Van and Lyle are joined by Ben and Jordano from the Remember Shuffle podcast to take on The Hunt for Red October (1990), John McTiernan’s Cold War submarine thriller packed with an all-star cast. Sean Connery’s Ramius may be the most Scottish Russian ever put on screen, but the real star is the film’s endless roll call of talent and character actors—from Alec Baldwin and James Earl Jones to Sam Neill, Tim Curry, Stellan Skarsgård, and Courtney B. Vance—each grounding a plot that often becomes too convoluted for its own good. The trio unpacks how these performances and sharp writing moments (like the recurring teddy bear motif) elevate the film into its iconic status.

At the same time, the conversation digs into the politics underlying the spectacle: the film’s inflation of the Soviet threat, its naturalization of U.S. military dominance, and its childlike portrayal of Cold War geopolitics as a cat-and-mouse (eagle-and-bear?) game. By the film’s end, this game seems less about preventing nuclear Armageddon than about obscuring the everyday violence and exploitation guaranteed by imperial competition, particularly in waters and shores well below the Northern Hemisphere.

Further Reading/Listening

Remember Shuffle Podcast

The Rivalry Peril by Van and Michael Brenes

The Cold War’s Killing Fields by Paul Thomas Chamberlin

“The Lethal Crescent: When the Cold War Was Hot” by Daniel Immerwahr

Van and Lyle’s Appearance on Remember Shuffle

Teaser from the Episode

The Hunt for Red October Trailer

In this episode, Van and Lyle are joined by journalist and author Noah Hurowitz (El Chapo) to discuss Olivier Assayas’ Carlos, the sweeping 2010 miniseries about the infamous Venezuelan militant Ilich Ramírez Sánchez. The conversation explores how Carlos’ life story illuminates both the allure and the pitfalls of revolutionary violence: how genuine struggles for liberation can attract both the most earnest and courageous fighters, as well as opportunists like Carlos who drift into becoming hired guns for despots and intelligence services.

Along the way, we talk about the film’s depictions of groups like the PFLP, Black September, and the German Revolutionary Cells; Carlos’ entanglements with figures from Saddam Hussein to Muammar Gaddafi to Nicolae Ceaușescu; and the moral contrasts between Carlos and comrades such as Hans-Joachim Klein (“Angie”), who ultimately chose conscience over bloodshed. The miniseries captures both the romance and disarray of internationalist militancy, while reminding us why the long-term task must be to build societies—and a global order—where such violence is no longer called into being.

Further Reading

El Chapo by Noah Hurowitz

Noah at The Intercept

Jackal by John Follain

Abu Nidal by Patrick Seale

Teaser from the Episode

Carlos Trailer

Van and Lyle are joined by Sandipto Dasgupta—legal scholar, political theorist, and possessor of an encyclopedic knowledge of Congolese politics, the Non-Aligned Movement, and postcolonial political economy—to discuss Johan Grimonprez’s Soundtrack to a Coup d’État. The film blends archival footage, radical history, and one of the most inspired uses of diegetic sound you’ll ever encounter, tracing the assassination of Patrice Lumumba against a global backdrop of jazz diplomacy, Cold War intrigue, and the contested promises of decolonization.

Sandipto walks us through the tangled histories of the Congo’s natural resources, the role of Dag Hammarskjöld (depicted here as something of a willing instrument of U.S. imperial aims), and the African musicians whose performances frame the story. The conversation threads Lumumba’s fate through the rise of the Non-Aligned Movement, Third Worldism, and the New International Economic Order, in turn connecting the film to works like Adom Getachew’s Worldmaking After Empire and Vincent Bevins’s The Jakarta Method. Together, they explore how Soundtrack captures both the intoxicating possibilities of cultural exchange and the brutal realities of a world order determined to foreclose them.

Further Reading

Sandipto’s Website

The Jazz Ambassadors – PBS

Worldmaking After Empire by Adom Getachew

The Jakarta Method by Vincent Bevins

My Country, Africa: Autobiography of the Black Pasionaria by Andrée Blouin

Teaser from the Episode

Soundtrack to a Coup d’Etat Trailer

In this episode, we discuss Costa-Gavras’s State of Siege, a tightly constructed political thriller based on the real-life kidnapping and execution of U.S. police advisor Dan Mitrione by Uruguay’s Tupamaros guerrillas. Set in early 1970s Uruguay but filmed in Allende-era Chile just before the coup, the film dramatizes how U.S. “public safety” programs—nominally about technical assistance and crime prevention—became tools of Cold War counterinsurgency, helping repressive regimes police and suppress political dissent.

With scholars Stuart Schrader (Badges Without Borders) and Alex Aviña (Specters of Revolution), we explore the intersections of U.S. empire, global policing, and revolutionary resistance in the Southern Cone, and reflect on what it means to live in a world still shaped by these Cold War legacies.

Further Reading

Specters of Revolution, by Alex

“When NACLA Helped Shutter the U.S. Office of Public Safety,” by Stuart

“From Police Reform to Police Repression,” by Stuart

Twitter thread on Dan Mitrione by Stuart

Badges Without Borders, by Stuart Of Light and Struggle, by Debbie Sharnak

“The Long Arm of the Law,” by Lyle

Latin America’s Radical Left, by Aldo Marchesi

“Revolution Beyond the Sierra Maestra,” by Aldo Marchesi

Becoming the Tupamaros, by Lindsey Churchill

National Security Archive: The Dan Mitrione File

Teaser from The Episode

State of Siege Trailer

Van and Lyle are joined by historian and Slate Senior Editor Rebecca Onion to talk through the entire 28 Days Later trilogy, from its early aughts origins to its apocalyptic present. Together they explore the first film’s anti-militarist edge, arriving just as the War on Terror began to unfold, and how its disaffected rage gave way to the bombastic sensibilities of the 2007 sequel.

If the original cast British soldiers as the truest threats to civilization, the second leans into Global War on Terror aesthetics, gathering around a Delta Force commando as protagonist. Then again, it still preserves a kernel of the earlier critique: That security operations have a way of turning from containment to extermination.

The group breaks down this shift through a striking bit of dialogue from Rose Byrne’s Army medical officer, which lays out a three-stage process—identify the infection, contain the infection, and when the containment fails, exterminate all the brutes—that mirrors countless historical escalations, from Cold War brinkmanship to post-9/11 imperial overreach to the genocide now unfolding in Gaza.

They debate whether 28 Weeks Later offers any coherent politics at all, or simply mirrors our own contradictions. They also reflect on the beauty of Cillian Murphy, the chemistry between Murphy and Naomie Harris, Brendan Gleeson’s wrenching turn, and the creative imprint of Danny Boyle and Alex Garland; clearly felt in the first and final films, and sorely missed in the second. Most of all, they dig into the wild third installment—28 Years Later—and how its mystical, cosmic pivot late in the film, when Ralph Fiennes assumes center stage, reorients the entire franchise around memory, mourning, and what it means to love in a world on fire.

Further Reading

Rebecca’s Website

Rebecca’s Author Page at Slate

“28 Years Later and the Social Life of Catastrophe,” by Eileen Jones

An Indigenous People’s History of the United States, by Roxanne Dunbar-Ortiz

“Illusions of Containment,” by Tom Stevenson

Teaser from the Episode

28 Days Later Trailer

Van and Lyle are joined by journalist Sam Carliner to unpack Guy Ritchie’s The Covenant, a 2023 entry into the Afghanistan war movie canon. Together they examine how the film reinforces the myth, heavily circulated in the wake of the 2021 U.S. pullout, that American troops and Afghan interpreters were bonded as brothers in arms, fighting a noble, shared war against evil. While the film’s central relationship between Master Sergeant John Kinley (Jake Gyllenhaal) and his Afghan interpreter Ahmed (Dar Salim) is marked by quick banter and trust, the reality on the ground was often far icier; mutually suspicious relationships shaped by Islamophobia, infiltration, coercion, and years of betrayal.

The conversation digs into the emotional beats of the film and what they obscure. Kinley and Ahmed each risk their lives to save the other, and their intertwined fates become the “covenant” of the title. But rather than offering a serious reckoning with U.S. violence, the film functions as a feel-good fable of reciprocal loyalty, centering a “Good Muslim” who rescues his “Good American” friend, only to be rescued in return—with the arrival of private contractors cast as a climactic moment of salvation rather than as mercenary forces profiting off the neo-colonial periphery. The backdrop of a 20-year U.S. occupation and a 40-year civil war, both shaped and fueled by American policy, is left untouched.

The film doesn’t argue the U.S. should have stayed in Afghanistan, but it’s steeped in post-withdrawal melancholia, more interested in soothing American audiences than engaging historical truth. And yet, in its final scene, Kinley and Ahmed staring blankly from the cargo bay of a C-130, the production evokes an eerily similar ending to Zero Dark Thirty: The protagonists afloat in transit, surrounded by machinery, without any real sense of where they’re going or why.

Further Reading

Sam’s Substack

No Good Men Among the Living by Anand Gopal

The Fort Bragg Cartel by Seth Harp

Good Muslim, Bad Muslim by Mahmood Mamdani

Bang-Bang doing Zero Dark Thirty

Teaser from the Episode

Guy Ritchie’s The Covenant Trailer

Politics behind the scenes: A rare glimpse behind the curtain as Van, Lyle, and guest George Dardess talk about about memoir and stories of conversion. They discuss their own experiences relating to Monterey, California and the Defense Language Institute before getting into personal radicalization, the art of close reading, and the question of conscience that looms louder until it consumes you—which side are you on?

This conversation took place prior to recording a forthcoming episode about the film Downfall (although we’re releasing a few episodes ahead of Downfall). Good thing the mics were on, because this conversation has haunted Van (in a good way) ever since.

Further Reading

Lyle’s memoir

Colette’s memoir

A selection of George’s writing

Traudl Junge’s memoir

The next episode to drop: Guy Ritchie’s The Covenant!

In this finale to our Andor series, Van and Lyle are joined by returning guest Paul Adlerstein and—making his first appearance on the pod—Matt Duss, former foreign policy advisor to Senator Bernie Sanders and current executive vice president at the Center for International Policy.

The conversation spans the closing arc of Andor Season 2 and Rogue One, treating them as one long meditation on revolutionary grief, sacrifice, and strategy. We reflect on Kleya Marki’s backstory, Deedra Meero’s karmic consignment to the labor camps, and the quiet closure of Bix Caleen’s journey from warrior to survivor, cradling new life in a liberated field.

We also discuss Cassian’s confrontation with the rebel leadership and his scathing defense of Luthen Rael. Namely, his accusation that those who sit in safety have committed only a fraction of the sacrifice they demand of others. As well as Bail Organa’s (wink wink, nod nod) “May the Force be with you, captain,” sealing the fate of Cassian’s transition from hunted thief to selfless insurgent.

In our Rogue One discussion, we note the apocalyptic awe of Krennic’s “Oh, it’s beautiful” as he watches Jedha obliterated, a moment that recalls the real-world language of U.S. reporters and officials after Hiroshima.

Further Reading

Matt on Twitter

Center for International Policy

Matt’s other podcast (with Van)

Paul’s website

“Witnessing the A-Bomb, but Forbidden to File,” by David W. Dunlap

“Andor Is the Best Star Wars You Will Ever See,” by David Klion

Project Fulcrum: Nemik’s Weekly Manifesto

Teaser from the Episode

Andor Season 2 Trailer

This is Part III of our three-part series covering the Battle of Chile (itself a trilogy). Check out Part I and Part II!

Van and Lyle are joined by journalist and historian Jonathan M. Katz to discuss Patricio Guzmán’s seminal Battle of Chile trilogy—widely regarded as one of the greatest political documentaries ever made—alongside its 1997 epilogue, Obstinate Memory. Our conversation was recorded mostly in the weeks after Trump’s reelection but before his inauguration, and the urgency of that moment colors much of our analysis. At the heart of it: What can the Chilean road to socialism and its systematic destruction teach us about the slow corrosion of democratic institutions in the U.S. and elsewhere? And how might the fates of Salvador Allende, the Popular Unity coalition, and Chilean workers help illuminate the emerging dynamics of the global far right?

We dig into the paradoxes and possibilities of the Allende years: the failed balancing act between revolution and legality; the coordinated resistance from business owners, professionals, and the military; the question of whether a peaceful transition to socialism was ever possible. We examine how The Battle of Chile dissects the infrastructure of counterrevolution—economic pressure, street violence, parliamentary sabotage, and media warfare—and what it means to rewatch these films in our current moment. And we talk about the strength and tragedy of mass mobilization, the unarmed marches and factory occupations, and the fateful decision not to arm the people.

Further Reading

The Racket, Jonathan’s newsletter

Gangsters of Capitalism: Smedley Butler, the Marines, and the Making and Breaking of America’s Empire, by Jonathan Katz

America, América: A New History of the New World, by Greg Grandin

“Defending Allende,” by Ariel Dorfman

Teaser from the Episode

Battle of Chile Trailer

This is Part II of our three-part series covering the Battle of Chile (itself a trilogy). Check out Part I!

Van and Lyle are joined by journalist and historian Jonathan M. Katz to discuss Patricio Guzmán’s seminal Battle of Chile trilogy—widely regarded as one of the greatest political documentaries ever made—alongside its 1997 epilogue, Obstinate Memory. Our conversation was recorded mostly in the weeks after Trump’s reelection but before his inauguration, and the urgency of that moment colors much of our analysis. At the heart of it: What can the Chilean road to socialism and its systematic destruction teach us about the slow corrosion of democratic institutions in the U.S. and elsewhere? And how might the fates of Salvador Allende, the Popular Unity coalition, and Chilean workers help illuminate the emerging dynamics of the global far right?

We dig into the paradoxes and possibilities of the Allende years: the failed balancing act between revolution and legality; the coordinated resistance from business owners, professionals, and the military; the question of whether a peaceful transition to socialism was ever possible. We examine how The Battle of Chile dissects the infrastructure of counterrevolution—economic pressure, street violence, parliamentary sabotage, and media warfare—and what it means to rewatch these films in our current moment. And we talk about the strength and tragedy of mass mobilization, the unarmed marches and factory occupations, and the fateful decision not to arm the people.

Further Reading

The Racket, Jonathan’s newsletter

Gangsters of Capitalism: Smedley Butler, the Marines, and the Making and Breaking of America’s Empire, by Jonathan Katz

America, América: A New History of the New World, by Greg Grandin

“Defending Allende,” by Ariel Dorfman

Teaser from the Episode

Battle of Chile Trailer