Episode 065 is for the every person. Featuring Copland's 'Fanfare for the Common Man' we pair it with America's most "every person" beer, Coors Banquet. The history of Coors Brewing is something that everyone should know about. Listen, follow and cheers to our Bach to Bock nation.

Celebrating 2020, we feature the overture to Die Fledermaus and gush over the beer that is Gunner's Daughter from Mast Landing Brewing in Westbrook, ME. 

Happy New Year, Bach to Bock nation.

Matty explains why using the English language the proper way is important. Especially when researching beer. Tip: Study Grammar.

Featuring Handel's Hallelujah Chorus from his 'Messiah' oratorio, we pair this iconic holiday piece with Samuel Adams 'Old Fezziwig' and tease some excerpts from Muppet's Christmas Carol.

Merry Christmas to everyone.

This episode gets mathematical. Feat. Berg Violin Concerto, this episode explores 12-tone music (Serialism) and pairs with the most mathematical of beers, Prime from Goodfire Brewing Co. from Portland, ME.

This flashback episode from 2017 features Lone Pine Brewing Co. founders Tom Madden and John Paul, along with a study of Respighi's 'Pines of Rome.' 

Featuring Debussy's orchestral work 'La Mer' we explore his influence of the sea from childhood and paintings on this piece and pair it with Whaleback Traditional Dry Cider from Lincolnville, ME. 

The last episode of our month-long dive into the work of Benjamin Britten has us wrapping up with his 1962 'War Requiem' (terribly timed for the holidays). Featuring the D-Day ale from Noyon Brewing, we try to keep your spirits light. If not, let the spirits keep you light. 

All rise for the national anthem of England. This episode we listen to Britten's arrangement of 'God Save the Queen' composed in 1962, pairing it with Collective Arts Brewing 'Stranger Than Fiction' Porter, designed with the best Queen Elizabeth can artwork (includes a neck tattoo). 

Feat. Benjamin Britten's 'Scottish Ballad for Two Pianos and Orchestra', we pair The Original Scotch Ale from Innis & Gunn, which is the perfect pairing for this intense but incredible work by Britten, written in America in 1941.