This week, Paul and Mesh ponder Valentine’s day ideas and reflect upon the amazing Superbowl advertising and streaming numbers. Next, they discuss the first MCU release of 2025, Captain America: Brave New World and whether it lives up to the lofty expectations of Captain America: Winter Solider. Finally, Paul breaks down Diddy’s $100M defamation case against NBC/Peacock for their behind the scenes documentary regarding the allegations surrounding Sean Combs.

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This week, Paul celebrates his beloved Philadelphia Eagles who dominated on their path to becoming Super Bowl champions. Next, Paul and Mesh discuss earnings announcements from some of the biggest tech and media companies. Finally, Paul updates us on some dissension within the college athlete ranks as the House v. NCAA settlement approaches its April 7, 2025 approval deadline.

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This week, Paul and Mesh recap some of the winners of the 2025 Sundance Film Festival and ponder whether it can remain in Park City, UT. Next, they break down the ranking of the various SVOD and FAST platforms based on Nielsen viewership data. Finally, they discuss the efforts of Skydance and Paramount to clear regulatory hurdles around the long-awaited purchase.

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Paul and Mesh start with a quick review of the 2025 Oscar nominations and celebrate Netflix's 16 selections. Next, they provide an update on the Baldoni v. Lively lawsuit as Justin Baldoni's complaint has been released. Finally, they update another major lawsuit as WBD's case against Paramount for breach of an exclusive South Park license survived Paramount's summary judgment motion.

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This week, Paul interviews television and sports executive, Goldwyn Harper, a West Point graduate and life-long sports fan who is currently a distribution executive at a Regional Sports Network and was previously at both DISH and the NFL prior to a short stint at the Orange Bowl. He shares his deep knowledge of both television and sports to analyze how the shifts in expanded basic distribution deals have had seismic impacts across conferences, rivalries, NIL, and (potentially) non-revenue-generating sports.

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This week, Paul and Mesh discuss the fires that have devastated parts of Los Angeles, including neighborhoods which were home to many stars in the entertainment industry. Next, they discuss the abrupt end of Venu sports, the JV among Disney, WBD and Fox which was shuttered before it ever launched. Finally, they discuss incoming FCC chairman Brendan Carr's support of local broadcast stations in their negotiations with network groups.

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This week, Paul and Mesh share their New Year's resolutions before digging into two very high-profile and drama-filled disputes among Hollywood A-listers. First, they recap the 8-year divorce battle between Angelina Jolie and Brad Pitt which was finally resolved in the last days of 2024. Next, they recap the It Ends with Us scandal involving actor/director Justin Baldoni and Blake Lively, following Blake Lively's lawsuit against Baldoni and Baldoni's $250M libel claim against The New York Times.

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This episode, Paul and Mesh look back on 2024 with the third annual Paulies. Paul and Mesh will award: Best Picture, Best Box Office Performance, Best TV Show, Best Streamer, Most Interesting Lawsuit/Legal Case, and Best BCP Topic of 2024. Tune to reflect on an amazing year in the world of technology, media, sports and entertainment. Happy new year all!

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This week, Paul and Mesh start off by discussing Andrew Ferguson, the next FTC chair, and how his approach may differ from Lena Kahn’s anti-competitive, pro-consumer approach. Next, they recap the Golden Globe and Critics Choice Award nominations. Finally, they discuss Jay-Z being implicated in a civil lawsuit which now accuses both Diddy and Jay-Z of raping a 13-year old at a 2000 VMA’s after party – and Jay-Z’s vehement response. 

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This week, Paul and Mesh are back at it after a week off for Thanksgiving. They first recap the best Thanksgiving weekend in history for movie theaters (hint Moana 2 shattered records and expectations). Next, they discuss the increased demand for realty TV co-productions. Finally, they look forward to a creator-AI equilibrium where artists can get paid to train algorithms and what challenges might need to be addressed for it to thrive.

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