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In this special episode, we take a look back at some of our favorite moments from the top episodes of our two ongoing series – Nation of Writers and AWM Author Talks.
This week, award-winning author Gabriel Bump discusses his new novel The New Naturals, a touching, timely novel about an attempt to found an underground Black utopia and the interwoven stories of those drawn to it. He is joined in conversation by author Adam Levin. This conversation originally took place December 3, 2023 and was recorded live at the American Writers Museum.
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More about The New Naturals:
An abandoned restaurant on a hill off the highway in Western Massachusetts doesn’t look like much. But to Rio, a young Black woman bereft after the loss of her newborn child, this hill becomes more than a safe haven—it becomes a place to start over. She convinces her husband to help her construct a society underground, somewhere safe, somewhere everyone can feel loved, wanted, and accepted, where the children learn actual history, where everyone has an equal shot.
She locates a Benefactor and soon their utopia begins to take shape. Two unhoused men hear about it and immediately begin their journey by bus from Chicago to get there. A young and disillusioned journalist stumbles upon it and wants in. And a former soccer player, having lost his footing in society, is persuaded to check it out too. But no matter how much these people all yearn for meaning and a sanctuary from the existential dread of life above the surface, what happens if this new society can’t actually work? What then?
From one of the most exciting new literary voices out there, The New Naturals is fresh and deeply perceptive, capturing the absurdity of life in the 21st century, for readers of Paul Beatty’s The Sellout and Jennifer Egan’s The Candy House. In this remarkable feat of imagination, Bump shows us that, ultimately, it is our love for and connection to each other that will save us.
GABRIEL BUMP grew up in South Shore, Chicago. He received his MFA in fiction from the University of Massachusetts, Amherst. His debut novel, Everywhere You Don’t Belong, was a New York Times Notable Book of 2020 and has won the Ernest J. Gaines Award for Literary Excellence, the Great Lakes Colleges Association New Writers Award for Fiction, the Heartland Booksellers Award for Fiction, and the Black Caucus of the American Library Association’s First Novelist Award. Bump teaches at the University of North Carolina at Chapel Hill.
ADAM LEVIN is the author of the novels The Instructions, Bubblegum, and Mount Chicago, as well as the story collection, Hot Pink. His writing has appeared in numerous publications, including The New Yorker, McSweeney’s, and Playboy. He has been a New York Public Library Young Lions Fiction Award winner, a recipient of a National Endowment for the Arts fellowship, and a National Jewish Book Award finalist. He lives in Chicago.
This week, author Clara Kumagai discusses her debut young adult novel Catfish Rolling, a wholly original and mind-bending debut YA novel about memory, family, and an earthquake that breaks apart time. This conversation originally took place October 28, 2023 and was recorded live at the American Writers Museum.
Quick note: during this episode, Clara references photos from a slideshow she shared during the live in person program. You can view these photos by visiting the American Writers Museum’s YouTube channel.
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More about Catfish Rolling:
There's a catfish under Japan, and when it rolls the land rises and falls. At least that's what Sora was told after she lost her mother to an earthquake so powerful that it cracked time itself. Sora and her father are some of the few who still live near one of these "zones"—the places where time has been irrevocably sped up or slowed down.
Sora's father leads a research team studying the zones, and even as his colleagues begin to fall ill, he refuses to stop entering the zones himself. Sora finds herself stuck and increasingly alone as her father starts behaving strangely—he's disoriented and his memory seems to be deteriorating. Sora, meanwhile, has been secretly conducting her own research on the zones, tracking down a time expert in Tokyo and surprising herself with a crush on a strikingly confident girl named Maya, another hafu girl with whom she forms an instant bond.
But when Sora's father disappears, she has no choice but to return home, with Maya in tow, and venture deep into the abandoned time zones to find him and perhaps the catfish itself...
This week, writers Jonathan Taplin and Michi Trota discuss the profound implications of AI for the future of writing and creative expression. They are interviewed by Allison Sansone, Program Director at the American Writers Museum. This conversation originally took place November 10, 2023 and was recorded live at the American Writers Museum.
Taplin’s latest book The End of Reality: How Four Billionaires are Selling a Fantasy Future of the Metaverse, Mars, and Crypto is a brilliant takedown and exposé of the great con job of the twenty-first century—the metaverse, crypto, space travel, transhumanism—being sold by four billionaires (Peter Thiel, Mark Zuckerberg, Marc Andreesen, Elon Musk), leading to the degeneration and bankruptcy of our society.
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More about the panelists:
JONATHAN TAPLIN is a public intellectual, writer, film producer, and scholar. He is the director emeritus of the Annenberg Innovation Lab at the University of Southern California and was a professor at the USC Annenberg School in the field of international communication management and digital media entertainment until 2017. Since his graduation from Princeton University in 1969, his extraordinary journey has put him at the crest of every major cultural wave in the past half century: he was tour manager for Bob Dylan and the Band, producer of major films such as Martin Scorsese’s Mean Streets, an executive at Merrill Lynch, creator of the Internet’s first video-on-demand service, and a cultural critic and author writing about technology in the new millennium.
MICHI TROTA is a five-time Hugo Award-winning Filipino American writer, editor, and narrative expert. Her work explores empowerment, representation, storytelling, and autonomy, and how to exercise those tools for collective liberation and to dismantle oppressive institutions, not just survive them. Her publications include the Wing Luke Museum 2018-19 exhibit Worlds Beyond Here: Expanding the Universe of APA Science Fiction and Chicago Magazine, and she’s been featured in The Guardian, Chicago Tribune, and CNN: Philippines. She is also a member of the Filipino Young Leaders Program 2022 Immersion cohort and a fire performer with Raks Geek/Raks Inferno Fire+Bellydance.
This week, filmmaker and author Curtis Chin discusses his book Everything I Learned, I Learned in a Chinese Restaurant, a memoir about coming of age and coming out. Chin traces his journey through 1980s Detroit as he navigated rising xenophobia, the AIDS epidemic, and the Reagan Revolution to find his voice as a writer and activist—all set against the backdrop of his family’s popular Chinese restaurant. Chin is joined in conversation by Grace Chan McKibben, Executive Director at the Coalition for a Better Chinese American Community. This conversation originally took place November 7, 2023 and was recorded live at the American Writers Museum.
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More about Everything I Learned, I Learned in a Chinese Restaurant:
Nineteen eighties Detroit was a volatile place to live, but above the fray stood a safe haven: Chung’s Cantonese Cuisine, where anyone—from the city’s first Black mayor to the local drag queens, from a big-time Hollywood star to elderly Jewish couples—could sit down for a warm, home-cooked meal. Here was where, beneath a bright-red awning and surrounded by his multigenerational family, filmmaker and activist Curtis Chin came of age; where he learned to embrace his identity as a gay ABC, or American-born Chinese; where he navigated the divided city’s spiraling misfortunes; and where—between helpings of almond boneless chicken, sweet-and-sour pork, and some of his own, less-savory culinary concoctions—he realized just how much he had to offer to the world, to his beloved family, and to himself.
Served up by the cofounder of the Asian American Writers’ Workshop and structured around the very menu that graced the tables of Chung’s, Everything I Learned, I Learned in a Chinese Restaurant is both a memoir and an invitation: to step inside one boy’s childhood oasis, scoot into a vinyl booth, and grow up with him—and perhaps even share something off the secret menu.
A co-founder of the Asian American Writers’ Workshop in New York City, CURTIS CHIN served as the non-profits’ first Executive Director. He went on to write for network and cable television before transitioning to social justice documentaries. Chin has screened his films at over 600 venues in sixteen countries. He has written for CNN, Bon Appetit, the Detroit Free Press, and the Emancipator/Boston Globe. A graduate of the University of Michigan, Chin has received awards from ABC/Disney Television, New York Foundation for the Arts, National Endowment for the Arts, and more. His memoir, Everything I Learned, I Learned in a Chinese Restaurant will be published by Little, Brown in Fall 2023. His essay in Bon Appetit was just selected for Best Food Writing in America 2023.
GRACE CHAN MCKIBBEN is Executive Director at the Coalition for a Better Chinese American Community (CBCAC), which seeks to empower the Chinese American communities in Greater Chicago through planning, advocacy, and organizing. For over 25 years, Grace has held senior level positions in education, government, corporate, and nonprofits and is a fierce advocate of equality, inclusion, and belonging for immigrants, persons of color, the low-income community, and the LGBTQ+ community. Grace is also co-founder of a pro-bono legal clinic in Chinatown, three consultancy firms, and a women’s choir, and serves on many volunteer boards and commissions, including the ACLU, City of Chicago’s Community Development Commission, and the State of Illinois Asian American Employment Plan Advisory Council.
This week, author and theater critic Patti Hartigan discusses her recent book August Wilson: A Life, the first authoritative biography of iconic playwright August Wilson. Hartigan is joined by actor and playwright J. Nicole Brooks. This conversation originally took place October 30, 2023 and was recorded live via Zoom.
This episode is presented alongside our special exhibit Dark Testament: A Century of Black Writers on Justice, currently on display at the American Writers Museum.
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More about August Wilson: A Life
August Wilson wrote a series of ten plays celebrating African American life in the 20th century, one play for each decade. No other American playwright has completed such an ambitious oeuvre. Two of the plays became successful films, Fences, starring Denzel Washington and Viola Davis; and Ma Rainey’s Black Bottom, starring Viola Davis and Chadwick Boseman. Fences and The Piano Lesson won the Pulitzer Prize for Drama; Fences won the Tony Award for Best Play, and years after Wilson’s death in 2005, Jitney earned a Tony Award for Best Revival of a Play.
Through his brilliant use of vernacular speech, Wilson developed unforgettable characters who epitomized the trials and triumphs of the African American experience. He said that he didn’t research his plays but wrote from "the blood’s memory," a sense of racial history that he believed African Americans shared. Author and theater critic Patti Hartigan traced his ancestry back to slavery, and his plays echo with uncanny similarities to the history of his ancestors. She interviewed Wilson many times before his death and traces his life from his childhood in Pittsburgh (where nine of the plays take place) to Broadway. She also interviewed scores of friends, theater colleagues and family members, and conducted extensive research to tell the story of a writer who left an indelible imprint on American theater and opened the door for future playwrights of color.
PATTI HARTIGAN is an award-winning theater critic and arts reporter who spent many years on the staff of The Boston Globe. She divides her time between the Boston area and Charlottesville, VA.
J. NICOLE BROOKS is an actor, author and director. Selected acting credits include Lottery Day (Goodman Theatre, New Stages Festival), Beyond Caring, Death Tax, and RACE (Lookingglass Theatre Company), Immediate Family (Center Theatre Group) and House Home (Shanghai Dramatic Arts Centre, China). Directing credits include Mr. Rickey Calls A Meeting, Thaddeus & Slocum: A Vaudeville Adventure and Black Diamond: The Years the Locusts Have Eaten. Brooks is author of HeLa, Fedra Queen of Haiti, Black Diamond, and 3 Weeks With Her Honor Jane Byrne. Television credits including recurring roles on Showtime’s The Chi and Comedy Central’s South Side. She is a mutli-award winning artist honored by 3Arts, TCG Fox Foundation, National Endowment for the Arts, Black Ensemble Theatre Playwright of the Year, LA Ovation and Black Theatre Alliance. She is an ensemble member of Lookingglass Theatre Company.
This week, Pulitzer Prize winner Viet Thanh Nguyen discusses his new book A Man of Two Faces, a highly original, blistering, and unconventional memoir in which he rewinds the film of his own life with insight, humor, formal invention, and lyricism. Nguyen is joined by writer and professor Vu Tran. This conversation originally took place October 23, 2023 and was recorded live at the American Writers Museum.
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About A Man of Two Faces:
Viet Thanh Nguyen expands the genre of personal memoir in A Man of Two Faces by acknowledging larger stories of refugeehood, colonization, and ideas about Vietnam and America, writing with his trademark sardonic wit and incisive analysis, as well as a deep emotional openness about his life as a father and a son.
At the age of four, Nguyen and his family are forced to flee his hometown of Ban Mê Thuột and come to the USA as refugees. After being removed from his brother and parents and homed with a family on his own, Nguyen is later allowed to resettle into his own family in suburban San José. But there is violence hidden behind the sunny façade of what he calls AMERICA™. One Christmas Eve, when Nguyen is nine, while watching cartoons at home, he learns that his parents have been shot while working at their grocery store, the SàiGòn Mới, a place where he sometimes helps price tins of fruit with a sticker gun. Years later, as a teenager, the blood-stirring drama of the films of the Vietnam War such as Apocalypse Now throw Nguyen into an existential crisis: how can he be both American and Vietnamese, both the killer and the person being killed? When he learns about an adopted sister who has stayed back in Vietnam, and ultimately visits her, he grows to understand just how much his parents have left behind. And as his parents age, he worries increasingly about their comfort and care, and realizes that some of their older wounds are reopening.
Profound in its emotions and brilliant in its thinking about cultural power, A Man of Two Faces explores the necessity of both forgetting and of memory, the promises America so readily makes and breaks, and the exceptional life story of one of the most original and important writers working today.
VIET THANH NGUYEN was born in Vietnam and raised in America. He is the author of The Committed, which continues the story of The Sympathizer, awarded the 2016 Pulitzer Prize in Fiction, alongside seven other prizes. He is also the author of the short story collection The Refugees; the nonfiction book Nothing Ever Dies, a finalist for the National Book Award; and is the editor of an anthology of refugee writing, The Displaced. He is the Aerol Arnold Professor of English and American Studies and Ethnicity at the University of Southern California and a recipient of fellowships from the Guggenheim and MacArthur foundations. He lives in Los Angeles.
VU TRAN is the author of Dragonfish—a New York Times Notable Book and a San Francisco Chronicle Best Books of the Year—as well as a forthcoming novel, Your Origins. His writing has also appeared in the O. Henry Prize Stories, the Best American Mystery Stories, Ploughshares, Virginia Quarterly, and the New York Times. Born in Vietnam and raised in Oklahoma, Vu received his MFA from the Iowa Writers’ Workshop and his PhD from the Black Moun
This week, historian and author Sterling L. Bland Jr. discusses his book In the Shadow of Invisibility: Ralph Ellison and the Promise of American Democracy. This conversation originally took place October 15, 2023 and was recorded live at the American Writers Museum.
This episode is presented in conjunction with the AWM's ongoing special exhibit Dark Testament: A Century of Black Writers on Justice, on display now.
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About In the Shadow of Invisibility:
With In the Shadow of Invisibility, Sterling Lecater Bland Jr. offers a long-overdue reconsideration of Ralph Ellison, examining the trajectory of his intellectual thought in relation to its resonances in twenty-first-century American culture. Bland charts Ellison's evolving attitudes on several central topics including democracy, race, identity, social community, place, and political expression. This compelling new exploration of Ellison's legacy stresses the perpetual need to reexamine the intersections of race, literature, and American culture, with particular attention to how the democratic principle has grown increasingly urgent in the nation's ongoing, and often contentious, conversations about race.
Arguing that Ellison saw racial and social identity as being inseparable from the nation's past and its complicated history of racial anxiety, In the Shadow of Invisibility traces the growth and transformation of Ellison's ideas across his life and work, from his early apprentice writing that culminated in his groundbreaking first novel, Invisible Man, through the posthumous publication of his unfinished second novel, Three Days before the Shooting.
Focused on his mythic vision of the promise of America, this book firmly situates Ellison in the sociopolitical environments from which his ideas arose, with close consideration of his published writings, including his influential essays on literature and jazz, as well as his working notes and correspondence. Bland foregrounds Ellison's thinking on the responsibilities of Black writers to examine democratic ideals, the legacies of slavery and Jim Crow, and the impacts of civil rights movements.
Interweaving biography, history, and literary criticism, and drawing from extensive archival research, In the Shadow of Invisibility reveals the extent to which Ellison's work exposes the contradictions inherent in American culture, arguing anew for the importance and immediacy of his writings in the broader context of American intellectual thought.
STERLING LECATER BLAND JR. is professor of English, African American studies, and American studies at Rutgers University-Newark. He is the author of Voices of the Fugitives: Runaway Slave Stories and Their Fictions of Self-Creation and the editor of Understanding 19th-Century Slave Narratives and the three-volume African American Slave Narratives: An Anthology.
This week, playwright, poet, and author Pearl Cleage discusses her life and career with Remy Bumppo Theatre Artistic Director Marti Lyons. Remy Bumppo staged Cleage's Blues for an Alabama Sky in the fall of 2023. This conversation originally took place September 26, 2023 and was recorded live via Zoom.
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More about the speakers:
Pearl Cleage (she/her/hers) is an Atlanta-based writer whose plays include POINTING AT THE MOON, WHAT I LEARNED IN PARIS, FLYIN’ WEST, BLUES FOR AN ALABAMA SKY, and BOURBON AT THE BORDER, commissioned and directed by Kenny Leon at the Alliance Theatre. She is also the author of A SONG FOR CORETTA, written in 2007 during Cleage’s time as Cosby Professor in Women’s Studies at Spelman College. Her play, THE NACIREMA SOCIETY REQUESTS THE HONOR OF YOUR PRESENCE AT A CELEBRATION OF THEIR FIRST ONE HUNDRED YEARS, was commissioned by the Alabama Shakespeare Festival and premiered in 2010, in a joint production by the ASF and Atlanta’s Alliance Theatre, directed by Susan Booth. Her plays have also been performed at Arena Stage, Hartford Stage, the Oregon Shakespeare Festival, the Huntington Theatre, the Alabama Shakespeare Festival, the Long Wharf Theatre, Just US Theatre, True Colors Theatre, Bushfire Theatre, the Intiman Theatre, St. Louis Black Repertory Company, and Seven Stages. She is also an accomplished performance artist, often working in collaboration with her husband, writer Zaron W. Burnett, Jr. They have performed at the National Black Arts Festival, the National Black Theatre Festival, and colleges and universities across the country. Cleage and Burnett also collaborated with performance artists Idris Ackamoor and Rhodessa Jones on the script for THE LOVE PROJECT, which premiered at the National Black Theatre Festival in 2008, and is currently touring the country. Cleage is also an accomplished novelist. Her novels include “What Looks Like Crazy on an Ordinary Day,” a New York Times bestseller and an Oprah Book Club selection, “I Wish I Had a Red Dress,” “Some Things I Never Thought I’d Do,” “Babylon Sisters,” “Baby Brother’s Blues,” “Seen It All and Done the Rest,” and “Till You Hear from Me.” She is also the author of “Mad at Miles: A Blackwoman’s Guide to Truth,” a groundbreaking work of race and gender, and “We Speak Your Names,” a praise poem commissioned by Oprah Winfrey for her 2005 celebration of legendary African American women and written in collaboration with Zaron Burnett. Cleage has also written for magazines, including “Essence,” “Vibe,” “Rap Pages,” and “Ms.” In addition to her work as the founding editor of “Catalyst” magazine, a literary journal, she was a regular columnist for the Atlanta Tribune for ten years, winning many awards for her thought-provoking columns. She has also written for TheDefendersOnLine.com. Cleage has been awarded grants in support of her work from the National Endowment for the Arts, the Fulton County Arts Council, the Georgia Council on the Arts, the Atlanta Bureau of Cultural Affairs, and the Coca-Cola Foundation. Her work has earned her many awards and honors, including an NAACP Image Award for fiction in 2008. Pearl Cleage is represented by Ron Gwiazda at Abrams Artists Agency in New York City. Her website is www.PearlCleage.net. She also maintains a Facebook fan page. www.pearlcleage.net.
Marti Lyons (she/her/hers) most recently directed the world-premiere of Galileo’s Daughter by Jessica Dickey at Remy Bumppo, Georgiana and Kitty: Christmas at Pemberly at No
This week, former television screenwriter Patty Lin discusses her new memoir End Credits: How I Broke Up with Hollywood. She is joined by author, podcaster, and publisher Zibby Owens. This conversation originally took place October 5, 2023 and was recorded live at the American Writers Museum.
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About End Credits:
The only script you can really write in life is your own.
What if achieving your professional dreams comes at too high a personal cost? That’s what screenwriter Patty Lin started to ask herself after years in the cutthroat TV industry. One minute she was a tourist, begging her way into the audience of Late Night with David Letterman. Just a few years later, she was an insider who—through relentless hard work and sacrifice—had earned a seat in the writers' rooms of the hottest TV shows of all time. While writing for Friends, Freaks and Geeks, Desperate Housewives and Breaking Bad, Patty steeled herself against the indignities of a chaotic, abusive, male-dominated work culture, not just as one of the few women in the room, but as the only Asian person.
This funny, fresh, eye-opening, and inside-Hollywood story will resonate with anyone trying to please their parents, maintain a love life, and find their way in the world—and will inspire countless dreamers to listen to their inner voices and know when it’s time to get out.
PATTY LIN is an author and former TV writer/producer whose credits include Freaks and Geeks, Friends, Desperate Housewives, and Breaking Bad. She has also written pilots for Fox, CBS, and Nickelodeon. Her Breaking Bad episode, "Gray Matter," was nominated for a Writers Guild Award for Outstanding Script of 2008 in the Episodic Drama category. She retired from television to save her sanity and began writing a book as an answer to the question, "Why would you quit such a cool job?" Her memoir, End Credits: How I Broke Up with Hollywood, is out now. She lives in Los Angeles with her husband.
ZIBBY OWENS is an author, publisher, award-winning podcaster, CEO, bookstore owner, and mom of four. Creator and host of the award-winning, daily podcast Moms Don’t Have Time to Read Books, Zibby is also the founder and CEO of Zibby Media, dubbed "the Zibby-verse" by the L.A. Times. It includes a publishing house, magazine, podcast network, retreats, classes, Zibby’s Book Club, and Zibby’s Bookshop, an independent bookstore in Santa Monica, CA. A regular contributor to Good Morning America and other outlets, she loves recommending books as "NYC’s Most Powerful Book-fluencer" (Vulture). A writer herself, Zibby has published a memoir, Bookends: A Memoir of Love, Loss, and Literature, a children’s book Princess Charming, two anthologies, and a zillion essays. Her debut novel Blank comes out in March 2024. A graduate of Yale University and Harvard Business School, Zibby currently lives in New York with her husband, Kyle Owens of Morning Moon Productions, and four children ages 8 to 15.
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