More than twenty-five years after releasing their last full-length record, Overthrow returned with *Setting the Price*—not as a nostalgia project, but as the continuation of a story that was never truly finished.

In this episode, Chris and Anthony break down "Tribute," a song rooted in loss, gratitude, and the people who helped shape both the band and the New York hardcore community. They reflect on the friends, family members, and bandmates they've lost over the years and how those experiences became the emotional foundation of the song.

The conversation also traces Overthrow's journey from forming as teenagers on Long Island in 1995, through their original run and breakup in 2001, to the reunion shows that eventually reignited their creative spark. They discuss rediscovering old riffs that had been sitting unfinished for over two decades, the collaborative songwriting process behind *Setting the Price*, the challenges of self-funding and recording the album, and the excitement of hearing "Tribute" receive heavy rotation on SiriusXM. More than a comeback story, this episode is about honoring the past while proving there's still something meaningful left to say.

Follow Overthrow:
https://overthrowlihc.com/
https://www.instagram.com/overthrow_lhc

Thanks for supporting B-Side Breakdown — where the song is just the start of the story.

Brett Johnson
Host, B-Side Breakdown
https://www.bsidebreakdown.com


#BSideBreakdown #Overthrow #Tribute #SettingThePrice #NewYorkHardcore #Hardcore #NYHC #LongIslandHardcore #PunkRock #IndependentMusic #Songwriter #MusicPodcast #BehindTheSong #MusicStories #HardcoreMusic

What happens when conspiracy theories stop being fringe entertainment and start influencing the way people understand the world?

In Episode 53 of B-Side Breakdown, Shayne Miel of Overton breaks down "High On Faith," a darkly humorous and surprisingly thoughtful song inspired by misinformation, conspiracy culture, and humanity's need to explain the unknown. What began with a single lyric evolved into a broader exploration of belief, uncertainty, and the stories people create to make sense of a complicated world.

During our conversation, Shayne discusses the challenge of writing about conspiracy theories without turning the song into a lecture, the personal experiences that inspired the lyrics, and the strange moment we're living through where truth, opinion, and entertainment increasingly overlap. We talk about everything from ancient mythology to modern media, the role attention plays in shaping public discourse, and why people often gravitate toward simple explanations when reality is 

It's a conversation about a song, but it's also a conversation about belief itself—how we form it, why we cling to it, and what happens when the search for certainty becomes more powerful than the pursuit of truth.

Follow Overton:
https://overtonnc.bandcamp.com
https://www.instagram.com/overton.nc

Thanks for supporting B-Side Breakdown — where the song is just the start of the story.

Brett Johnson
Host, B-Side Breakdown

https://www.bsidebreakdown.com

#BSideBreakdown #Overton #HighOnFaith #ShayneMiel #IndependentMusic #MusicPodcast #Songwriting #PunkRock #AlternativeRock #IndieMusic

“This song was me finally going backwards and dealing with some demons.”

For episode 52 of B-Side Breakdown, Marc-Alan Prince breaks down “The Damned,” a song about chasing perfection, surviving self-destruction, and coming to terms with the difference between romanticized youth and the reality of getting older. What starts as a conversation about touring and punk rock ambition turns into something much more personal — living out of vans and on couches, pushing himself past the limit, battling illness, and trying to rebuild a life after realizing the lifestyle he was chasing was no longer sustainable.

Marc-Alan talks openly about the years he spent touring relentlessly, the bands that imploded under the pressure, and the complicated feeling of watching friends move on while still trying to hold onto the thing that once gave life meaning. The episode also dives into the making of his upcoming record Runaway, recorded live in a rented Austin house with full live-performance video sessions inspired by Bridge City Sessions, along with his decision to keep certain releases completely offline as a reaction against streaming culture and Spotify’s treatment of artists.

Follow Marc-Alan Prince:
https://www.instagram.com/marcalanprince/
https://marcalanprince.bandcamp.com/album/runaway
https://www.youtube.com/@marcalanprince

Thanks for supporting B-Side Breakdown — where the song is just the start of the story.

Brett Johnson
Host, B-Side Breakdown

https://www.bsidebreakdown.com

#BSideBreakdown #MarcAlanPrince #TheDamned #Runaway #PunkRock #FolkPunk #AcousticPunk #DIYMusic #IndependentMusic #Songwriter #AustinTexas #MilwaukeeMusic #BridgeCitySessions #TravelWellRecords #MusicPodcast #Punk #AltCountry #Americana #TourLife #MusicStories

This song came from a real moment in the woods that stayed with them long after they got home.

On episode 51 of B-Side Breakdown, DPFKS break down “Magnetic Rock,” a song rooted in emotional exhaustion, connection, and a surreal experience on Minnesota’s Gunflint Trail that became the emotional center of the track. The conversation moves through the band’s pandemic-era formation, their attempt to merge rock songwriting with electronic and experimental textures, and how this song became the clearest representation of what they wanted DPFKS to be. They also dig into building songs collaboratively through synths, modular electronics, and live instrumentation, the challenge of translating that process to the stage, and the intentionally immersive approach behind So Much Love to Give — including handmade screen-printed vinyl packaging, visuals, and even a DPFKS video game.

Follow DPFKS:
https://www.youtube.com/@DPFKS_MPLS
https://dpfks.bandcamp.com/album/so-much-love-to-give
https://www.instagram.com/dpfks_mpls

Thanks for supporting B-Side Breakdown — where the song is just the start of the story.

Brett Johnson
Host, B-Side Breakdown

https://www.bsidebreakdown.com
 
#BSideBreakdown #DPFKS #DeepFakes #MagneticRock #MinneapolisMusic #TwinCitiesMusic #IndieRock #SynthRock #MusicPodcast

For episode 50 of B-Side Breakdown, Shi from Scarboro breaks down “Chaser,” a song rooted in political exhaustion, fake empathy, and the disconnect between what people say they believe and what they’re willing to act on.

Shi talks openly about working in politics and nonprofit advocacy, running for Congress from the left, and eventually walking away after years of watching corporate influence hollow out meaningful change. The conversation moves beyond the song itself into hot-take culture, online outrage, and the frustration of seeing powerful words rarely materialize into pressure where it could actually create change. But underneath all of it is something more personal — exhaustion, apathy, recovery, and trying to rebuild a sense of purpose after hitting a breaking point.

The episode also digs into the making of Scarboro’s new record Hate Season, written after Shi left the New York State Senate and began working through a difficult period of mental health struggles and healing. What came out of that time became one of the band’s most collaborative and emotionally direct records yet.

Follow Scarboro:
scarboro.bandcamp.com
instagram.com/scarboropunx

Sell The Heart Records:
https://www.selltheheartrecords.com/

WTF Records:
https://wtfrecords.eu/

Thanks for supporting B-Side Breakdown — where the song is just the start of the story.

Brett Johnson
Host, B-Side Breakdown
https://www.bsidebreakdown.com

#Scarboro #Chaser #HardcorePunk #PunkRock #NYCHardcore #SellTheHeartRecords #DIYpunk #PunkPodcast #BSideBreakdown #MelodicHardcore #IndependentMusic #MusicPodcast #PunkCommunity #NewMusic

“ASM KoP” started as a phrase Nick Palmer couldn’t shake—something he said constantly in his day job as a retail recruiter: Assistant Store Manager, King of Prussia. What began as a hook turned into something more layered: a snapshot of aging punk lifers navigating retail jobs, suburban malls, and the space between who they were and who they are now. In this episode, Nick breaks down how the song almost didn’t make the record, how a shift in direction reshaped it, and how the final version was built to feel bigger than it actually is—less about recreating a live sound, and more about capturing what it feels like to stand in front of a loud band.

Follow The Blackburns:
theblackburns.bandcamp.com
facebook.com/meettheblackburns
instagram.com/meettheblackburns

Follow Sell the Heart Records:
selltheheartrecords.bandcamp.com
facebook.com/selltheheart
instagram.com/selltheheartrecords
selltheheartrecords.com
twitter.com/selltheheart

Thanks for supporting B-Side Breakdown — where the song is just the start of the story.

Brett Johnson
Host, B-Side Breakdown

#BSideBreakdown #BrettJamesJohnson #TheBlackburns #NickPalmer #PunkRock #IndieRock #BehindTheSong #DIYMusic

In this episode of B-Side Breakdown, Brett Johnson talks with Johnny Laberda from Battery Eyes and Andrew Cahak of Unstable Shapes about “Upside Down,” a collaborative track that stretches beyond both bands’ usual comfort zones.

Born from a casual conversation at Minneapolis mainstay Mortimer’s, the song evolved into one of the most anthemic and stylistically distinct moments on Battery Eyes’ upcoming album zero three.

The discussion digs into the song’s “Frankenstein” creation process—written separately, then stitched together through trust rather than traditional co-writing—and how shared vocals were designed to blur identity and perspective.

Johnny and Andrew unpack the song’s central idea of reframing situations, looking at problems from new angles, and embracing found interpretation over fixed meaning. The episode also highlights the importance of scene-level collaboration, thoughtful studio production, and why “Upside Down” feels just as much about creative process as it does about the lyrics themselves.

Follow Battery Eyes:
https://batteryeyes.bandcamp.com/
https://www.instagram.com/batteryeyes

Follow Unstable Shapes:
https://unstableshapes.bandcamp.com/
https://www.instagram.com/unstableshapes

Follow Cloudland:
https://www.instagram.com/cloudlandtheater
https://www.cloudlandtheater.com/

Thanks for supporting B-Side Breakdown — where the song is just the start of the story.

Brett Johnson
Host, B-Side Breakdown

https://www.patreon.com/c/bsidebreakdown
https://www.instagram.com/bsidebreakdown
https://linktr.ee/bsidebreakdown

#JohnnyLaberda #BatteryEyes #AndrewCahak #UnstableShapes #UpsideDown #ZeroThree #MinneapolisMusic #Collaboration #CreativeProcess #CloudlandTheater #BSideBreakdown #BrettJamesJohnson #MusicPodcast

In this episode of B-Side Breakdown, Brett Johnson sits down with David Jarnstrom of Minneapolis post-hardcore stalwarts Dead History to talk about “Through the Shadows,” a standout track from the band’s 2025 album Departures.

Built around an initial guitar idea from Matt Rezac, the song took a long and winding path to completion—nearly left behind before emerging as one of the record’s most spacious, groove-driven moments. David walks through the tension between restraint and power in the song’s arrangement, the intentional use of space and feel, and why it occupies such a unique place on the album.

The conversation also touches on the song’s impressionistic lyrics, personal interpretations shaped by life in post-George Floyd Minneapolis, and the sense of endurance and rebuilding that runs quietly beneath the surface.

With Departures likely marking a closing chapter for Dead History, this episode reflects on creative maturity, community, and seeing something through—even when it’s hard.

Follow Dead History:
https://deadhistorymn.bandcamp.com/
https://www.instagram.com/deadhistoryband

Thanks for supporting B-Side Breakdown — where the song is just the start of the story.

Brett Johnson
Host, B-Side Breakdown

https://www.patreon.com/c/bsidebreakdown
https://www.instagram.com/bsidebreakdown
https://linktr.ee/bsidebreakdown

#DavidJarnstrom #DeadHistory #ThroughTheShadows #Departures #MinneapolisMusic #PostHardcore #Shoegaze #CreativeProcess #BSideBreakdown #BrettJamesJohnson #MusicPodcast

In this episode of B-Side Breakdown, Brett Johnson sits down with Brad Gunnarson—better known around the Twin Cities as B-Gun—to unpack “Teenager,” a Deftones cover recorded under the project name Killing Stares. Originally appearing on White Pony, the song was reimagined for For the Song You Saved, a community-driven Deftones tribute benefiting Oasis for Youth.

Brad talks through the long-held idea behind Killing Stares: assembling one-off lineups of musicians who don’t normally play together and letting instinct guide the process. With Zac Boyd (johnnyrook) on acoustic guitar, Nick Larsen (ExactlyNo) on drums, and Callie from Dadbod on vocals, the track came together quickly and intentionally—sparse, emotional, and respectful of the original while still feeling personal. 

The conversation also traces Brad’s decades in the Minneapolis–St. Paul music scene, his philosophy of “put out records with your friends,” and how this project reflects the power of community, timing, and doing things the right way.

Follow Killing Stares:

https://forthesongyousaved.bandcamp.com/
https://www.instagram.com/killingstares
https://www.oasisforyouth.org/
https://www.instagram.com/cardinalsunrecords

Thanks for supporting B-Side Breakdown — where the song is just the start of the story.

Brett Johnson
Host, B-Side Breakdown

https://www.patreon.com/c/bsidebreakdown
https://www.instagram.com/bsidebreakdown
https://linktr.ee/bsidebreakdown

#KillingStares #Teenager #BradGunnarson #BGun #Deftones #WhitePony #ForTheSongYouSaved  #OasisForYouth #TwinCitiesMusic #CommunityOverCompetition #BenefitCompilation #BSideBreakdown #BrettJamesJohnson #MusicPodcast

Brett Johnson sits down with James and Terry of The Jukebox Romantics (Downstate NY) to talk about “The Walk to Heartwood” — a heartfelt standout from their 2025 full-length, This One Looks Cool.

Equal parts punk gratitude and FEST devotion, the song is a self-described “love letter to Heartwood Soundstage” and the Gainesville DIY scene. Built around themes of chosen family, emotional return, and saying yes to the chaos, the track blends urgency and joy without a hint of sarcasm.

James and Terry open up about writing from the heart, embracing vulnerability, and chasing authenticity over polish. From late-night singalongs to post-pandemic reconnections, this one’s for the lifers.

Follow The Jukebox Romantics:

https://thejukeboxromantics.bandcamp.com/
https://www.instagram.com/jukeboxromantics

https://www.selltheheartrecords.com
https://www.instagram.com/selltheheartrecords

https://www.instagram.com/thefestfl/
https://linktr.ee/thefest

Thanks for supporting B-Side Breakdown — where the song is just the start of the story.

Brett Johnson
Host, B-Side Breakdown
https://www.patreon.com/c/bsidebreakdown
https://www.instagram.com/bsidebreakdown
https://linktr.ee/bsidebreakdown

#TheWalkToHeartwood #ThisOneLooksCool #TheJukeboxRomantics #bsidebreakdown #threecrowsclub #brettjamesjohnson #musicpodcast #FEST #punkrockfamily #HeartwoodSoundstage