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“Snuff” is a finely pulverized tobacco that can be, well, “snuffed” through the nose. In the 19th century, taking snuff was a common practice, and on today’s date in 1837, the most notorious example of snuff-taking in music history occurred –or didn’t, depending on who you believe – during the premiere in Paris of the massive “Requiem Mass” of the French composer Hector Berlioz.
As Berlioz tells it in his Memoirs, the conductor of the performance, Francois-Antoine Habeneck, decided to take a pinch of snuff during an especially tricky passage, at the very moment he should have been giving an important cue to the orchestra. To avert disaster, Berlioz jumped up, gave the cue, and afterwards accused Habeneck of sabotage. Some eye-witnesses are on record saying, “Yes, that’s just how it happened,” while others, equally emphatic, state, “Preposterous! Nothing of the sort occurred.”
Whom to believe?
Well, it IS known that once the basic tempo was set, M. Habeneck was in the habit of putting down his baton to let the orchestra play on by themselves. He would then calmly take a pinch of snuff. Sometimes, it’s said, he even offered snuff to his neighbors, so perhaps those performances were indeed sabotaged – by an especially loud sneeze!
Hector Berlioz (1803–1869) — Requiem, Op. 5 (French Radio Chorus and Orchestra; Leonard Bernstein, cond.) Sony 47526
By American Public Media4.7
1010 ratings
“Snuff” is a finely pulverized tobacco that can be, well, “snuffed” through the nose. In the 19th century, taking snuff was a common practice, and on today’s date in 1837, the most notorious example of snuff-taking in music history occurred –or didn’t, depending on who you believe – during the premiere in Paris of the massive “Requiem Mass” of the French composer Hector Berlioz.
As Berlioz tells it in his Memoirs, the conductor of the performance, Francois-Antoine Habeneck, decided to take a pinch of snuff during an especially tricky passage, at the very moment he should have been giving an important cue to the orchestra. To avert disaster, Berlioz jumped up, gave the cue, and afterwards accused Habeneck of sabotage. Some eye-witnesses are on record saying, “Yes, that’s just how it happened,” while others, equally emphatic, state, “Preposterous! Nothing of the sort occurred.”
Whom to believe?
Well, it IS known that once the basic tempo was set, M. Habeneck was in the habit of putting down his baton to let the orchestra play on by themselves. He would then calmly take a pinch of snuff. Sometimes, it’s said, he even offered snuff to his neighbors, so perhaps those performances were indeed sabotaged – by an especially loud sneeze!
Hector Berlioz (1803–1869) — Requiem, Op. 5 (French Radio Chorus and Orchestra; Leonard Bernstein, cond.) Sony 47526

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