Britten's operas are firmly established in the international repertoire: according to Operabase, they are performed worldwide more than those of any other composer born in the 20th century, and only Puccini and Richard Strauss come ahead of him if the list is extended to all operas composed after 1900. Britten went to various sources for his stories from the Bible to Japanese noh plays. This is a collection of twelve of the source stories. All but one are the original texts; the one exception is A Midsummer Night’s Dream which the reader took from Charles Lamb’s telling of the story. Some operas are omitted because no public domain texts could be found for their sources. Summary by Wikipedia and David Wales

"History of King Lear-Nahum Tate" delves into the adaptation of Shakespeare's iconic tragedy, exploring Nahum Tate's interpretation that reshaped the narrative and its characters. This work is significant not only for its historical context but also for its enduring themes of power, family dynamics, and redemption. Tate's version, which emphasizes a more optimistic resolution, invites listeners to reflect on the complexities of human relationships and the quest for reconciliation. By revisiting this adaptation, audiences can appreciate how interpretations of classic stories evolve while still resonating with contemporary issues of authority and familial bonds.

Britten's operas are firmly established in the international repertoire: according to Operabase, they are performed worldwide more than those of any other composer born in the 20th century, and only Puccini and Richard Strauss come ahead of him if the list is extended to all operas composed after 1900. Britten went to various sources for his stories from the Bible to Japanese noh plays. This is a collection of twelve of the source stories. All but one are the original texts; the one exception is A Midsummer Night’s Dream which the reader took from Charles Lamb’s telling of the story. Some operas are omitted because no public domain texts could be found for their sources. Summary by Wikipedia and David Wales

Britten's operas are firmly established in the international repertoire: according to Operabase, they are performed worldwide more than those of any other composer born in the 20th century, and only Puccini and Richard Strauss come ahead of him if the list is extended to all operas composed after 1900. Britten went to various sources for his stories from the Bible to Japanese noh plays. This is a collection of twelve of the source stories. All but one are the original texts; the one exception is A Midsummer Night’s Dream which the reader took from Charles Lamb’s telling of the story. Some operas are omitted because no public domain texts could be found for their sources. Summary by Wikipedia and David Wales