On today’s date in 1846, a Grand Festival Concert took place at New York’s Castle Garden, a popular spot for 19th century Manhattanites to enjoy fireworks, balloon rides, ice cream, and band concerts.

The band on this occasion consisted of some 400 instrumentalists and singers, including members of the four-year-old New York Philharmonic. They gave, for the first time in America, a complete performance of Beethoven’s Symphony No. 9, the “Choral Symphony.”

In attendance was a 26-year-old lawyer named George Templeton Strong, whose diary recorded his impressions:

“A splendid failure, I’m sorry to say,” he wrote. “The first movement was utterly barren… the minuet was well enough, quite brilliant in parts [and] the only point I found worth remembering in the whole piece… then came an andante (very tedious)... then the fourth movement with its chorus, which was a bore… [But] after all,” concluded Strong, “‘tisn’t fair to judge, hearing it under so many disadvantages.”

Fourteen years later, after a more advantageous Philharmonic performance in 1860, Strong changed his mind about Beethoven’s Ninth, and wrote: “Strange I should have missed its real character and overlooked so many great points when I heard it last. It is an immense, wonderful work.”

Ludwig van Beethoven (1770 – 1827) Symphony No. 9 (Choral) Berlin Philharmonic; Claudio Abbado, cond. DG 471 491