Behind The Song

Are you one of the two-billion-plus Youtube views on Guns ‘N Roses epic “November Rain” music video? Chances are, you’ve seen it. It’s as over-the-top as they come, for a song that Axl Rose started writing on piano almost ten years earlier, and it was the first video released before Youtube existed to get to a billion views. It’s part of a trilogy, all based on a short story by longtime Guns ‘N Roses affiliate, Del James, who has now been the band’s road manager for decades. Let’s get into the story in this episode of the Behind The Song podcast.

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In this bonus episode of the Behind the Song podcast, host Janda and music producer Christian Lane, who also happens to be her husband, delve into the fascinating world of Alice Cooper, exploring the stories and influences that didn't make it into the main episode, "When Alice Cooper stopped playing nice." From Cooper's friendship with Groucho Marx to his pivotal role in saving the iconic Hollywood sign, join Janda and Christian as they uncover the layers of creativity and innovation that have kept Alice Cooper a staple in the music industry for decades.

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Without a doubt, he’s one of the most fascinating artists on the rock timeline. In fact, Alice Cooper has done such an incredible job of making sure that rock has an enduring spectacle element to it, of being kind of the embodiment of the freaky side of rock, that it’s hard to imagine that there wasn’t ever an Alice Cooper on stage somewhere, snakes, guillotines, electric chairs and all. But of course there was, and it took a while for Alice Cooper’s brand of entertainment to catch hold. When the Billion Dollar Babies album was released in 1973, Alice Cooper topped the charts, the world finally catching up with the idea that glam rock could be the vehicle for a brutal caricature, a theatrical madman, an entertainer who has also come to be known as one of the nicest guys in rock. So it’s funny that one of the hits on that album is about not playing nice anymore in favor of letting one’s freak flag fly. Let’s dig into the story of “No More Mister Nice Guy” in this episode of the Behind The Song podcast.

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It sounds like summer, but the lyrics address serious issues in a way that made it a timeless classic. “Everybody Wants To Rule The World” by Tears For Fears became a worldwide smash hit when it was released in 1985, during the Cold War between the US and Russia, but over time it has proven itself to be evergreen on a range of concerns, from the environment to dictatorship. It has been covered by over 140 artists, including Don Henley, who inspired the shimmery sound of the song with his hit, "The Boys Of Summer." And, incredibly, it was written at the last minute, the very last song to make it to the band’s second album. Let’s get into why this song has had such a lasting impact in this episode of the Behind The Song podcast.

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It’s a song that finds a center in growing older, by an artist who wrote many of his best songs from a nostalgic viewpoint. In fact, the very title of “Against The Wind” by Bob Seger came from his highschool days, running track and cross country, a runner’s phrase that stuck with Seger and perfectly described how he saw his own life as a road-worn musician, maturing out on the road. The title track of his eleventh studio album - his only album to go to #1 on the album chart - it is one of the best examples of how Seger used his own life’s journey to get to certain personal truths that everyone can sing along to. Let’s look back into “Against The Wind” in this episode of the Behind The Song podcast.

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It’s the song that put the word “pompatous” into our collective consciousness, a made-up word that was actually a mishearing of ANOTHER made up word. But it sounds great in “The Joker,” proving once again that in rock and roll, if it sounds good no one will bat an eyelash to question it. In fact, “The Joker” was the Steve Miller Band’s first number one hit on the Billboard singles chart, and we’ve been singing along to it since 1973. Let’s get into the story of this ever-popular song in this episode of the Behind The Song podcast. 

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It took original thinking to make one of the best-selling albums of an entire decade, and that’s just what ZZ Top did, although they had some help with coming up with the sound. Completely bypassing the notion that nothing new could be done with rock ‘n roll, the trio released Eliminator in 1983, an album that blended their brand of Texas boogie woogie blues rock with synth sounds and drum machines, unleashing danceble rockers that topped the charts. But there is an unsung hero in the ZZ Top story. Dig into it - and how “Sharp Dressed Man” perfectly sums up the 80’s mindset - in this episode of the Behind The Song podcast. 

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It’s been said “Closer To The Heart” by Rush is Canada’s “Stairway To Heaven,” in ways that go beyond the technical, and it struck a chord worldwide to audiences in a way that Rush’s songs hadn’t before. There’s a folk vibe to this song, a message about finding personal balance and how doing that puts the world at large in a better kind of order. It was the first Rush song to have lyrics penned by an outside co-writer, and it became a hit. Geddy Lee said it was “as close as they ever got to a pop song.” But who was that outside writer? Let’s get into “Closer To The Heart” in this episode of the Behind The Song podcast. 

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It was a song that Jon Bon Jovi had to admit that he was wrong about. It took serious convincing for him to agree to put what became Bon Jovi’s signature song on their third album, a make or break album for the band. And the song does what only a very big, monster hit song can do: get in your head and stay there, probably forever. It also tells a story about a couple of kids, Tommy and Gina…the first in a series of songs in which the couple would appear. Get into the story of “Livin’ On A Prayer” in this episode of the Behind The Song podcast with your host, Janda Lane.

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It may be the most delicate song in the entire Rolling Stones catalog, with Mick Jagger delivering every single line of “Wild Horses” with an impassioned weight. And there’s good reason for that. By the time this song was written and recorded for 1971’s Sticky Fingers album, the Stones had more than enough personal drama to sing about. Get into it in this episode of the Behind The Song podcast with Janda Lane. 

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