Jimmy England talks about 1968’s Funny Girl with 2018’s funny girl, Chris Wuergler. Nobody’s quite sure if this is the biography of Fanny Brice or a Barbra Streisand concert movie.

Comedian Pete Van Dyke coaches Jimmy England on the finer points of 1977’s Slap Shot. Jimmy explains why he’s out of his mind. Surprisingly, the gloves never come off.

Go back to the summer of love when Jim and guest Len Perdic talk about 1970’s Woodstock. Peace, love and rock and roll or a fantastic con job? Don’t miss the quiz at the end to determine how groovy you are.

Perpetually perky Doris Day comes under fire when Jimmy England and Chris Wuergler talk about her 1963 film Move Over, Darling. Surrealist romp or precursor to Sex In The City?

Comedian Barry 3D Carter visits to talk about his favourite movie, 1976’s Logan’s Run. Is Jim correct that it’s technically challenged? Or should you trust a man who can’t figure out how to text message?

Jim obsesses once again about the weight of gold while guest Len Perdic patiently explains that 1969’s The Italian Job was just a movie and any similarities to other films is just a coincidence.

Back with a personal favourite, guest Mario Bernardi tries to get Jim to understand the finer points of 1971’s Harold and Maude. Jim tries but can only identify with what he interprets as symptoms of early onset dementia (big surprise).

Jim and special guest Mario Bernardi plunge into the world of bugs, security and paranoia with 1974’s The Conversation. It’s a fascinating discussion with no connection to why they’re both afraid to answer their cell phones.

Is Grease the word or just a terrible 1976 movie? Chris Wuergler and Jimmy England debate whether it’s a good idea to cast actors as high school students who are old enough to receive pensions.

You need a mean mutha to talk about the blaxploitation films of the seventies. Instead, you get Jimmy England and comedian Barry 3D Carter just talking about 1971’s Shaft in this episode of Back to the Balcony.