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Azuhl
By AzuhlMusic
Azuhl episodes
- lordkez - Aweh (8300 remix)lordkez (real name Keziah Zoë Meyers) is a South African R&B and neo-soul artist known for her soulful voice, genre-blending sound, and poetic lyricism. Originally from Kimberley in the Northern Cape, she was introduced to music through the church—her grandfather was a priest and her mother played the organ. This spiritual and musical upbringing continues to influence her deeply introspective and emotive work.As a teenager, lordkez moved with her family to Abu Dhabi, where her passion for music was reignited through jam sessions with fellow South Africans. Upon returning to South Africa, she studied sound engineering at the SAE Institute in Cape Town. Her early music uploads on SoundCloud caught the attention of Stay Low, an independent label and management company, marking the beginning of her professional music journey.In 2023, she released her debut album Testament, a genre-defying body of work that blends R&B, hip-hop, and neo-soul, with themes of love, spirituality, and self-discovery. The album includes collaborations with artists like Shekhinah, Bas, Mars Baby, and Jelani Blackman. It was critically acclaimed and won a South African Music Award (SAMA) for Best R&B/Soul Album.Beyond music, lordkez is also a poet and visual artist. Her artistic expression is rooted in wellness and introspection—she journals daily, practices affirmations, and views her work as a healing process. Her authenticity and creative versatility have made her one of the most exciting voices in South Africa’s alternative music scene, with growing international recognition.3 min
- Same as it ever wasKicking off 2025 with a fresh shift in energy, DJ Azuhl returns with Escapism Vol. 7, the latest installment in his acclaimed lofi series. Departing from the ambient, moody vibes of the previous release, this edition leans into classic boom bap textures—crisp drums, soulful chops, and gritty loops designed to move heads and stir nostalgia.Escapism Vol. 7 is a sonic journal for beat lovers and crate diggers alike—a tribute to golden era hip hop sensibilities, infused with Azuhl’s signature touch of warmth and groove. Whether you're vibing out, zoning in, or seeking inspiration, this release delivers pure instrumental escapism, one loop at a time.4 min
- Plate's fullKicking off 2025 with a fresh shift in energy, DJ Azuhl returns with Escapism Vol. 7, the latest installment in his acclaimed lofi series. Departing from the ambient, moody vibes of the previous release, this edition leans into classic boom bap textures—crisp drums, soulful chops, and gritty loops designed to move heads and stir nostalgia.Escapism Vol. 7 is a sonic journal for beat lovers and crate diggers alike—a tribute to golden era hip hop sensibilities, infused with Azuhl’s signature touch of warmth and groove. Whether you're vibing out, zoning in, or seeking inspiration, this release delivers pure instrumental escapism, one loop at a time.3 min
- Keep it movingKicking off 2025 with a fresh shift in energy, DJ Azuhl returns with Escapism Vol. 7, the latest installment in his acclaimed lofi series. Departing from the ambient, moody vibes of the previous release, this edition leans into classic boom bap textures—crisp drums, soulful chops, and gritty loops designed to move heads and stir nostalgia.Escapism Vol. 7 is a sonic journal for beat lovers and crate diggers alike—a tribute to golden era hip hop sensibilities, infused with Azuhl’s signature touch of warmth and groove. Whether you're vibing out, zoning in, or seeking inspiration, this release delivers pure instrumental escapism, one loop at a time.3 min
- Misery's companyKicking off 2025 with a fresh shift in energy, DJ Azuhl returns with Escapism Vol. 7, the latest installment in his acclaimed lofi series. Departing from the ambient, moody vibes of the previous release, this edition leans into classic boom bap textures—crisp drums, soulful chops, and gritty loops designed to move heads and stir nostalgia.Escapism Vol. 7 is a sonic journal for beat lovers and crate diggers alike—a tribute to golden era hip hop sensibilities, infused with Azuhl’s signature touch of warmth and groove. Whether you're vibing out, zoning in, or seeking inspiration, this release delivers pure instrumental escapism, one loop at a time.4 min
- Intro (THA H3ADSPACE)Check out THA H3ADSPACE Youtube channel where he covers South African Hip Hop. This specific commentary used in the intro was taken of he's video where he talks about POC's banned album 'Age of truth.'Watch the full insightful video here - www.youtube.com/watch?v=FllwPFVs4E4This is a teaser taken off Prophetic Remixes Vol 1, releases March 2025 via my Bandcamp.Pre order - https://azuhl.bandcamp.com/album/prophetic-remixes-vol-13 min
- Prophets of Da City - Tales from the townships (Lavis swing remix)Prophetic Remixes Vol 1 – A Tribute to Prophets of Da CityFor me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude.I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense.POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable.Listen to the entire project here - https://azuhl.bandcamp.com4 min
- Prophets of Da City - Something in my head (Ruffneck remix)Prophetic Remixes Vol 1 – A Tribute to Prophets of Da CityFor me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude.I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense.POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable.Listen to the entire project here - azuhl.bandcamp.com4 min
- Prophets of Da City - Black thang ( 7480 remix)Prophetic Remixes Vol 1 – A Tribute to Prophets of Da CityFor me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude.I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense.POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable.Listen to the entire project here - azuhl.bandcamp.com5 min
- Prophets of Da City - Struggle (still) continues (Code black remix)Prophetic Remixes Vol 1 – A Tribute to Prophets of Da CityFor me, this project is more than just a remix album—it’s a personal journey, a tribute, and a deep expression of gratitude.I still remember the first time I heard Prophets of Da City (POC) back in 1990 when their debut album Our World dropped. As a hip-hop fan growing up in South Africa, their music wasn’t just entertainment—it was an awakening. POC didn’t just make beats and rhymes; they made history. Their hard-hitting lyrics and groundbreaking production hit me just as hard as the first time I heard Public Enemy. It was raw, urgent, and unapologetic—revolutionary in every sense.POC were more than just a hip-hop group; they were pioneers, activists, and truth-tellers. At a time when South Africa was drowning in apartheid oppression, they used their music as a weapon against injustice. From battling censorship to being exiled from their own country, their impact was undeniable.Listen to the entire project here - azuhl.bandcamp.com4 min
About Azuhl
From the publisher's feed
South African born Ricardo Nunes, better known as DJ Azuhl, has become a household name on the South African Hip Hop and DJ scene. Being introduced into hip hop culture in the mid 80s he’s progressed from a dancer to member of the iconic South African band, B.V.K (Brasse Vannie Kaap), a DJ with Africa’s iconic DJ group The Beat Bangaz (alongside Grandmaster Ready D, E-20) & now owner and founding member of the Beat Bangaz DJ Academy based in Cape Town. Known for specializing in Hip Hop, he also has the ability to move crowds across genres of music ranging from funk, soul, dub, house, rock and mashups. He also runs Beat Bangaz Radio a Cape Town based internet radio station specializing in Hip Hop music.
He has opened and performed alongside international artists like Kendrick Lamar, Mos Def, Kanye West, Jay Z, Coolio, The Whooligan, A-Trak, Black Eyed Peas to name a few while also touring Europe annually since 2007 performing at various clubs & festivals like Miami Music Conference (USA), Hip Hop Logique (France), Pukkelpop (Belgium), Schoolyard Breaks (Germany), Battle of the Year (Nigeria).
Major South South African events and festivals include ULTRA Music Festival, Rocking the Daisies, Sizzled, Back to the City, Red Bull BCOne, Cape Town International Jazz Festival, KKNK, Oppikoppie, South African Music Conference, Rand Easter Show and countless corporate and club events.
He’s signature mixes are featured on Good Hope FM and 5FM respectively - two respected commercial radio stations in South Africa, with a monthly mix slot slot on UK based radio station ’ThisisWestSide FM’ as well. Currently running Beat Bangaz Radio he also has a weekly radio show on the online platform.
Besides DJ accolades Azuhl impresses with a couple of number one singles on Good Hope FM, one of Cape Town’s biggest commercial radio stations & award nominations like the 2017 ‘Best Hip Hop single’ with Early B for the prestigious Afrikaans music award show, ‘Ghoemas.’ Whether it’s providing production, remixes or scratches for artists like YOUNGSTACPT, Proverb, Hemelbesem, Early B, Zubz he has become a sought after collaborator with expanding his scope with other music genres beside Hip Hop.
Currently he is also running an NGO with DJ Eazy, HHESA (Hip Hop Education South Africa) that’s been responsible for various international cultural exchanges since 2008 & various school projects in Cape Town with a strong emphasis on youth development using Hip Hop culture.