In 2020 and early 2021, the Peale participated in the Lexington Market Public History Initiative in an effort to collect stories and memories about the world-famous Lexington Market as the market itself prepared for a redesign and reopening. The initiative’s core partners were Baltimore Heritage, Baltimore Public Markets Corporation, Lexington Market, Inc., Market Center Community Development Corporation, Seawall, and the Peale, and the work was partially enabled by a Pathways Grant from the Maryland Center for History and Culture. This project was financed in part by the Maryland Center for History and Culture’s Thomas V. “Mike” Miller History Fund.
Milton A Dugger Jr. (00:00): So who is Milton A Dugger Jr. In the 21st century? Well, first of all, I'm a guy who in the 20th century attended Henry Highland Garnet Elementary school number 103, the 100 numbers meant in those days that it was a black school. I'm sorry, colored, and then Negro, then we got to black. So then I went to Booker T Washington Junior High School, the most exciting three years of my life from age 11 to 14. And then, I attended integrated Baltimore City College from 1957 to 1960. And then I integrated, then was the one black male graduate in the class of 1964, at what is today Towson University.
Milton A Dugger Jr. (01:06): My deal for going to Towson for free was to teach in the Baltimore City public schools, which I did for almost 10 years. And then, I joined the New York life insurance company as an agent and a now also registered representative for NYLIFE securities. This is my 48th year, which hopefully will be completed on July 1, 2021. I'm going for 50 minimum, and that would be in 2023, July 1. At Towson, while being in the glee club, I met, as I mentioned in the other part, Charles Steinmetz, who had a band, he asked me to audition for his band, and I became the singer for his band. It was called the Caravels, and they played around town at Townson. We wound up having a fellow say he wanted to record us. And so we went into the studio, and we recorded a song I had written. And it was quite an adventure because when we came out of the studio, we found that we couldn't use the name Caravels, because Bulova Watch Company had a patent and copyright on the name Caravelle, Caravelle watch.
Milton A Dugger Jr. (02:35): So we became The Chaumonts, C-H-A-U-M-O-N-T-S, which really related to a City in France that somebody's father I think my buddy's father knew of. And so we became the Chaumonts band. And in 1967, we went into the studio to do what do you call them? I guess it's a advertising recording, but at the end of that recording session, we did an original song called Love Is The Thing. Well, as fate would have it, this thing led to the forming of a record label, and the band went on to bigger things, and we became business people and all that. And so that's how I got into the entertainment. Then my now deceased buddy Charles Steinmetz and instill the entertainment business that I got again, re-associated with the Lexington market. And I have a record label myself called Gumption Records because I had The Gumption to re-enter the entertainment business back in 1990.
Milton A Dugger Jr. (03:54): So, and that's how we got there with that story. It's been an interesting, thrilling time, but it all began with Lafayette Avenue and Pennsylvania Avenue, 1329 Pennsylvania Avenue, to be precise. The Royal Theater, my same grandmother Clark took me to the Royal Theater in the 1940s, or maybe early in 1950, no later than that. So I was about eight years old, and she took me to see a fella called Sugar Child Robinson, a phenomenal little boy who played the boogie-woogie on the piano. I fell in love with that plus the Booker T Washington Junior High School did what they call operettas. And I fell in love with live entertainment.
Asset ID: 9151
Transcription abbreviated: Contact the Peale for a complete transcript.
Photo courtesy of Milton Dugger, Jr.