June 03, 2025

Bad Luck Ghorman: ANDOR & History

1 hour 57 minutes

On the latest episode of Hyperspace Theories, Tricia Barr and B.J. Priester continue their analysis of Season Two of the Disney+ streaming series Andor: A Star Wars Story with a discussion centered on the Ghorman storyline heavily featured across Episodes 4 to 8 and culminating in the eighth episode focused entirely on the the tragedy of the Ghorman Massacre. One major theme of this storyline is the power of propaganda, introduced in the first Imperial scenes of the season’s first episode. We then consider other forms of Imperial manipulation of the events on Ghorman, and the ideas Andor presents about oppression and resistance through the lens of Imperial military occupation, the Ghorman Front and public opposition, and the role of Luthen’s agents on the road to the Massacre.

These themes and ideas are reflected across the characterization and character arcs of numerous individuals in these episodes, including Cassian, Luthen, and Wilmon; Vel and Cinta; Dedra, Syril, and Partagaz; and even Mon Mothma and Director Krennic. We also examine how the various new characters from Ghorman – particularly Carro Rylanz, Enza Rylanz, Samm, Thela, and Lezine – illustrate the themes and ideas of the storyline, and how their experiences of oppression and resistance influence their decisions and actions leading up to, and during, the Massacre.

In media appearances promoting Andor Season Two, creator and showrunner Tony Gilroy has spoken extensively about the real-world influences on his storytelling in the series, especially his lifelong passion for reading and learning about revolutions across the world and throughout history. Our discussion considers several of these influences, such as wartime propaganda, especially in the twentieth century. Gilroy also references both the French Resistance to Nazi occupation during World War II and the subsequent Algerian resistance to French colonial control in subsequent decades, portrayed in the classic film The Battle of Algiers (1966), which influenced the visual style of the eighth episode in particular. We also point out connections to the American Revolution, French Revolution, and Haitian Revolution, and the significance of Gilroy’s mentions of Oliver Cromwell and the Baader-Meinhof Group. Like George Lucas, who drew heavily on fictional and nonfictional influences when first creating his ideas for the initial Star Wars films, Tony Gilroy’s Andor contains an insightful and impactful combination of fiction and nonfiction inspirations.