In this week’s Book Club podcast my guest is Eric Schlosser, the investigative journalist whose Fast Food Nation: The Dark Side of the All-American Meal is being reissued as a Penguin Modern Classic 25 years after its first publication. He tells me what’s changed and what hasn’t since he first published this groundbreaking exposé of fast food’s effects on so many aspects of American society, why he was destined to suffer the fate of Upton Sinclair, how Keir Starmer fits in – and how he proudly built a chapter around six vital words.

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My guest in this week’s Book Club podcast is Caroline Moorehead, whose new book A Sicilian Man: Leonardo Sciascia, the Rise of the Mafia and the Struggle for Italy’s Soul tells the remarkable story of one of Italy’s best-known writers – who used the pulp detective novel to shine a light on the social and political rot of his native land.

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This week’s Book Club podcast deals with attention: what it is, why it is in crisis, how it came to be the biggest business in the world, and how we can resist the tech juggernaut that is destroying it. I am joined by two co-authors of the new book Attensity!: A Manifesto of the Attention Liberation Movement. They tell me why the ‘attention economy’ would be better termed ‘human fracking’, and how the problem is so much more than can be solved by a new year’s resolution or more restrictions on screen time.

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My guest in this week’s Book Club is Joanna Kavenna, who talks about her witty, philosophically riddling new novel Seven: Or, How To Play A Game Without Rules. She tells me about taking her bearings from Italo Calvino, making up a board game and then being the world’s worst player at it, how AI challenges our sense of ourselves – and how Morten Harket found his way into her fiction.

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In this week’s Book Club podcast, my guest is the philosophy professor C. Thi Nguyen, whose new book The Score: How To Stop Playing Someone Else’s Game asks why rules and scores and metrics are so liberating in games, yet so deadening in real life. He tells me about the societal perils of our growing dependence on quantitative information, what Aristotle got right, and what yo-yos can tell us about the meaning of life.

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Sam Leith is joined by Philip Hensher to pick over their books of the year.

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The Spectator’s associate editor Toby Young sits down with master storyteller Bernard Cornwell, author of more than 50 international bestselling novels, including The Last Kingdom and much-loved Sharpe series. They delve into Cornwell’s life and career, discuss the real history behind his riveting tales of war and heroism and explore the enduring appeal of historical fiction. This event marks the launch of Sharpe’s Storm, a bold new chapter in the saga of Richard Sharpe, set amid the chaos of 1813 France.

This discussion was part of The Spectator's speaker series. To see more on our upcoming events – including an Americano Live and a post-Budget briefing – go to events.spectator.co.uk.

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My guest on this week’s Book Club podcast is Jonathan C. Slaght, whose new book is Tigers Between Empires: The Journey to Save the Siberian Tiger from Extinction. He tells me about these remarkable animals, the remarkable people who studied them, and how their fates have been entwined with the shifting politics of post-Soviet Russia.

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My guest in this week’s Book Club podcast is James Geary, talking about the new edition of his classic The World in a Phrase: A Brief History of the Aphorism. He tells me about what separates an aphorism from a proverb, a maxim or a quip; about the long history of the form and his own lifelong infatuation with it; and about whether – given our dwindling attention span and appetite for zingers on social media – we can expect to be living through a new golden age of aphorism.

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On this week’s Book Club podcast I’m joined by debut author Leon Craig to talk about her novel The Decadence – a story of millennial debauchery in a haunted house which uses a knowing patchwork of literary influences from Boccaccio and Shirley Jackson to Martin Amis and Mark Z. Danielewski to make an old form fresh. She discusses how and why it took her so long to write, how she first acquired a taste for the gothic, and why she thinks the horror novel, that seeming relic of the 1970s, is making such a dramatic comeback.

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