BINK!

Lisa, Paul, Ben Rehearsal 3: #5 - Willow Weep for Me. Located at Paul Weisenfeld's HouseJam Notes: A set list is coming together. We are getting through more tunes completely as a band. We spent today polishing things that we already know mostly. Lisa was not sick and had just eaten. We used Paul's Zoom H4n.

Lisa, Paul, Ben Rehearsal 3: #3 - Corcovado - 3. Located at Paul Weisenfeld's HouseJam Notes: A set list is coming together. We are getting through more tunes completely as a band. We spent today polishing things that we already know mostly. Lisa was not sick and had just eaten. We used Paul's Zoom H4n.

Lisa, Paul, Ben Rehearsal 3: #11 - All of Me - 1. Located at Paul Weisenfeld's HouseJam Notes: A set list is coming together. We are getting through more tunes completely as a band. We spent today polishing things that we already know mostly. Lisa was not sick and had just eaten. We used Paul's Zoom H4n.Track Notes: Lisa favorite; Ben sat down and railed the tempo.

Tritones at Dana Thalheimer's House. More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Tritones at Dana Thalheimer's House. More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Tritones at Dana Thalheimer's House. More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Tritones at Dana Thalheimer's House. More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Tritones at Dana Thalheimer's House. More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Tritones at Dana Thalheimer's House. More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Tritones at Dana Thalheimer's House. More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.