The Jazz Real Book

Black Orpheus and Charlie Byrd


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34-“Black Orpheus” and Charlie Byrd 

Standards Rating 9 Difficulty Rating 5

“Black Orpheus” or "Manhã de Carnaval," composed by Luiz Bonfá for the 1959 film Black Orpheus (Orfeu Negro), is a foundational bossa nova piece that became a jazz standard. The song, characterized by its 32-bar structure in A minor with sophisticated harmonic progressions, blends simplicity with elegance. Charlie Byrd, a pivotal figure in popularizing bossa nova in the United States, offered a refined interpretation of the song on his 1966 album Byrdland. Byrd transitions into a flowing solo on the track, demonstrating his technical prowess and deep understanding of Brazilian music. The performance is nuanced and expressive, reflecting Byrd's ability to bridge jazz and classical guitar techniques, cementing "Manhã de Carnaval" as a timeless piece.

Charlie Byrd https://open.spotify.com/track/242vRAj44NhtlFHodbzwXw?si=31769895545a41c4


Dexter Gordon https://open.spotify.com/track/1npsSHw0x08BOLPkKzUShe?si=d4aca3a57f374365


Curated Playlist https://open.spotify.com/playlist/5bla6DuepTMq3kdzUlXTy7?si=3252735e69da46c6


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The Jazz Real BookBy Jay Sweet

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