Always Take Notes

Always Take Notes

By Always Take NotesArts
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Always Take Notes episodes

  • David Walsh on his 13-year pursuit of cycling drug cheat Lance Armstrong and whether collision sports have a future

    Simon and Rachel speak to David Walsh, chief sports writer at the Sunday Times. David began his career reporting for the Leitrim Observer in Ireland and at the age of 25 he became the editor. His next job was at the Dublin-based newspaper the Irish Press, and while working there he decided to take a year out to cover cycling in Paris. He returned to his job for a short period before moving on to the Sunday Tribune followed by the Sunday Independent, and in 1996 he joined the Sunday Times. In 2012 he wrote "Seven Deadly Sins", the story of his 13-year pursuit of the cycling drug cheat Lance Armstrong, which played out on the pages of the Sunday Times and ended in a Hollywood movie, "The Program" in 2015. David's other books include "Inside Team Sky" and "The Russian Affair" and he has won Sports Writer of the Year four times at the Press Awards.  We spoke to David about deciding he wanted to be a sports journalist at the age of six, his investigation into Lance Armstrong, and covering brain injuries in rugby and other sports. 


    In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.  

     

    We’ve also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We’ve added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we’re now also releasing bonus mini-episodes. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel.
    A new edition of “Always Take Notes: Advice From Some Of The World’s Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 

    Learn more about your ad choices. Visit podcastchoices.com/adchoices

    1 hr 13 min
  • Madeleine Milburn on running her own literary agency, discovering "Eleanor Oliphant is Completely Fine" and what makes a perfect book-club book

    Rachel and Simon speak to the literary agent Madeleine Milburn. She started her career in publishing as a foreign rights assistant at A P Watt, the world's first modern literary agency (now part of United Agents). She then moved to Darley Anderson as head of rights, where she represented her own clients and helped set up the children's division. In 2012 she founded the Madeleine Milburn Agencyand has since represented numerous bestselling authors, including Nita Prose ("The Maid"), Elizabeth Macneal ("The Doll Factory") and Ashley Audrain ("The Push"). "Eleanor Oliphant is Completely Fine" by Gail Honeyman has sold over 3 million copies worldwide, was the inaugural selection for Reese Witherspoon's Book Club and is being adapted for the screen by Witherspoon's production company, Hello Sunshine, and MGM. Madeleine won Literary Agent of the Year at the British Book Awards in 2018 and has been listed by The Bookseller as one of the 150 most influential people in the book trade every year since 2017. We spoke to Madeleine about her entry into publishing, setting up her own literary agency and her determination to make greater use of the slush pile.


    In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.  


    We’ve also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We’ve added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we’re now also releasing bonus mini-episodes. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel.


    A new edition of “Always Take Notes: Advice From Some Of The World’s Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 

    Learn more about your ad choices. Visit podcastchoices.com/adchoices

    1 hr 6 min
  • Matt Haig on his early struggles as a literary novelist and the unexpected success of his memoir "Reasons to Stay Alive"

    Simon and Rachel speak to the novelist and non-fiction writer Matt Haig. Matt's work includes the novels "The Humans", "How to Stop Time" and "The Midnight Library", the last of which has sold over 10 million copies worldwide and spent 52 weeks on the New York Times bestseller list. He has also written several children’s books including "A Boy Called Christmas", which became a feature film starring Maggie Smith, Sally Hawkins and Jim Broadbent. Matt's non-fiction works include the memoir "Reasons to Stay Alive", which spent 46 weeks in the British top ten, and "The Comfort Book". His work has been translated into over 50 languages. We spoke to Matt about his early struggles as a literary novelist, writing about depression in "Reasons to Stay Alive", and his new novel, "The Midnight Train".


    In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.  


    We’ve also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We’ve added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we’re now also releasing bonus mini-episodes. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel.


    A new edition of “Always Take Notes: Advice From Some Of The World’s Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 

    Learn more about your ad choices. Visit podcastchoices.com/adchoices

    1 hr 10 min
  • Amanda Harris on the economics of publishing, setting up her own literary agency and what makes a worthwhile celebrity book

    Rachel and Simon speak to the literary agent Amanda Harris. Amanda started her publishing career in publicity, first at Pan Macmillan, then at Simon and Schuster. She switched to editorial and worked with authors including David Baldacci and Jackie Collins before moving to Orion, where she launched two imprints, Orion Spring and Seven Dials. In 2019 Amanda joined YMU, a global talent agency, and set up their literary division, selling almost 100 books, many in six- or seven-figure deals. In 2025 Amanda founded Maven Literary Management, a “modern literary agency” which represents fiction and non-fiction authors. Amanda has agented over 50 Sunday Times bestsellers - including books by Claudia Winkleman, Matt Lucas and Graham Norton - and has been nominated four times for Literary Agent of the Year at the British Book Awards, winning in 2025. We spoke to Amanda about moving from publicity to editorial to agenting, the process of setting up Maven, and working with celebrity authors (and ghostwriters).

    We’ve also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We’ve added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we’re now also releasing bonus mini-episodes. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel.


    A new edition of “Always Take Notes: Advice From Some Of The World’s Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 

    Learn more about your ad choices. Visit podcastchoices.com/adchoices

    1 hr 1 min
  • Jeff Maysh on optioning dozens of his magazine stories to film and TV production companies and the roots of his interest in crime

    Simon and Rachel speak with the journalist Jeff Maysh. Jeff's work, specialising in narrative non-fiction with cinematic structure, and focusing on untold true stories, has appeared in the New Yorker, the Atlantic, Bloomberg Businessweek and the Financial Times. With over 30 stories in development for film and television, he's been called "the most optioned writer working today". His story from 2018 about the McDonalds Monopoly fraud became the subject of a bidding war, won by Ben Affleck and Matt Damon for a record $1 million. Jeff has projects in development at studios and streamers including Netflix, Fox Searchlight and Universal, and he has recently launched a course teaching non-fiction writers how to apply screenwriting techniques to longform storytelling and navigate optioning their work to the entertainment industry. We spoke to Jeff about moving from British to American journalism, developing his pipeline of articles to film and TV, and the roots of his interest in crime.


    In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.  


    We’ve also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We’ve added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we’re now also releasing bonus mini-episodes. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel.


    A new edition of “Always Take Notes: Advice From Some Of The World’s Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 

    Learn more about your ad choices. Visit podcastchoices.com/adchoices

    1 hr 7 min
  • Vicki Willden-Lebrecht on screens, the reading crisis and building a business around illustrated children's books

    Rachel and Simon speak with the literary agent Vicki Willden-Lebrecht. Vicki set up The Bright Agency in 2003; today the company represents authors and artists from across the world. Its clients include Benji Davies (the creator of the "Storm Whale" series and the illustrator of the "Bizzy Bear" books), David Litchfield (the author and illustrator of the "The Bear & the Piano" series) and the estate of Shirley Hughes (whose books have sold more than 11.5 million copies). For the past 22 years, Vicki has been the agency's principal author/illustrator agent and she has been nominated for Literary Agent of the Year at the British Book Awards three times - in 2016, 2021 and 2025. We spoke to Vicki about her early entrepreneurial efforts and setting up Bright in her 20s, representing children's authors and illustrators and the importance of getting youngsters to read. In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.  


    We’ve also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We’ve added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we’re now also releasing bonus mini-episodes. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel.


    A new edition of “Always Take Notes: Advice From Some Of The World’s Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 

    Learn more about your ad choices. Visit podcastchoices.com/adchoices

    54 min
  • Tom Rob Smith on his bestselling debut "Child 44", screenwriting for the BBC and FX, and taking a different approach in his new novel "Twenty Years Together"

    Simon and Rachel speak with the novelist and screenwriter Tom Rob Smith. Tom wrote his first novel, "Child 44", about a serial killer in Soviet Russia, at the age of 26. After publication in 2008, the novel went on to sell over two million copies, with translations in 35 languages. It won the International Thriller Writer Award for Best First Novel, the CWA Ian Fleming Steel Dagger Award, and became the first thriller to be longlisted for the Booker Prize. In 2015 "Child 44" was also turned into a film starring Tom Hardy and Gary Oldman. Tom's other novels include "The Farm", "Cold People" and most recently "Twenty Years Together". His work for the screen includes the BBC show "London Spy", which was nominated for a Bafta, and the FX series "American Crime Story: The Assassination of Gianni Versace", which won a Golden Globe. We spoke to Tom about his bestselling debut, his screenwriting projects, and going in a different direction with his new book. 

    In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.  

    We’ve also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We’ve added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we’re now also releasing bonus mini-episodes. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel.
    A new edition of “Always Take Notes: Advice From Some Of The World’s Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 

    Learn more about your ad choices. Visit podcastchoices.com/adchoices

    1 hr 10 min
  • Siri Hustvedt talks about her marriage to the novelist Paul Auster - and writing about him after his death in “Ghost Stories”

    Rachel and Simon speak with the novelist and essayist Siri Hustvedt. Born in Minnesota in 1955 to a Norwegian mother and American father, Siri grew up bilingual. On a family trip one summer, she read voraciously and decided she wanted to become a writer. In 1981 Siri published her first poem in the Paris Review and a small collection emerged two years later. In 1992 she published her debut novel, “The Blindfold”, which was translated into 17 languages. Six more novels followed - “The Enchantment of Lily Dahl”, “What I Loved”, “The Sorrows of an American”, “The Summer Without Men”, “The Blazing World” (longlisted for the Man Booker Prize) and “Memories of the Future” - as well as several collections of essays. Alongside her writing, Siri has studied psychoanalysis, neurology and psychiatry and in 2015 she was appointed a lecturer in psychiatry at Weill Cornell medical school. We spoke to Siri about making her way in poetry and publishing, her interest in the sciences and her latest book, “Ghost Stories”, a memoir about her marriage to the late novelist Paul Auster.

    In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.  


    We’ve also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We’ve added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we’re now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new signs-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (one is left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel.


    A new edition of “Always Take Notes: Advice From Some Of The World’s Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 

    Learn more about your ad choices. Visit podcastchoices.com/adchoices

    59 min
  • John Lanchester on his novelistic portrayal of London on the brink of a financial crisis in "Capital" and intergenerational strife in his new book "Look What You Made Me Do"

    Simon and Rachel speak with the novelist and journalist John Lanchester. John has written six works of fiction including "The Debt to Pleasure", "Capital" and "Fragrant Harbour" and four of non-fiction including "Whoops! Why Everyone Owes Everyone and No One Can Pay". His books have won the Hawthornden Prize, the Whitbread First Novel Award, the E. M. Forster Award and the Premi Llibreter, been longlisted for the Booker Prize and translated into 25 languages. The television mini-series adaptation of "Capital" won an International Emmy Award. He is a contributing editor to the London Review of Books and a fellow of the Royal Society of Literature. We spoke to John about his long relationship with the LRB, his state of London novel "Capital" and his new novel, "Look What You Made Me Do." 

    In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.  

    We’ve also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We’ve added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we’re now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new signs-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (one is left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel.
    A new edition of “Always Take Notes: Advice From Some Of The World’s Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 

    Learn more about your ad choices. Visit podcastchoices.com/adchoices

    1 hr 7 min
  • Kathryn Stockett on the success (and controversy) of "The Help" and taking 17 years to publish a follow-up novel, "The Calamity Club"

    Rachel and Simon speak with the novelist Kathryn Stockett. Born and raised in Jackson, Mississippi, Kathryn moved to New York after university and spent almost a decade working in magazine publishing and marketing. In 2001, reeling from the 9/11 attacks and missing home, Kathryn started writing "The Help". The story of black maids and their white employers in Jackson in the 1960s became a sleeper hit in 2009 - it went on to sell 15 million copies worldwide and was adapted into a film in 2011. (The movie grossed more than $220 million at the box office; Octavia Spencer won an Oscar for her portrayal of Minny, one of the maids.) Kathryn spent over a decade working on her follow-up, "The Calamity Club", set in Oxford, Mississippi, in the 1930s. We spoke to Kathryn about magazine largesse in the 1990s, the huge success of "The Help" and the long road to publication of "The Calamity Club".  


    In addition to the standard audio format, the podcast is now available in video. You can check us out on YouTube under Always Take Notes.


    We’ve also made (yet) another update for those ⁠⁠⁠⁠⁠⁠⁠⁠who support the podcast on the crowdfunding site Patreon⁠⁠⁠⁠⁠⁠⁠⁠. We’ve added a further 70 pages of new material to the package of successful article pitches that goes to anyone who supports the show with $5 per month or more, including new pitches to the New Yorker, Bloomberg Businessweek, and the Guardian Long Read. The whole compendium now runs to a magisterial 230 pages. For Patreons who contribute $10/month we’re now also releasing bonus mini-episodes. Thanks to our sponsor, Scrivener, the first ten new signs-ups at $10/month will receive a lifelong license to Scrivener worth £55/$59.99 (one is left). This specialist word-processing software helps you organise long writing projects such as novels, academic papers and even scripts. Other Patreon rewards include signed copies of the podcast book and the opportunity to take part in a call with Simon and Rachel.


    A new edition of “Always Take Notes: Advice From Some Of The World’s Greatest Writers” - a book drawing on our podcast interviews - is available now. The updated version now includes insights from over 100 past guests on the podcast, with new contributions from Harlan Coben, Victoria Hislop, Lee Child, Megan Nolan, Jhumpa Lahiri, Philippa Gregory, Jo Nesbø, Paul Theroux, Hisham Matar and Bettany Hughes. You can order it via ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Amazon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Waterstones⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. 

    Learn more about your ad choices. Visit podcastchoices.com/adchoices

    1 hr 2 min

About Always Take Notes

From the publisher's feed

Always Take Notes is a fortnightly podcast from London for and about writers and writing. Hosts Simon Akam and Rachel Lloyd speak to a diverse range of people in the industry on a variety of topics,…

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