BAFTA

Director Roger Mainwood, lead texture artist Darren Fereday & lead CG artist Sam Wright from Cloth Cat Animation discuss the making of Ethel and Ernest, in conversation with Cloth Cat's Jon Rennie. The hand drawn animated film, based on the award winning graphic novel by Raymond Briggs, is an intimate and affectionate depiction of the life and times of his parents, two ordinary Londoners living through extraordinary events.

Part of BAFTA Cymru's events programme: https://www.bafta.org/wales/events-initiatives

Director Roger Mainwood, lead texture artist Darren Fereday & lead CG artist Sam Wright from Cloth Cat Animation discuss the making of Ethel and Ernest, in conversation with Cloth Cat's Jon Rennie. The hand drawn animated film, based on the award winning graphic novel by Raymond Briggs, is an intimate and affectionate depiction of the life and times of his parents, two ordinary Londoners living through extraordinary events.

Part of BAFTA Cymru's events programme: https://www.bafta.org/wales/events-initiatives

Director Roger Mainwood, lead texture artist Darren Fereday & lead CG artist Sam Wright from Cloth Cat Animation discuss the making of Ethel and Ernest, in conversation with Cloth Cat's Jon Rennie. The hand drawn animated film, based on the award winning graphic novel by Raymond Briggs, is an intimate and affectionate depiction of the life and times of his parents, two ordinary Londoners living through extraordinary events.

Part of BAFTA Cymru's events programme: https://www.bafta.org/wales/events-initiatives

Director Roger Mainwood, lead texture artist Darren Fereday & lead CG artist Sam Wright from Cloth Cat Animation discuss the making of Ethel and Ernest, in conversation with Cloth Cat's Jon Rennie. The hand drawn animated film, based on the award winning graphic novel by Raymond Briggs, is an intimate and affectionate depiction of the life and times of his parents, two ordinary Londoners living through extraordinary events.

Part of BAFTA Cymru's events programme: https://www.bafta.org/wales/events-initiatives

Director Stephen Daldry, writer Peter Morgan and executive producer Suzanne Mackie discuss the making of the £100m Netflix series starring Matt Smith and Claire Foy.

The Crown traces the life of Queen Elizabeth II from her wedding in 1947 to the present day. It is expected to span 60 episodes over six seasons.

Director Stephen Daldry, writer Peter Morgan and executive producer Suzanne Mackie discuss the making of the £100m Netflix series starring Matt Smith and Claire Foy.

The Crown traces the life of Queen Elizabeth II from her wedding in 1947 to the present day. It is expected to span 60 episodes over six seasons.

Director Stephen Daldry, writer Peter Morgan and executive producer Suzanne Mackie discuss the making of the £100m Netflix series starring Matt Smith and Claire Foy.

The Crown traces the life of Queen Elizabeth II from her wedding in 1947 to the present day. It is expected to span 60 episodes over six seasons.

Director Stephen Daldry, writer Peter Morgan and executive producer Suzanne Mackie discuss the making of the £100m Netflix series starring Matt Smith and Claire Foy.

The Crown traces the life of Queen Elizabeth II from her wedding in 1947 to the present day. It is expected to span 60 episodes over six seasons.

The writer-directors of The Lego Movie, Cloudy with a Change of Meatballs and upcoming Batman Lego Movie and Star Wars spin-off unpick their collaborative writing process and offer in-depth screenwriting advice.

“Everything is awesome” may be a song title from Phil Lord and Christopher Miller’s film The Lego Movie (2014), but it could just as easily be used to describe the careers of the writer-director-producer duo right now. The pair, collectively known as Lord Miller, are on the up-and- up, bringing the Midas effect to seemingly every new film they touch. Perhaps a key to this success is their versatility, the ability to switch seamlessly between the guises of writers, directors and producers. They also seem to have an inherent understanding of pop culture and how to imaginatively use it to generate the greatest laughs.

That’s certainly evident in The Lego Movie. It was also a key element in the success of Cloudy with a Chance of Meatballs (2009), the animated film that first set them on their current golden path. Outside of screenwriting, it’s hard to ignore Lord Miller’s other successes. Over the past decade or so, they have co-executive produced 17 episodes (and wrote two) of the How I Met Your Mother; they directed live-action comedy 21 Jump Street (2012) and its sequel 22 Jump Street (2014) and directed and executive produced the pilot episode of the golden globe-winning Brooklyn Nine-Nine. It must all seem a far cry from their days at Dartmouth College in the US, where the pair first met while taking an introductory animation course. This led to jobs developing Saturday morning cartoons for Disney, before they had their first primetime television experience creating Clone High (2000).

The writer-directors of The Lego Movie, Cloudy with a Change of Meatballs and upcoming Batman Lego Movie and Star Wars spin-off unpick their collaborative writing process and offer in-depth screenwriting advice.

“Everything is awesome” may be a song title from Phil Lord and Christopher Miller’s film The Lego Movie (2014), but it could just as easily be used to describe the careers of the writer-director-producer duo right now. The pair, collectively known as Lord Miller, are on the up-and- up, bringing the Midas effect to seemingly every new film they touch. Perhaps a key to this success is their versatility, the ability to switch seamlessly between the guises of writers, directors and producers. They also seem to have an inherent understanding of pop culture and how to imaginatively use it to generate the greatest laughs.

That’s certainly evident in The Lego Movie. It was also a key element in the success of Cloudy with a Chance of Meatballs (2009), the animated film that first set them on their current golden path. Outside of screenwriting, it’s hard to ignore Lord Miller’s other successes. Over the past decade or so, they have co-executive produced 17 episodes (and wrote two) of the How I Met Your Mother; they directed live-action comedy 21 Jump Street (2012) and its sequel 22 Jump Street (2014) and directed and executive produced the pilot episode of the golden globe-winning Brooklyn Nine-Nine. It must all seem a far cry from their days at Dartmouth College in the US, where the pair first met while taking an introductory animation course. This led to jobs developing Saturday morning cartoons for Disney, before they had their first primetime television experience creating Clone High (2000).