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In this multi-part series, we’ve focused on just one movie to explore a key idea in film studies. But this one choice means we’ve left out multitudes. Here is the larger set of also-rans we wrestled with before finally choosing “La Haine”.
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GATEWAY CINEMA is a multi-part series of conversations centered on key ideas in film studies. In these conversations, we interpret and celebrate a set of eclectic feature films from across generations and from around the world, including “La Haine”, “Drum”, “Alien 3 (Assembly Cut)”, “Come and See”, “Perfect Days”, “Sweet Smell of Success”, “The Swimmer”, “Amadeus (Director’s Cut)”, “Bring Me the Head of Alfredo Garcia”, “Friday”, “Marie Antoinette”, “The Night of the Hunter”, “Crank” and “Crank 2: High Voltage”, “Portrait of a Lady Fire”, “The Fabulous Baron Munchausen”, “Joker: Folie a Deux”, “Welcome to the Dollhouse”, “Heathers”, and “The Death of Stalin”.
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This is part of a series about overlooked movies from 2005.
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This is part of a series about overlooked movies from 2005.
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This is part of a series about overlooked movies from 2005.
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This is part of a series about romance in movies.
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This is part of a series about overlooked movies from 2005.
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This is part of a series about overlooked movies from 2005.
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This is part of a series about romance in movies.
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This is part of a series about romance in movies.
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From the publisher's feed
At Blockbusters and Birdwalks, you’ll listen to reviews and conversations about all kinds of movies, from Academy Award winners to exploitation masterpieces with a mix of commercial hits and…