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BAP begins its LA Noir miniseries with a discussion of The Big Sleep, the 1947 adaptation of the Raymond Chandler novel. Directed by Howard Hawks and featuring the real-life romantic duo of Lauren Bacall and Humphrey Bogart, the film is a formative entry in the noir genre. Joined again by Will Drickey, Caleb and Frank try to solve the film’s various mysteries - Was Howard Hawks ever in a threesome with Bogie and Bacall? Has Will ever gotten drunk in the back of an ambulance? Will we get DMCA’d for singing Happy Birthday on mic? And perhaps the greatest mystery of all – is this a Radaptation?
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Caleb and Frank tease their next miniseries on the genre of Los Angeles noir.
Follow Best Adapted Podcast on twitter @AdaptedBest
CW: this episode discusses extreme sexual violence
BAP goes north in this episode to the frigid cold of Sweden and examines the 2011 adaptation of Stieg Larson’s international bestseller The Girl with the Dragon Tattoo. Sony pictures eagerly purchased the rights to the book with hopes of creating a successful franchise. Directed by David Fincher, the film alienated audiences and critics alike with its intense violence and depravity. But is this adaptation due for a reappraisal? Joined by longtime listener, first-time caller Mads Clark (Under the Influence with Mads and Mitch Podcast) Frank and Caleb discuss tattoos, Fincher’s obsession with violence, and Enya.
Find Mads on Twitter @maddoritos
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Best Adapted Podcast closes the book on John le Carré. Ending their miniseries on a master of spy novels, Caleb and Frank discuss le Carré’s legacy and the various film adaptations of his work. What makes his books so compelling to filmmakers? What is the difference between a “good” or a “bad” le Carré adaptation? Who might next try to adapt one of his novels?
Plus, we announce the next miniseries on Best Adapted Podcast.
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Frank and Caleb conclude their John le Carré miniseries with A Most Wanted Man. The novel was a thriller about high-finance, immigration, and the encroaching surveillance state in Europe and the United States. The film featured a deep roster of German and American actors and one of the last screen performances by Phillip Seymour Hoffman. But is the film a worthy adaptation for one of Le Carré’s final books? Joined by Josh Marcus (The Independent), Frank and Caleb discuss Leon Panetta’s almond farm, the film’s outlandish German accents, and John le Carré’s love of Joy Division.
Find Josh Marcus on Twitter @joshwmarcus
Find Rachel Stone @stone_of_arc
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