BINK!

Tritones Demo Prep 4: #1 - Something You Got - 1. Performed by Tritones. Located at Dana Thalheimer's HouseJam Notes: More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Tritones Demo Prep 4: #4 - The Chicken - 2. Performed by Tritones. Located at Dana Thalheimer's HouseJam Notes: More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Tritones Demo Prep 4: #6 - Polkadots and Moonbeams. Performed by Tritones. Located at Dana Thalheimer's HouseJam Notes: More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Tritones Demo Prep 4: #3 - The Chicken - 1. Performed by Tritones. Located at Dana Thalheimer's HouseJam Notes: More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Tritones Demo Prep 4: #7 - Blue Bossa. Performed by Tritones. Located at Dana Thalheimer's HouseJam Notes: More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Tritones Demo Prep 4: #5 - The Chicken - 3. Performed by Tritones. Located at Dana Thalheimer's HouseJam Notes: More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Tritones Demo Prep 4: #2 - Something You Got - 2. Performed by Tritones. Located at Dana Thalheimer's HouseJam Notes: More running of tunes to try and get a good set of tracks for our demo. This time around, we used Danas laptop again, but he enabled his second audio input device and so we had enough channels to just run stereo out from Bens laptop for the keyboard sounds. We also had four toms on these recordings instead of just overheads or one tom. Ben also deployed a second microphone at an attempt at capturing the louder trombone sounds without peaking the input. To no avail. This is the first set of tracks to use noise gates as well. They are in use on the horns and on the toms. Lots of sparse activity there. The house's house is a house.

Paul Weisenfeld's House. This rehearsal was very productive, but did not result in very much audio. We spent a bunch of time talking about what we wanted to play, and which keys things were in, we helped Paul get a book together. We also strung Fever and Summertime together into a medly, which I call Fevertime. Excellent playing all around when we actually made it through a song.

Paul Weisenfeld's House. This rehearsal was very productive, but did not result in very much audio. We spent a bunch of time talking about what we wanted to play, and which keys things were in, we helped Paul get a book together. We also strung Fever and Summertime together into a medly, which I call Fevertime. Excellent playing all around when we actually made it through a song.

Paul Weisenfeld's House. This rehearsal was very productive, but did not result in very much audio. We spent a bunch of time talking about what we wanted to play, and which keys things were in, we helped Paul get a book together. We also strung Fever and Summertime together into a medly, which I call Fevertime. Excellent playing all around when we actually made it through a song.