Put on your beanie and gloves, exhale some steam and take a COVID-safe winter wander through the Royal Botanic Gardens of Victoria with its director Tim Entwisle, and Blueprint's Jonathan Green.

Every four years, the International Olympic Committee compels host countries to expend huge amounts of capital and capital works to produce the games. When you couple that with the sheer air miles to get athletes and their staff to the host city… it begs the question: Is there such a thing as a sustainable Olympics? Ben Glasson, a postdoctoral research fellow in environmental communication and media at Monash University, joins Blueprint to help us with that question.

Every four years, the International Olympic Committee compels host countries to expend huge amounts of capital and capital works to produce the games. When you couple that with the sheer air miles to get athletes and their staff to the host city… it begs the question: Is there such a thing as a sustainable Olympics? Ben Glasson, a postdoctoral research fellow in environmental communication and media at Monash University, joins Blueprint to help us with that question.

Urban music… it's a London thing. From grime to garage, to drum & bass, the city itself has been instrumental in incubating these rich musical cultures. Take a trip through the council estates, radio stations, and social histories that made this happen.

Urban music… it's a London thing. From grime to garage, to drum & bass, the city itself has been instrumental in incubating these rich musical cultures. Take a trip through the council estates, radio stations, and social histories that made this happen.

In Turkey, the practice is called ebru, from a word meaning water surface. The water itself was thickened into what is called size, using carrageen or plant starch, enabling different pigments to be floated and then worked upon, creating densely coloured designs.

In Turkey, the practice is called ebru, from a word meaning water surface. The water itself was thickened into what is called size, using carrageen or plant starch, enabling different pigments to be floated and then worked upon, creating densely coloured designs.

Worn by figures such as Cab Calloway and Malcolm X, the suit rose prominence among Mexican-American youth during the second world war.

Worn by figures such as Cab Calloway and Malcolm X, the suit rose prominence among Mexican-American youth during the second world war.