Berri's Couch

So digital content requires a parasocial element but what if that's the secret to a company's success? How does it work? Can it work long term? Why do it this way? We try to answer these and other questions, emphasis on try.

Can the human experience be retold to us in under 3 minutes skits that eventually gain enough popularity that they were given old media recreations from the creators of said stories exist and are good? You see the length of this buddy so sit back and find out.

I'll come up with something more creative once the headache this show gave me fades; we watched Centaurworld, we have thoughts, talking happens and despite flaws we have positive experiences but wish death on a giraffe.

We're strolling through the home stretch, the last piece of the travelled road we understand as weird cartoons. The comforting warmth of orange hues and chaos gods will soon give way to frigid blues of unknown futures coming to light. Ciphers, cursed birds, mashed potato and molasses, are all we have left.

Defining subcultures, humour and providing power fantasies for young girls. These shows had it all, in what is a seemingly once in a lifetime event these shows were in the centre of a nexus that may have never happened before and seemingly hasn't happened since.

Well it's finally time to get weird and what better place to start than the moment we felt we were getting too old for the programs being shown on TV? Anywhere else? Probably. But that's not how we're rolling, we're talking about Adventure Time and Amazing World of Gumball.

Well we're at the end of the road and we must look back on all that this one story has given us.....and it's not great. After spending weeks discussing various attempts to bring this story to visual media we must now look at the dominoes that have fallen in its wake.

Well the 80's called they want their romance series back and they are NOT GETTING IT!! This is ours now (screeches like a startled marsupial), we have the glorious urban fantasy rewrite of Beauty and the Beast starring Ron Perlman and Linda Hamilton.

Well it's their story but how do the French films hold up in comparison to both each other and the more popularised American attempts? Is there even a difference in stories or presentation? And most importantly what is truly scary the beast or those that serve him?

Well may as well get the most recognisable adaptations out of the way. Disney and their grand machine had two hits at this tale, how do they both stand as art and more importantly how do they stand against each other?