Join the Bay Area Book Festival and Litquake for an intimate (virtual) conversation with Iman Mersal and Kate Briggs, two writers who reshape our understanding of motherhood and the art of living. Mersal, acclaimed Egyptian-Canadian poet and essayist who most recently authored Motherhood and Its Ghosts, excavates the invisible labor and haunting absences of motherhood, blending irony, empathy, and unsparing honesty as she searches for lost women and lost selves. Her work is a bridge between personal memory and cultural critique, always aware of what remains unsaid. Briggs, Rotterdam-based author of The Long Form, reinvents “mom-lit” with philosophical, fragmentary prose, capturing the daily improvisations of new parenthood and the shifting architectures of care. Together, they invite us to witness the fragile, ever-changing forms of family and friendship, and the radical potential of the everyday. This conversation promises to be as nuanced and expansive as their writing, and will be moderated by beloved Sri Lankan American author Nayomi Munaweera.

Join us for an insightful conversation surrounding So Many Stars: An Oral History of Trans, Nonbinary, Genderqueer, and Two-Spirit People of Color by Caro De Robertis. In this groundbreaking work, De Robertis brings together the voices of trans, nonbinary, genderqueer, and two-spirit elders of color, offering an intimate look into their personal stories, struggles, and triumphs. This event will include an introductory conversation between De Robertis and acclaimed author Nayomi Munaweera, followed by conversation with narrators from the book—iconic artists and activists Crystal Mason, Tina Aguirre, and Chino Lee Chung—on the past, present, and future of trans BIPOC movements. Don't miss this moving, thought-provoking exploration of gender, culture, resistance, and the transformative power of storytelling.

A shape is composed of its outline and the space inside, meaning that the people around us play an integral role in forming who we are. In navigating the questions left behind following tragic loss, the authors of this poignant memoir panel honor their loved ones through writing, and, in doing so, redefine their own selves along the way. After grieving in silence for years, Susan Lieu, the daughter of refugees from the Vietnam War, finally tells her family’s story in The Manicurist’s Daughter, which details Lieu’s twenty-year journey of piecing together her mother’s life in Vietnam and the truth behind her botched tummy tuck by a surgeon who continued to operate after her death. Abby Reyes, author of Truth Demands: A Memoir of Murder, Oil Wars, and the Rise of Climate Justice, also takes aim at justice when Colombia invites her twenty years too late into Case 001 of their truth and recognition tribunal about the 1999 murder of her partner Terence Unity Freitas near Indigenous land then coveted by a US oil company. For Eirinie Carson, her book The Dead are Gods is a letter to her best friend Larissa and an attempt to make sense of the events leading up to her sudden death. Moderated by librarian and public historian Dorothy Lazard, this discussion will explore the process of documenting long-buried truths that shape us in our grief.

This poetry portal explores the wound not as an end, but as a powerful beginning. Join us for a journey where language becomes a site of transformation—where grief, memory, and survival are not just revisited, but reimagined. Mimi Tempestt breaks open conventions with a voice that insists on reclamation and the sacredness of Black queer futurity. Her work spirals through personal and collective histories, creating a radical space for becoming. Salvadoran poet Marian Urquilla mines personal and political terrain, forging poems that speak to displacement, resilience, and empowerment. With precision and heart, her language gives shape to survival. James Cagney, PEN Oakland award-winner and recipient of the Academy of American Poets' James Laughlin Award, delivers poems that honor vulnerability and rage in equal measure. His work reverberates with ancestral echoes and present-day urgency. Together, these poets wield poetry as a technology of resilience and a tool for new world-building. In their hands, the wound becomes a map—leading us toward a future where we do more than survive. We thrive. We bloom.

As the poetry stage draws to a close, we will gather for one final invocation—a moment to honor what has been conjured, created, and carried forward. Incantation for Future is both a celebration and a spell for what comes next. Legendary writer and cultural icon joins us as our closing headliner, offering a rare reading that reaches across generations, geographies, and genres. Her work, rooted in the mythic, the historical, and the personal, has long opened portals for those navigating identity, exile, and transformation.

In this culminating moment, Maxine Hong Kingston offers not just a reading, but a blessing—an incantation for futures rooted in justice, storytelling, and radical interconnectedness. Her presence reminds us that language shapes the world, that memory is a map, and that poetry is a path toward liberation. Together, we will close the portal not with finality, but with intention—carrying the words, visions, and reverberations of the festival into the world beyond. Let this be our collective offering to the future.

What lengths would you go to to prove your innocence? For Anglo-Indian nurse Sona, it’s following a cryptic note and four paintings that lead her around Europe to uncover details about the complicated personal life of the renowned painter she is suspected of killing in Six Days in Bombay by Alka Joshi. The story of a wrongly accused Irish maid in San Quentin Prison garners the attention of an aspiring photographer grappling with infidelity and gentrification in Meredith Jaeger’s The Incorrigibles, a novel exploring the different ways in which we are imprisoned and how we can break free. Starting anew is no simple task, as Miyoung from Rosa Kwon Easton’s White Mulberry finds out when she faces prejudice after relocating from her impoverished village in northern Korea to Kyoto, Japan in search of a better future as a nurse. From Korea to India to our very own Bay Area, this dynamic discussion moderated by memoirist and travel writer Janis Cooke Newman will transport audiences to the pockets of history around the world that are just waiting to be uncovered.

This reading celebrates the wild, wired, and the wondrous. Inspired, and the fierce multiplicity of the natural world, this portal brings together five poets whose work transgresses borders—of body, genre, and possibility. These poets will open portals that invite us into places of resistance and rage, that when honored transform into generative and sacred places. Rachel Richardson’s work bends time and language, drawing from historical fragments and embodied memory to question whose stories survive and how. Her poems illuminate what’s hidden beneath the surface of the everyday. Language and spirit commingle in Georgina Marie, Lake County Poet Laureate emeritus’s lyrical activism. She writes poems rooted in place, grief, and renewal—pulling language from the earth and the divine alike. Oakland’s Yaffaz AS words dismantle binaries and build new grammars for queer, trans, and brown becoming. Their poetics are glitchy, expansive, and defiant. Lynne Thompson, former Los Angeles Poet Laureate, explores diasporic identity, lineage, and the many selves we carry through history and into the future. As a conduit of worlds she create poetry that transports and brings communities together. Cinematic and visceral—Shabnam Piryaei’s work shapeshifts across borders and forms. Her work is a philosophical inquiry and a healing journey, and luminous defiance. This is a celebration of what refuses to be defined. Join us where the petals have teeth and language mutates into power.

Shining a light on the often invisible and incredibly complex experience of migration, the established scholars of this panel examine migration through human-centered lenses by documenting the difficult reasons people move away from an old home and the realities they must face upon arrival in their new one. Sin Padres, Ni Papeles details Stephanie L. Canizales’ academic study about how undocumented Central American and Mexican teens in LA navigate unthinkable material and emotional hardship, find the agency and hope that is required to survive, and discover what it means to be successful as they come of age in the United States. Shifting the focus to Northern California, Cruz Medina’s Sanctuary is a case study following the community of Indigenous Guatemalan Maya people in a Spanish-speaking church in the East Bay, many of whom sought refuge in the United States but were instead met with the dehumanizing and exclusionary rhetoric of US political leaders, militarized immigration enforcement, false promises of empowerment through literacy, and further displacement from gentrification. Journalist Jeanne Carstensen turns an investigative eye to the devastating 2015 shipwreck that resulted in the loss of hundreds of refugee lives during the biggest refugee crisis since World War II in A Greek Tragedy, which includes recollections of the refugees’ lives prior to leaving their home as well as the courageous rescue efforts of the Greek islanders and volunteers who rushed to help, even as their government and the EU failed to act. Moderated by award-winning author and journalist Frances Dinkelspiel. 

From the very first contact, Indigenous people have been spoken about more than they have been heard. Early "autobiographies" of Native individuals were often penned by outsiders, distorting the essence of the genre by denying autonomy to the very subjects for whom autobiography—by definition—should uplift. In recent years, seminal works of First Nations storytelling have come to the forefront, and this panel features three recent additions to the Native voices now taking center stage to tell their own stories. Métis storyteller and Montana Poet Laureate Chris LaTray combines diligent research and compelling conversations in Becoming Little Shell, his story of discovery and embracing his Indigenous identity by joining the Little Shell Tribe of Chippewa Indians in their 158-year-long struggle for federal recognition. Essayist Terra Trevor turns to memoir in We Who Walk the Seven Ways, which recounts how a circle of Native women elders embraced and guided her through the seven cycles of life, lifting her from grief and instructing her in living following a difficult loss. Published poet and Mvskoke citizen Jennifer Foerster is one of the editors of This Music, a memoir written by—but not finished by—the late Janice Gould, who was a Koyunkowi poet and educator. Former Kansas poet laureate and founding board member of Indigenous Nations Poet Denise Low will moderate this insightful discussion featuring contemporary Indigenous perspectives on the importance of having your story told in your own voice.

The essay’s subjective and fragmented nature enables writers to grapple with complexities without the restrictions of systematic, traditional approaches to writing (Theodor W. Adorno, “The Essay as Form”). It liberates the essayist to take a nuanced look at the world, as cultural essayist and social critic Steve Wasserman does in Tell Me Something, Tell Me Anything, Even If It’s a Lie: A Memoir in Essays, an exhilarating account of the awakening of an empathetic sensibility and a lively mind, featuring personal reflections on politics, literature, influential figures, and the tumults of a world in upheaval. Award-winning author and “ethnographer on a skateboard” José Vadi turns to skateboarding as a lens to document the world in his latest memoir-in-essays, Chipped, which contemplates how skateboarding redefines space, curates culture, confronts mortality, and affords new perspectives on and off the board. Chi Boy: Native Sons and Chicago Reckonings by Keenan Norris employs the essay form to meld memoir, cultural criticism, and literary biography in a masterful and emotional depiction of the city of Chicago as both a cradle of Black intellect, art, and politics and a distillation of America’s deepest tragedies. These essayists will be in conversation with Chino Lee Chung, who is currently working on a collection of essays that integrate his social activism with his intersectional identities as a recipient of the 2024–2025 San Jose State Steinbeck Fellowship. This enriching panel, moderated by writer and professor Faith Adiele, will explore the essay-writing process with authors who have published essays in diverse contexts.

Enter the liminal. In this portal, hybridity is power, and contradiction is poetry. Chimera Space brings together a group of poets whose work inhabits the monstrous, the beautiful, and the in-between—bodies, identities, and voices that resist categorization and embrace complexity. Cindy Juyoung Ok writes into multiplicity, turning silence into disruption and fragmentation into form. Her poems invite readers into nonlinear truths. Grayson Thompson conjures the poetic tenderness and fire, exploring queer embodiment and psychic rupture. Adela Najarro brings the force of nature and cultural inheritance to the page, her poetry fusing eco-consciousness with the surreal. Amanda Hawkins explores desire, disorientation, and liminality with language that glows from within. Her work vibrates with strange beauty and invites us into the sensual space of the unknowable. Mia Ayumi Malhotra writes from the rich interstices of lineage and displacement. Her lyric inquiries unfold slowly, like memory, threading together multiple inheritances and the ghosts that come with them. Join us as these poetic guides read us into the borderlands—offering a space where transformation is not only possible, but inevitable. A panel discussion will follow the reading.