When you picture a Shakespeare play, you likely imagine a continuous performance—scene following scene, act following act—until the final bow. But in Shakespeare’s lifetime, especially at indoor theatres like the Blackfriars, plays weren’t always presented without pause. Candlelight, used to illuminate the stage, had to be trimmed, replaced, or even relit during performances, which meant intentional gaps were built into the show itself. These intervals weren’t just practical; they were part of the theatrical experience—inviting music, moments of reflection, and a rhythm that modern audiences rarely consider. 

Today we’re diving into this largely overlooked aspect of early modern theatre: the interval. What did it look like? What happened during it? And how did it influence the pacing and experience of Shakespeare’s plays? 

To help us explore this topic, we’re delighted to welcome Mark Hutchings, whose latest research shines a spotlight on the physical and performative realities of candlelit stages, and their intervals, for the 16th and 17th centuries. 

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