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When China’s War of Resistance against Japan began in July 1937, it sparked an immediate health crisis throughout China. In the end, China not only survived the war but emerged from the trauma with a more cohesive population.
Nicole Elizabeth Barnes’s book, Intimate Communities: Wartime Healthcare and the Birth of Modern China, 1937-1945 (University of California Press, 2018), argues that women who worked as military and civilian nurses, doctors, and midwives during this turbulent period built the national community, one relationship at a time. In a country with a majority illiterate, agricultural population that could not relate to urban elites’ conceptualization of nationalism, these women used their work of healing to create emotional bonds with soldiers and civilians from across the country. These bonds transcended the divides of social class, region, gender, and language.
This book has won two major awards, William H. Welch Award by American Association for the History of Medicine in 2020, and Joan Kelly Memorial Prize by American Historical Association in 2019.
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more.
Nicole Elizabeth Barnes is Assistant Professor of History and Gender, Sexuality and Feminist Studies at Duke University.
Linshan Jiang is Ph.D. candidate in the Department of East Asian Languages and Cultural Studies, University of California, Santa Barbara. Her research interests are modern and contemporary literature, film, and popular culture in mainland China, Taiwan and Japan; trauma and memory studies; gender and sexuality studies; queer studies; as well as comparative literature and translation studies.
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In this episode of the New Books in Latin America Podcast, Kenneth Sánchez spoke with Maria Elena García about her wonderful new book Gastropolitics and the Spectre of Race: Stories of Capital, Culture, and Coloniality in Peru published in 2021 by the University of California Press.
In recent years, Peru has transformed from a war-torn country to a global high-end culinary destination. Connecting chefs, state agencies, global capital, and Indigenous producers, this “gastronomic revolution” makes powerful claims: food unites Peruvians, dissolves racial antagonisms, and fuels development. Gastropolitics and the Specter of Race critically evaluates these claims and tracks the emergence of Peruvian gastropolitics, a biopolitical and aesthetic set of practices that reinscribe dominant racial and gendered orders. Through critical readings of high-end menus and ethnographic analysis of culinary festivals, guinea pig production, and national-branding campaigns, this work explores the intersections of race, species, and capital to reveal links between gastronomy and violence in Peru.
María Elena García is an associate professor in the Comparative History of Ideas at the University of Washington in Seattle. García received her PhD in Anthropology at Brown University and has been a Mellon Fellow at Wesleyan University and Tufts University. Her first book, Making Indigenous Citizens: Identities, Development, and Multicultural Activism in Peru (Stanford, 2005) examined Indigenous and intercultural politics in Peru in the immediate aftermath of the war between Sendero Luminoso and the state.
Kenneth Sanchez is a Peruvian journalist that works as a freelance journalist and as a multi-platform content curator for the Peruvian media outlet Comité de Lectura. He is a host of the New Books in Latin American Studies podcast and the movies & entertainment podcast Segundo Plano. He holds a master’s degree in Latin American Politics from University College London (UCL), is a Centre for Investigative Journalism masterclass alumni and is part of the 6th generation of Young Journalists of #LaRedLatam of Distintas Latitudes. He has won several awards including the prestigious Amnesty Media Award given out by Amnesty International UK.
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Is the finance industry fair? In Hedged Out: Inequality and Insecurity on Wall Street (University of California Press, 2022) Megan Tobias Neely, an assistant professor in the Department of Organisation at Copenhagen Business School, explores this question by asking who is successful, and who is excluded, in hedge funds. Drawing on ethnography and interviews, the book sets out how elite, white, masculinity is the dominant demographic of the industry, along with the importance of patronage relationships in perpetuating inequalities. It also explores the narratives and justifications used to explain the persistence of exclusions, even in the context of an industry that is supposed to reward passion and talent. Closing with a powerful call to transform both the finance industry and the world, the book is essential reading across social science and business, as well as for anyone interested in understanding how inequality persists.
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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For women who have experienced domestic violence, proving that you are a “good victim” is no longer enough. Victims must also show that they are recovering, as if domestic violence were a disease: they must transform from “victims” into “survivors.” Women’s access to life-saving resources may even hinge on “good” performances of survivorhood. Through archival and ethnographic research, Paige L. Sweet reveals how trauma discourses and coerced therapy play central roles in women’s lives as they navigate state programs for assistance. Sweet uses an intersectional lens to uncover how “resilience” and “survivorhood” can become coercive and exclusionary forces in women’s lives. With nuance and compassion, The Politics of Surviving: How Women Navigate Domestic Violence and Its Aftermath (U California Press, 2021) wrestles with questions about the gendered nature of the welfare state, the unintended consequences of feminist mobilizations for anti-violence programs, and the women who are left behind by the limited forms of citizenship we offer them.
Sneha Annavarapu is Assistant Professor of Urban Studies at Yale-NUS College. To know more about Sneha's work, please visit www.snehanna.com
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In Weighing the Future: Race, Science, and Pregnancy Trials in the Postgenomic Era (University of California Press, 2022), Natali Valdez examines research trials that enroll pregnant people in the United States and England. These research trials aim to lower the health risks to future generations by intervening in and studying the diet and exercise of pregnant people. As an ethnographer, Valdez enrolled pregnant participants into the studies, met with them to administer the intervention, and observed the processes of the trials. Valdez argues that these studies focus on the pregnant individual without accounting for the social, cultural, economic, and environmental factors that present risk factors to their pregnancies. Structural factors such as racism, pollution, and poverty are not acknowledged, studied, or tracked. And this focus on the individual forecloses addressing issues, such as unstable housing, childcare, immigration, and racism. In the book, Valdez discusses how pregnancy trials have changed very little since the 1950s, the politics of recruiting participants to the trials, and how they handle racial diversity. Valdez asserts that these trials use race as an unstable and inconsistent marker of identifying participants, but they do not address racism, which is an underlying cause of health disparities. In the episode we discuss Valdez’s arguments, ethnographic work, and experience of writing the book. Weighing the Future would be of interest to those in medical anthropology, science and technology studies, as well as women and gender studies. Weighing the Future is the first book of its kind, and it contributes much to our understandings of the increasingly salient issues of maternal health, research, and race.
Natali Valdez is an Assistant Professor of Women’s and Gender Studies at Wellesley College.
Reighan Gillam is an Assistant Professor in the Department of Anthropology at the University of Southern California.
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From the BBC Proms to Bernstein's Young People's Concerts, initiatives to promote classical music have been a pervasive feature of twentieth-century musical life. The goal of these initiatives was rarely just to reach a larger and more diverse audience but to teach a particular way of listening that would help the public "appreciate" music.
In The Art of Appreciation: Music and Middlebrow Culture in Modern Britain (University of California Press, 2021), Dr. Kate Guthrie examines for the first time how and why music appreciation has had such a defining and long-lasting impact—well beyond its roots in late-Victorian liberalism. Dr. Guthrie traces the networks of music educators, philanthropists, policy makers, critics, composers, and musicians who, rather than resisting new mass media, sought to harness their pedagogic potential.
The book explores how listening became embroiled in a nexus of modern problems around citizenship, leisure, and education. In so doing, it ultimately reveals how a new cultural milieu—the middlebrow—emerged at the heart of Britain's experience of modernity.
This interview was conducted by Dr. Miranda Melcher whose doctoral work focused on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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What is the hidden history of women in the television industry? In Their Own Best Creations: Women Writers in Postwar Television (U California Press, 2022), Annie Berke, film editor at the Los Angeles Review of Books and host of the Film channel of the New Books Network podcast, explores the history of women writers through key case studies, industry analysis, and readings of on-screen representations. The book is a rich and detailed analysis of the changing nature of the gendered profession of making television, thinking through the past, with lessons for the present and future of the entertainment industry. Accessible and fascinating, the book should be widely read by scholars, industry insiders, and the public too!
Dave O'Brien is Professor of Cultural and Creative Industries, at the University of Sheffield.
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In Hungry for Revolution: The Politics of Food and the Making of Modern Chile (University of California Press, 2021), Joshua Frens-String explores the modern history and political economy of food in Chile, from World War I to the rise and fall of the Allende socialist regime in the 1970s. Drawing together a diverse cast of characters and weaving together a wide range of sources, Frens-String demonstrates that the struggles to create a more just food system shaped modern Chile and its expansive social welfare state prior to the Pinochet’s coup d’état and the implementation of the Chicago Boys’ economic neoliberalization policies. In addition to the dynamics of class and gender in the consumption politics of Chile, Hungry for Revolution is particularly attentive to the different problematics of feeding the urban working classes and dismantling rural estates, and of creating durable socialist regimes and systems of food justice.
Nathan Hopson is an associate professor of Japanese language and history in the University of Bergen's Department of Foreign Languages.
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Metrics of Modernity: Art and Development in Postwar Turkey (University of California Press, 2022) is a vivid portrait of the art world of 1950s Turkey in which Sarah-Neel Smith offers a new framework for analyzing global modernisms of the twentieth century: economic development.
After World War II, a cohort of influential Turkish modernists built a new art scene in Istanbul and Ankara. The entrepreneurial female gallerist Adalet Cimcoz, the art critic (and future prime minister) Bülent Ecevit, and artists like Aliye Berger, Füreya Koral, and Bedri Rahmi Eyüboğlu were not only focused on aesthetics. On the canvas, in criticism, and in the gallery, these cultural pioneers also grappled with economic questions—attempting to transform their country from a “developing nation” into a major player in the global markets of the postwar period.
Smith’s book publishes landmark works of Turkish modernism for the first time, along with an innovative array of sources—from gossip columns to economic theory—to reveal the art world as a key site for the articulation of Turkish nationhood at midcentury.
Reuben Silverman is a PhD candidate at University of California, San Diego
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Dr. Andrea Flores’ most recent book, The Succeeders: How Immigrant Youth Are Transforming What It Means to Belong in America (University of California Press, 2021), is a detailed account of how immigrant youth in Nashville, Tennessee negotiated the stakes of academic achievement by reproducing terms of belonging while at the same time recasting what it means to belong in the United States. By focusing on a nonprofit college access program for Latino youth from which the title of the book is derived, Flores argues that Succeeders’ educational achievements were viewed “as positive moral proof against deficit constructions of Latinos while also maintaining a link to educación’s [emphasis in original] personal, cultural, and familial value” (16). The hybridity of assigning moral value to book learning while also hinging their striving to familial networks is what Flores believes to be critical to the Succeeders’ perception of self. By offering a radically different route to belonging through the vehicle of family and care, the Succeeders hoped to earn not just their own national membership, but also the membership of those near and dear.
Flores conducted ethnographic research for twelve months while also serving as a volunteer for the Succeeders program of southern Nashville across four campuses for the academic year 2012 - 2013. She observed effective communication skits, field trips, organizational meetings, community service activities, musical performances, athletic games, scholarship selection committees, and graduation ceremonies to best understand the lived experiences of Succeeders within and outside of their educational institutions. Flores also conducted thirty-one semistructured interviews with Succeeders whose families were primarily from Mexican and Central America. Further, half of the interviews included undocumented youth, and students from all levels of academic achievement were selected. Strategic selecting of Succeeders allowed Flores to examine how students across a variety of academic preparations and immigrant backgrounds perceived themselves within larger conceptions of Latindidad and educational achievement. Interviews with the program’s leaders, teachers, and admissions officers revealed the internal dialogues of those most tasked with the Succeeders’ success. A robust textual archive in the form of college admissions handouts, college entrance essays, and Succeeders curricular materials were collected by the author. These mixed methods allowed Flores to provide detailed and rich accounts of how Latino youth navigated the college application process, the end of high school, and their personal lives.
Jonathan Cortez is currently the 2021-2023 César Chávez Postdoctoral Fellow in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. You can follow Jonathan on Twitter @joncortz
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