BAFTA

Maren Ade, writer-director of Toni Erdmann, shares insights from her career, discussing character development, writing emotion and directing her own work.

Maren Ade’s first full feature was Der Wald vor lauter Bäumen (The Forest for the Trees, 2003) about a lonely teacher who moves to an urban school with unrealistic ambitions of changing the lives of her new pupils. Ade followed this up with Alle Anderen (Everyone Else, 2009), a sun-kissed portrait of love, sex and romance following a young German couple who find their seemingly unbreakable relationship severely tested while holidaying in the Mediterranean. Her third film is Toni Erdmann (2016) a fascinating depiction of an estranged father and his emotionally repressed adult daughter as he tries to re-forge their relationship in a unique and comic way.

An honest examination of the relationships between ordinary people seems to be at the heart of her work, all dealt with compassionately and through an unfettered window of truth, inviting the audience to form their own opinions and judgements.

Maren Ade, writer-director of Toni Erdmann, shares insights from her career, discussing character development, writing emotion and directing her own work.

Maren Ade’s first full feature was Der Wald vor lauter Bäumen (The Forest for the Trees, 2003) about a lonely teacher who moves to an urban school with unrealistic ambitions of changing the lives of her new pupils. Ade followed this up with Alle Anderen (Everyone Else, 2009), a sun-kissed portrait of love, sex and romance following a young German couple who find their seemingly unbreakable relationship severely tested while holidaying in the Mediterranean. Her third film is Toni Erdmann (2016) a fascinating depiction of an estranged father and his emotionally repressed adult daughter as he tries to re-forge their relationship in a unique and comic way.

An honest examination of the relationships between ordinary people seems to be at the heart of her work, all dealt with compassionately and through an unfettered window of truth, inviting the audience to form their own opinions and judgements.

Maren Ade, writer-director of Toni Erdmann, shares insights from her career, discussing character development, writing emotion and directing her own work.

Maren Ade’s first full feature was Der Wald vor lauter Bäumen (The Forest for the Trees, 2003) about a lonely teacher who moves to an urban school with unrealistic ambitions of changing the lives of her new pupils. Ade followed this up with Alle Anderen (Everyone Else, 2009), a sun-kissed portrait of love, sex and romance following a young German couple who find their seemingly unbreakable relationship severely tested while holidaying in the Mediterranean. Her third film is Toni Erdmann (2016) a fascinating depiction of an estranged father and his emotionally repressed adult daughter as he tries to re-forge their relationship in a unique and comic way.

An honest examination of the relationships between ordinary people seems to be at the heart of her work, all dealt with compassionately and through an unfettered window of truth, inviting the audience to form their own opinions and judgements.

Maren Ade, writer-director of Toni Erdmann, shares insights from her career, discussing character development, writing emotion and directing her own work.

Maren Ade’s first full feature was Der Wald vor lauter Bäumen (The Forest for the Trees, 2003) about a lonely teacher who moves to an urban school with unrealistic ambitions of changing the lives of her new pupils. Ade followed this up with Alle Anderen (Everyone Else, 2009), a sun-kissed portrait of love, sex and romance following a young German couple who find their seemingly unbreakable relationship severely tested while holidaying in the Mediterranean. Her third film is Toni Erdmann (2016) a fascinating depiction of an estranged father and his emotionally repressed adult daughter as he tries to re-forge their relationship in a unique and comic way.

An honest examination of the relationships between ordinary people seems to be at the heart of her work, all dealt with compassionately and through an unfettered window of truth, inviting the audience to form their own opinions and judgements.

Sponsored by The JJ Charitable Trust.

Watch this session on YouTube: https://www.youtube.com/watch?v=VMV2HuZR3Mk

Read the transcript on our website: https://www.bafta.org/media-centre/transcripts/bafta-screenwriters-lecture-series-maren-ade

The Screenwriters' Lectures are presented as originally recorded. Some of the lectures may contain outdated comments or views which some listeners may find insensitive or offensive.

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Kenneth Longeran, writer-director of Manchester by The Sea, offers insights on his process and collaboration and shares advice for aspiring screenwriters.

Kenneth Longergan’s stories are predominantly engaging character-driven dramas that explore the minutiae of the human condition and its many challenges and complexities, in such an intuitive way that they can’t fail to sympathetically connect with an audience. Often provocative, always sensitive, his films rarely offer easy answers, they simply provide a profound and poetic glimpse into the lives of everyday characters. Born in New York, Lonergan originally tasted success on the stage, writing shows that would perform both off and on Broadway. His first film script was for Analyze This (1999), before deciding to both pen and direct his next feature, You Can Count on Me (2000). It turned out to be a wise decision, with the script earning him both Oscar and Golden Globe nominations.

Margaret, about a young woman (Anna Paquin) who witnesses a bus accident and must deal with the consequences, was completed in 2007 but became mired in distribution hell. When it was eventually released in 2011, it garnered great reviews and more awards recognition. Sandwiched in between these two, he wrote The Adventures of Rocky & Bullwinkle (2000) and worked on Martin Scorsese’s Gangs of New York (2002), the latter collecting both BAFTA and Oscar nods, with fellow writers Jay Cocks and Steven Zaillian.

Kenneth Longeran, writer-director of Manchester by The Sea, offers insights on his process and collaboration and shares advice for aspiring screenwriters.

Kenneth Longergan’s stories are predominantly engaging character-driven dramas that explore the minutiae of the human condition and its many challenges and complexities, in such an intuitive way that they can’t fail to sympathetically connect with an audience. Often provocative, always sensitive, his films rarely offer easy answers, they simply provide a profound and poetic glimpse into the lives of everyday characters. Born in New York, Lonergan originally tasted success on the stage, writing shows that would perform both off and on Broadway. His first film script was for Analyze This (1999), before deciding to both pen and direct his next feature, You Can Count on Me (2000). It turned out to be a wise decision, with the script earning him both Oscar and Golden Globe nominations.

Margaret, about a young woman (Anna Paquin) who witnesses a bus accident and must deal with the consequences, was completed in 2007 but became mired in distribution hell. When it was eventually released in 2011, it garnered great reviews and more awards recognition. Sandwiched in between these two, he wrote The Adventures of Rocky & Bullwinkle (2000) and worked on Martin Scorsese’s Gangs of New York (2002), the latter collecting both BAFTA and Oscar nods, with fellow writers Jay Cocks and Steven Zaillian.

Kenneth Longeran, writer-director of Manchester by The Sea, offers insights on his process and collaboration and shares advice for aspiring screenwriters.

Kenneth Longergan’s stories are predominantly engaging character-driven dramas that explore the minutiae of the human condition and its many challenges and complexities, in such an intuitive way that they can’t fail to sympathetically connect with an audience. Often provocative, always sensitive, his films rarely offer easy answers, they simply provide a profound and poetic glimpse into the lives of everyday characters. Born in New York, Lonergan originally tasted success on the stage, writing shows that would perform both off and on Broadway. His first film script was for Analyze This (1999), before deciding to both pen and direct his next feature, You Can Count on Me (2000). It turned out to be a wise decision, with the script earning him both Oscar and Golden Globe nominations.

Margaret, about a young woman (Anna Paquin) who witnesses a bus accident and must deal with the consequences, was completed in 2007 but became mired in distribution hell. When it was eventually released in 2011, it garnered great reviews and more awards recognition. Sandwiched in between these two, he wrote The Adventures of Rocky & Bullwinkle (2000) and worked on Martin Scorsese’s Gangs of New York (2002), the latter collecting both BAFTA and Oscar nods, with fellow writers Jay Cocks and Steven Zaillian.

Kenneth Longeran, writer-director of Manchester by The Sea, offers insights on his process and collaboration and shares advice for aspiring screenwriters.

Kenneth Longergan’s stories are predominantly engaging character-driven dramas that explore the minutiae of the human condition and its many challenges and complexities, in such an intuitive way that they can’t fail to sympathetically connect with an audience. Often provocative, always sensitive, his films rarely offer easy answers, they simply provide a profound and poetic glimpse into the lives of everyday characters. Born in New York, Lonergan originally tasted success on the stage, writing shows that would perform both off and on Broadway. His first film script was for Analyze This (1999), before deciding to both pen and direct his next feature, You Can Count on Me (2000). It turned out to be a wise decision, with the script earning him both Oscar and Golden Globe nominations.

Margaret, about a young woman (Anna Paquin) who witnesses a bus accident and must deal with the consequences, was completed in 2007 but became mired in distribution hell. When it was eventually released in 2011, it garnered great reviews and more awards recognition. Sandwiched in between these two, he wrote The Adventures of Rocky & Bullwinkle (2000) and worked on Martin Scorsese’s Gangs of New York (2002), the latter collecting both BAFTA and Oscar nods, with fellow writers Jay Cocks and Steven Zaillian.

Sponsored by The JJ Charitable Trust.

Watch this session on YouTube: https://youtu.be/R3kbs_36eBo

Read the transcript on our website: https://www.bafta.org/media-centre/transcripts/bafta-screenwriters-lecture-series-kenneth-lonergan

The Screenwriters' Lectures are presented as originally recorded. Some of the lectures may contain outdated comments or views which some listeners may find insensitive or offensive.

Stay up to date

Twitter:

@BAFTA: https://twitter.com/BAFTA

@BAFTAGames: https://twitter.com/BAFTAGames

Facebook: https://www.facebook.com/bafta

Instagram: http://instagram.com/bafta

TikTok: https://www.tiktok.com/@bafta

Twitch: https://www.twitch.tv/bafta

sign up for our newsletter: https://www.bafta.org/newsletter

visit our websites to find out more: http://www.bafta.org

#BAFTA

Director Terry Gilliam (Brazil, Monty Python & the Holy Grail) discusses his experiences of working with craft and crew and being photographed for BAFTA's The Love of Film exhibition: https://www.bafta.org/heritage/photography/for-the-love-of-film-exhibition

Director Terry Gilliam (Brazil, Monty Python & the Holy Grail) discusses his experiences of working with craft and crew and being photographed for BAFTA's The Love of Film exhibition: https://www.bafta.org/heritage/photography/for-the-love-of-film-exhibition