Beyond the Margins: The University of California Press Podcast

In A Queer Way of Feeling: Girl Fans and Personal Archives of Early Hollywood (University of California Press, 2023), Diana W. Anselmo queers the earliest development of the "fangirl." Gathering an unexplored archive of fan-made scrapbooks, letters, diaries, and photographs, A Queer Way of Feeling explores how, in the 1910s, girls coming of age in the United States used cinema to forge a foundational language of female nonconformity, intimacy, and kinship. Pasting cross-dressed photos on personal scrapbooks and making love to movie actresses in epistolary writing, adolescent girls from all walks of life stitched together established homoerotic conventions with an emergent syntax of film stardom to make sense of mental states, actions, and proclivities self-described as "queer" or "different from the norm." Material testimonies of a forgotten audience, these autobiographical artifacts show how early movie-loving girls engendered terminologies, communities, and creative practices that would become cornerstones of media fan reception and queer belonging.

Links Mentioned in the Episode

Hallel Yadin is an archivist and special projects manager at the YIVO Institute for Jewish Research.

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Love and Despair: How Catholic Activism Shaped Politics and the Counterculture in Modern Mexico (U California Press, 2023) explores the multiple and mostly unknown ways progressive and conservative Catholic actors, such as priests, lay activists, journalists, intellectuals, and filmmakers, responded to the significant social and cultural shifts that formed competing notions of modernity in Cold War Mexico. Jaime M. Pensado demonstrates how the Catholic Church as a heterogeneous institution--with key transnational networks in Latin America and Western Europe--was invested in youth activism, state repression, and the counterculture from the postwar period to the more radical Sixties. Similar to their secular counterparts, progressive Catholics often saw themselves as revolutionary actors and nearly always framed their activism as an act of love. When their movements were repressed and their ideas were co-opted, marginalized, and commercialized at the end of the Sixties, the liberating hope of love often turned into a sense of despair.

Brad H. Wright is a historian of Latin America specializing in postrevolutionary Mexico. PhD in Public History. Asst. Prof. of Latin American History at Alabama A&M University.

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In the generation after Constantine the Great elevated Christianity to a dominant position in the Roman Empire, his nephew, the Emperor Julian, sought to reinstate the old gods to their former place of prominence--in the face of intense opposition from the newly powerful Christian church. In early 363 c.e., while living in Syrian Antioch, Julian redoubled his efforts to hellenize the Roman Empire by turning to an unlikely source: the Jews. With a war against Persia on the horizon, Julian thought it crucial that all Romans propitiate the true gods and gain their favor through proper practice. To convince his people, he drew on Jews, whom he characterized as Judeans, using their scriptures, institutions, practices, and heroes sometimes as sources for his program and often as models to emulate. 

In The Specter of the Jews: Emperor Julian and the Rhetoric of Ethnicity in Syrian Antioch (U California Press, 2018), Ari Finkelstein examines Julian's writings and views on Jews as Judeans, a venerable group whose religious practices and values would help delegitimize Christianity and, surprisingly, shape a new imperial Hellenic pagan identity.

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The Mexican Revolution was a global event that catalyzed international radicals in unexpected sites and struggles. Tracing the paths of figures like Black American artist Elizabeth Catlett, Indian anti-colonial activist M.N. Roy, Mexican revolutionary leader Ricardo Flores Magón, Okinawan migrant organizer Paul Shinsei Kōchi, and Soviet feminist Alexandra Kollontai, Arise!: Global Radicalism in the Era of the Mexican Revolution (U California Press, 2022) reveals how activists around the world found inspiration and solidarity in revolutionary Mexico.

From art collectives and farm worker strikes to prison "universities," Arise! reconstructs how this era's radical organizers found new ways to fight global capitalism. Drawing on prison records, surveillance data, memoirs, oral histories, visual art, and a rich trove of untapped sources, Christina Heatherton considers how disparate revolutionary traditions merged in unanticipated alliances. From her unique vantage point, she charts the remarkable impact of the Mexican Revolution as radicals in this critical era forged an anti-racist internationalism from below.

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Lucia Carminati's book Seeking Bread and Fortune in Port Said: Labor Migration and the Making of the Suez Canal, 1859-1906 (U California Press, 2023) probes migrant labor's role in shaping the history of the Suez Canal and modern Egypt. It maps the everyday life of Port Said's residents between 1859, when the town was founded as the Suez Canal's northern harbor, and 1906, when a railway connected it to the rest of Egypt. Through groundbreaking research, Carminati provides a ground-level perspective on the key processes touching late nineteenth-century Egypt: heightened domestic mobility and immigration, intensified urbanization, changing urban governance, and growing foreign encroachment. By privileging migrants' prosaic lives, Seeking Bread and Fortune in Port Said shows how unevenness and inequality laid the groundwork for the Suez Canal's making.

Lucia Carminati is an Associate Professor of History in the Department of Archaeology, Conservation, and History at the University of Oslo. She is a historian of migration and the modern Middle East, researching the social and cultural history of Egypt in the 19th and 20th centuries, focusing on migratory routes and mobility at large, imperial interests, and infrastructural transformations. 

Ahmed Yaqoub AlMaazmi is a Ph.D. candidate at Princeton University, Near Eastern Studies Department. His research focuses on the intersection of law, the occult sciences, and the environment across the western Indian Ocean. He can be reached by email at [email protected] or on Twitter @Ahmed_Yaqoub. Listeners’ feedback, questions, and book suggestions are most welcome.

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Between 1901 and World War II, up to half of all U.S.-born Chinese Americans relocated to China in search of better lives due to the discrimination they faced in the United States. Charlotte Brooks tells the story of these emigres in American Exodus: Second-Generation Chinese Americans in China, 1901–1949 (University of California Press, 2019). Initially, Chinese American dual citizens found unprecedented professional opportunities as merchants and government officials in their ancestral homeland. However, shifting political conditions in China and hardening exclusionary policies in the U.S. narrowed their options in a world where they were considered neither Chinese nor American enough to receive the protection or respect of their governments. Faced with these constraints at a time of global depression and war, Chinese Americans made agonizing choices that led them down surprising paths—including, in some cases, as collaborators during the Japanese occupation of China. American Exodus challenges well-worn mythologies in the U.S. of upward mobility for immigrants, as well as celebratory and nationalist narratives in China about the overseas Chinese.

Ian Shin is assistant professor of History and American Culture at the University of Michigan.

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Many of the hundreds of thousands of Syrians who immigrated to the US beginning in the 1870s worked as peddlers. Men were able to transgress Syrian norms related to marriage practices while they were traveling, while Syrian women accessed more economic autonomy though their participation in peddling networks. 

In Possible Histories: Arab Americans and the Queer Ecology of Peddling (U California Press, 2023), Charlotte Karem Albrecht explores this peddling economy of the late nineteenth and early twentieth centuries as a site for revealing how dominant ideas about sexuality are imbricated in Arab American racial histories. Karem Albrecht marshals a queer affective approach to community and family history to show how Syrian immigrant peddlers and their interdependent networks of labor and care appeared in interconnected discourses of modernity, sexuality, gender, class, and race. Possible Histories conceptualizes this profession, and its place in narratives of Arab American history, as a "queer ecology" of laboring practices, intimacies, and knowledge production. This book ultimately proposes a new understanding of the long arm of Arab American history that puts sexuality and gender at the heart of ways of navigating US racial systems.

Charlotte Karem Albrecht is Associate Professor of American Culture and Women's and Gender Studies at the University of Michigan, Ann Arbor, where she is also a core faculty member for the Arab and Muslim American Studies program. You can find her on Twitter: @ckaremalbrecht

Najwa Mayer is an interdisciplinary cultural scholar of race, gender, sexuality, and Islam in/and the United States, working at the intersections of politics, aesthetics, and critical theory. She is currently a Society of Fellows Postdoctoral Scholar at Boston University.

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This field-defining collection establishes unfinished film projects--abandoned, interrupted, lost, or open-ended--as rich and under-appreciated resources for feminist film and media studies. In deeply researched and creatively conceived chapters, scholars join with film practitioners in approaching the unfinished film as an ideal site for revealing the lived experiences, practical conditions, and institutional realities of women's film production across historical periods and national borders. 

Alix Beeston and Stefan Solomon's Incomplete: The Feminist Possibilities of the Unfinished Film (U California Press, 2023) recovers projects and practices marginalized in film industries and scholarship alike, while also showing how feminist filmmakers have cultivated incompletion as an aesthetic strategy. Objects of loss and of possibility, incomplete films raise profound historiographical and ethical questions about the always unfinished project of film history, film spectatorship, and film studies.

Host Annie Berke sits down with editors Alix Beeston and Stefan Solomon to ask how this project originated, what makes a film "incomplete," and what unfinished work has to tell us about the nature of cinema and art.

Annie Berke is the Film Editor at the Los Angeles Review of Books and author of Their Own Best Creations: Women Writers in Postwar Television (University of California Press, 2022). Her scholarship and criticism has been published in Feminist Media Histories, Public Books, Literary Hub, and Ms.

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From cell phone footage of police killing unarmed Black people to leaked racist messages and even comments from friends and family on social media, online communication exposes how racism operates in a world that pretends to be colorblind. In When the Hood Comes Off: Racism and Resistance in the Digital Age (U California Press, 2023), Rob Eschmann blends rigorous research and engaging personal narrative to examine the effects of online racism on communities of color and society, and the unexpected ways that digital technologies enable innovative everyday tools of antiracist resistance.

Drawing on a wealth of data, including interviews with students of Color around the country and analyses of millions of social media posts over the past decade, Eschmann investigates the influence of online communication on face-to-face interactions. When the Hood Comes Off highlights the power of the internet as an organizing tool, and shows that online racism can be a profound wake-up call. How will we respond?

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When the "sharing economy" launched a decade ago, proponents claimed that it would transform the experience of work--giving earners flexibility, autonomy, and a decent income. It was touted as a cure for social isolation and rampant ecological degradation. But this novel form of work soon sprouted a dark side: exploited Uber drivers, neighborhoods ruined by Airbnb, racial discrimination, and rising carbon emissions. Several of the most prominent platforms are now faced with existential crises as they prioritize growth over fairness and long-term viability.

Nevertheless, the basic model--a peer-to-peer structure augmented by digital tech--holds the potential to meet its original promises. Based on nearly a decade of pioneering research, After the Gig: How the Sharing Economy Got Hijacked and How to Win It Back (U California Press, 2021) dives into what went wrong with this contemporary reimagining of labor. The book examines multiple types of data from thirteen cases to identify the unique features and potential of sharing platforms that prior research has failed to pinpoint. Juliet B. Schor presents a compelling argument that we can engineer a reboot: through regulatory reforms and cooperative platforms owned and controlled by users, an equitable and truly shared economy is still possible.

Juliet B. Schor is an American economist and Sociology Professor at Boston College. She has studied trends in working time, consumerism, the relationship between work and family, women's issues and economic inequality, and concerns about climate change in the environment. She is a New York Times bestselling author and the Chair of the Board of Directors of the Better Future Project.

Tom Discenna is Professor of Communication at Oakland University whose work examines issues of academic labor and communicative labor more broadly.

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