chasm, is covered in unfamiliar hieroglyphs "consisting for the most part of conventionalised aquatic symbols such as fishes, eels, octopuses, crustaceans, molluscs, whales and the like." There are also "crude sculptures" depicting:  As the narrator looks on the monolith, a creature emerges from the water:  His next memory is of a San Francisco hospital, where he was taken after being rescued in mid-ocean by a U.S. ship. There are no reports of any Pacific upheavals, and he does not expect anyone to believe his incredible story. He mentions one abortive attempt to gain understanding of his experience:  Once I sought out a celebrated ethnologist, and amused him with peculiar questions regarding the ancient Philistine legend of Dagon, the Fish-God; but soon perceiving that he was hopelessly conventional, I did not press my inquiries Haunted by visions of the creature, "especially when the moon is gibbous and waning", he describes his fears for the future of humanity:  I cannot think of the deep sea without shuddering at the nameless things that may at this very moment be crawling and floundering on its slimy bed, worshipping their ancient stone idols and carving their own detestable likenesses on submarine obelisks of water-soaked granite. I dream of a day when they may rise above the billows to drag down in their reeking talons the remnants of puny, war-exhausted mankind --of a day when the land shall sink, and the dark ocean floor shall ascend amidst universal pandemonium. With the drug that has given him "transient surcease" running out, he declares himself ready to do himself in; the narrative is revealed to be a suicide note. The story ends with the narrator rushing to the window as he hears "a noise at the door, as of some immense slippery body lumbering against it."