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This week we’re going to be talking about BlacKkKlansman by Spike Lee, Charlie Wachtel, David Rabinowitz and Kevin Willmott.
When I first went out to see BlacKkKlansman, my hope was that I was going to be able to do a podcast about how to write a movie for a political change— to talk about the confluence of race and politics and storytelling and history.
But, my experience of BlacKkKlansman led me to an even more important topic: the role of the truth in adapting a true life story, and how running towards (or away from) that truth can impact the overall experience of your screenplay.
By International Screenwriters' Association3.9
1919 ratings
This week we’re going to be talking about BlacKkKlansman by Spike Lee, Charlie Wachtel, David Rabinowitz and Kevin Willmott.
When I first went out to see BlacKkKlansman, my hope was that I was going to be able to do a podcast about how to write a movie for a political change— to talk about the confluence of race and politics and storytelling and history.
But, my experience of BlacKkKlansman led me to an even more important topic: the role of the truth in adapting a true life story, and how running towards (or away from) that truth can impact the overall experience of your screenplay.

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