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After the dizzying high of the summer of 1982, it was perhaps inevitable that we would experience a drop-off, but at least it's an interesting one. After all, we've got Fassbinder remaking the film that put Marlene Dietrich on the map. We've got Charlton Heston both writing and directing a strange riff on a Humphrey Bogart classic. And we've got a really crappy Friday the 13th sequel!
But beyond that, we've got one of the strangest Ralph Bakshi films, we've got a terrible Cheech and Chong movie, we've got a Don Coscarelli cable mainstay, and we've got Mazursky riffing on Shakespeare. All of that, plus one of the greatest teen comedies of the decade? Totally awesome!
By Scott Weinberg and Drew McWeeny4.7
711711 ratings
After the dizzying high of the summer of 1982, it was perhaps inevitable that we would experience a drop-off, but at least it's an interesting one. After all, we've got Fassbinder remaking the film that put Marlene Dietrich on the map. We've got Charlton Heston both writing and directing a strange riff on a Humphrey Bogart classic. And we've got a really crappy Friday the 13th sequel!
But beyond that, we've got one of the strangest Ralph Bakshi films, we've got a terrible Cheech and Chong movie, we've got a Don Coscarelli cable mainstay, and we've got Mazursky riffing on Shakespeare. All of that, plus one of the greatest teen comedies of the decade? Totally awesome!

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