Alexa Von Hirschberg is the editorial director at Bloomsbury. She told me about how starting a jazz night got her her first job in publishing at Canongate, working with legends like Kate Tempest and Patrick DeWitt and on amazing novels like Natasha Pulley's The Watchmaker of Filigree Street and All Among the Barley by Melissa Harrison. We also spoke about Ben Myers' new novel The Offing and her work on the seminal Why I'm No Longer Talking to White People About Race by Reni Eddo-Lodge. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Alexa Von Hirschberg is the editorial director at Bloomsbury. She told me about how starting a jazz night got her her first job in publishing at Canongate, working with legends like Kate Tempest and Patrick DeWitt and on amazing novels like Natasha Pulley's The Watchmaker of Filigree Street and All Among the Barley by Melissa Harrison. We also spoke about Ben Myers' new novel The Offing and her work on the seminal Why I'm No Longer Talking to White People About Race by Reni Eddo-Lodge. Hosted on Acast. See acast.com/privacy for more information.

Alexa Von Hirschberg is the editorial director at Bloomsbury. She told me about how starting a jazz night got her her first job in publishing at Canongate, working with legends like Kate Tempest and Patrick DeWitt and on amazing novels like Natasha Pulley's The Watchmaker of Filigree Street and All Among the Barley by Melissa Harrison. We also spoke about Ben Myers' new novel The Offing and her work on the seminal Why I'm No Longer Talking to White People About Race by Reni Eddo-Lodge. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

Bloomsbury - Alexa Von Hirschberg

What Editors Want is a new podcast in which I interview a different editor each week from the world of publishing. It’s aimed at readers who want to hear the behind the scenes story of how their favourite books get made, and aspiring authors who want to know how to get published. I’ve spoken to everyone from the biggest names in the industry to independent publishers taking a dynamic and innovative approach to making books. Along the way I’ve met the editors behind Nobel and Booker Prize winning authors (and practically every other literary prize), ground-breaking non-fiction (from The Panama Papers to Why I'm No Longer Talking to White People About Race), with everything from kid’s books to cookbooks in between. My dream is that this podcast will make the world of books more approachable and inclusive for the authors and publishing professionals of tomorrow by hearing about the career paths of industry leading editors, and how they choose their books. Philip Connor Finn is an editor at award-winning publisher Unbound. He is the winner of the Faber &amp; Faber Scholarship to UCL and the Cuirt Festival’s New Writing Prize. He writes for publications including Boundless, Caught by the River and The Times Literary Supplement. <hr> Hosted on Acast. See <a style='color:grey;' target='_blank' rel='noopener noreferrer' href='https://acast.com/privacy'>acast.com/privacy</a> for more information.

Arts

What Editors Want is a new podcast in which I interview a different editor each week from the world of publishing. It’s aimed at readers who want to hear the behind the scenes story of how their favourite books get made, and aspiring authors who want to know how to get published. I’ve spoken to everyone from the biggest names in the industry to independent publishers taking a dynamic and innovative approach to making books. Along the way I’ve met the editors behind Nobel and Booker Prize winning authors (and practically every other literary prize), ground-breaking non-fiction (from The Panama Papers to Why I'm No Longer Talking to White People About Race), with everything from kid’s books to cookbooks in between. My dream is that this podcast will make the world of books more approachable and inclusive for the authors and publishing professionals of tomorrow by hearing about the career paths of industry leading editors, and how they choose their books. Philip Connor Finn is an editor at award-winning publisher Unbound. He is the winner of the Faber & Faber Scholarship to UCL and the Cuirt Festival’s New Writing Prize. He writes for publications including Boundless, Caught by the River and The Times Literary Supplement. Hosted on Acast. See acast.com/privacy for more information.

What Editors Want is a new podcast in which I interview a different editor each week from the world of publishing. It’s aimed at readers who want to hear the behind the scenes story of how their favourite books get made, and aspiring authors who want to know how to get published. I’ve spoken to everyone from the biggest names in the industry to independent publishers taking a dynamic and innovative approach to making books. Along the way I’ve met the editors behind Nobel and Booker Prize winning authors (and practically every other literary prize), ground-breaking non-fiction (from The Panama Papers to Why I'm No Longer Talking to White People About Race), with everything from kid’s books to cookbooks in between. My dream is that this podcast will make the world of books more approachable and inclusive for the authors and publishing professionals of tomorrow by hearing about the career paths of industry leading editors, and how they choose their books. Philip Connor Finn is an editor at award-winning publisher Unbound. He is the winner of the Faber &amp; Faber Scholarship to UCL and the Cuirt Festival’s New Writing Prize. He writes for publications including Boundless, Caught by the River and The Times Literary Supplement. Hosted on Acast. See <a href="https://acast.com/privacy" rel="noopener noreferrer">acast.com/privacy</a> for more information.

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Bloomsbury - Alexa Von Hirschberg

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