Part 1/4!

In the first of four episodes in our new series covering the work and career of pop titan Beyoncé, DJ Louie is joined by Senior Writer at Rolling Stone, Brittany Spanos, to discuss the group that started it all: Destiny’s Child.  Louie and Brittany begin with a broad history of black R&B girl groups, specifically the ‘90s wave of which DC was a part, and the ever-evolving way black women have presented themselves in the pop space. They then discuss Beyoncé’s early life, how she and her father Mathew Knowles helped form Destiny’s Child with the initial lineup including Kelly Rowland, LaTavia Roberson and Letoya Luckett, their 1998 self-titled debut and it’s surprise #3 hit, the remix of their ballad “No No No”, “No No No Pt. 2” featuring Wyclef Jean which showcased Beyoncé’s signature singing-rapping hybrid. Next, they dive into their smash sophomore album, 1999’s The Writing’s on the Wall and its innovative singles, all of which featured the groups virtuosic harmonies, a sharp pop feminist perspective that often traded in the role money plays in gender dynamics, and futuristic staccato R&B production courtesy Darkchild and others, before diving into all the tea on how, at the peak of their success, the initial line-up very messily and publicly gave way to a new trio: Beyoncé, Kelly and new member Michelle Williams. Louie and Brittany then cover DC’s blockbuster third album, largely an answer to the negative press of the group shake-ups, 2001’s Survivor and its attendant hits, the member’s various solo endeavors, and how Beyoncé returned to the group following her solo success for one final chapter, 2004’s Destiny Fulfilled. Finally, Louie and Brittany rank Destiny’s Child in the official Pop Pantheon.

Stay tuned next week for our next episode, Beyoncé Pt. 1, which will cover the first half of Beyoncé’s solo career from 2003’s Dangerously in Love through 2011’s 4!

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