BedPost Confessions

M. Burger returns to the stage with the story “That Time of the Month,” about dealing with the consequences of situations that often go unplanned. M. Burger is a writer and director. Her last film, Pregnancy Party, was featured at Transform Film Festival, Texas’s first all-women film festival, and her collection of short stories, “You’ll Never Believe How These Kids Get Murdered: and other super short clickbait tales,” now available.

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In light of the #metoo movement, Robert Arjet calls out men to take action: "The first response that is required of us, is simple. Two words: listen and believe. Because this is not a women’s problem. It’s a men’s problem. You have to respond. You have to take a stance. You have to call other men out when they do creepy sh*t whether you saw it with your own two eyes or not." Robert, who has worked for the Texas Legislature and the Department of Family and Protective Services, enjoys policy analysis, and reads the Texas Penal Code in his spare time, shared his essay "Sexual Harassment: I Don't Get It" at the January 2018 BedPost Confessions. 

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Chola Magnolia's piece "Stand Femme" speaks to femmephobia and femme invisibility within the queer community and how it spreads to society and vice versa. “Femme” is a lesbian identity that was created in the working class lesbian bar culture of the 1950’s. It was a term used to distinguish feminine lesbians and bisexual women from their butch/masculine counterparts and partners. Today it might also represent a gay non-binary individual, an asexual transwoman, or used to self-describe queer femininity for persons of any gender. In short, femme identification, both aesthetically and identity-related, means you are feminine AND you fall somewhere on the LGBTQIA spectrum.

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Journalist, wedding and funeral officiant, rancher, domestic abuse survivor, and avid knitter Spike Gillespie digs deep into a relationship dynamic in her piece "How Do I Look?"

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Adam Maurer, who as an adolescent went on mission trips and led Bible studies, shares a story of misadventures and heartache as a Christian in the closet in “Saint Adam Of A Sissy.”

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"Thirty-seven cents represents the hatred I felt about my body my entire life. Just this thing I carried around in my pocket and would think about only occasionally," describes retired standup comedian Holly Lorka. This "Loose Change" is a part of Holly's metamorphose, this time in the form of a surprise gift that was given to her, and that she gave herself. 

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In “The Miseducation of Simon,” Simon Studd shares how, by chance, he discovered an unexplored side of his sexuality and then found community. Simon is a kinky sadist who also happens to be a kind and compassionate human being. He believes that nothing says "I love you" like chains, whips and canes.

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Ivy Le finds a sexual awakening in her mombod that is rooted in moving forward instead of picking up where she left off; a look at motherhood, identity, sexuality, and pleasure in "Come to me, Daddy."

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Masturbation, sex for the first time, and "This Little Light of Mine" gospel coalesce in "Jesus is my Sugar Daddy" by Ebony Stewart.

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Rebuilding your identity, let alone your sexual identity, after an unexpected divorce is no easy feat. Jenna Valentine shares how she did in "Sexed Back to Life.”

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