Holy Smoke

In this week's Holy Smoke episode Damian Thompson welcomes back Eduard Habsburg, Hungary's Ambassador to the Holy See and also, to give him his family title, Archduke Eduard of Austria. Last year he published The Habsburg Way: 7 Rules for Turbulent Times, which offered advice on how to live a good life based on the panoramic history of his dynasty. 

One reason it was such a success is that Eduard has a cult following on X, formerly Twitter, made up of people who initially followed him because he's a Habsburg but stayed to absorb his spiritual wisdom and good cheer. In this episode, with Damian speaking as someone who frequently gets drawn into (or starts) catfights on that platform (his words!), he asks if Eduard has any advice for struggling social media sociopaths. And he does.

Produced by Patrick Gibbons.

The other day I received a press release about an intriguing album of keyboard music by 16th- and early 17th-century composers, three Englishman and a Dutchman, played on the modern piano by Mishka Rushdie Momen, one of this country’s most gifted and intellectually curious young concert pianists. It’s called Reformation, and before I’d heard a note of the music – which is performed with thrilling exuberance and subtlety – I knew I wanted to interview Ms Rushdie Momen. 

That’s because Hyperion had included with the press release a strikingly perceptive essay by the pianist putting this ostensibly secular keyboard music in the context of what she rightly calls the ‘vandalism’ of the English Reformation, shockingly illustrated by the demolition of the great shrine of Walsingham. At the same time, she recognises the unnerving pressures facing both Catholic and Protestant composers in an era of bewildering and violent cultural upheaval – but also one in which we can glimpse  elements of toleration and compromise. 

Here’s my Holy Smoke interview with Mishka Rushdie Momen, which begins with a track from her album: a little galliard called La Volta, danced at Elizabeth I’s court even though the Queen knew that its composer, William Byrd, had remained faithful to the Catholic Church.

Here's an episode of Holy Smoke to mark the 200th anniversary of the birth of Anton Bruckner later this year. This embarrassingly eccentric genius was, perhaps, the most devoutly Catholic of all the major composers – but you don't have to be religious to appreciate the unique consolation offered by his gigantic symphonies. On the other hand, it's hard to appreciate the unique flavour of Bruckner without taking into account the influence of the liturgy on his sublime slow movements and what the (atheist) composer and Bruckner scholar Robert Simpson called the 'calm fire' of his blazing finales. If you make it through to the end of this episode, you'll hear exactly what he meant. 

Produced by Patrick Gibbons

When did supposedly religious funerals turn into ‘celebrations of life’ that are more about entertaining the congregation than mourning the dead person – who, these days, hasn’t died but ‘passed’? 

In this episode of Holy Smoke I’m joined by one of my favourite American priests, Fr Joe Krupp, a self-described ‘redneck’ from Michigan who reaches millions with his powerful ministry and wisecracking podcasts. He puts his finger on what’s gone wrong. Wait for the horror story at the end. He had me laughing so much that I could hardly get my questions out. Don’t miss this one! 

In this episode of Holy Smoke, I'm joined by The Spectator's features editor William Moore, who asks in this week's issue of the magazine whether the Church of England is 'apologising for Christianity'. A report by the Oversight Group, set up by the Church Commissioners to make reparations for African slavery, not only wants to see unimaginable sums transferred to 'community groups' – its chair, the Bishop of Croydon, thinks a billion pounds would be appropriate – it also deplores the efforts of Christian missionaries to eradicate traditional religious practices. But, as Will's article points out, those traditional practices included – at their most extreme – idol-worship, twin infanticide and cannibalism. Are these part of the religious heritage that the C of E patronisingly wants African Christians to rediscover? Did missionaries and early converts to the faith who gave their lives for the faith die in vain? 

At a press conference in Rome last week, an ex-nun claiming to have suffered ritual sex abuse at the hands of Fr Marko Rupnik turned the heat on Pope Francis. How much did he know about the stomach-turning charges levelled at the Slovenian mosaic artist, who was a Jesuit until he was thrown out of the order? And, more important, when did he know? Why is Rupnik still a priest? The Pope's allies in the media are desperate for this story to go away. But, as this episode of Holy Smoke argues, the scandal is growing and threatens to engulf Francis himself. 

Can the Church of England escape from the deadly grip of bishops and bureaucrats who spend their entire time genuflecting to the metropolitan Left? Why does Archbishop Justin Welby wade obsessively into secular political battles when his churches are emptying? And do worshippers realise that eye-watering sums of money are being siphoned off from their parishes in order to fund worthless exercises in social engineering?

In this episode of Holy Smoke, the Rev Marcus Walker, Rector of St Bartholomew the Great in the City of London, reveals the scale of the crisis facing the Established Church. His analysis is devastating. Among the subjects he addresses is the cultural cringe that led Welby and gang to value the opinions of Paula Vennells, the disgraced former head of the Post Office who nearly became Bishop of London, over those of qualified theologians and parochial clergy. 

Under its current Rector, the ancient parish of St Bart's has become a beacon of hope for proud traditional Anglicans. Marcus tells me how he's reaching out to a new generation of Christians bored out of their minds by episcopal jargon – and also what he thinks of Pope Francis's attempt to crush the Latin Mass. It's a rollercoaster of an interview with one of the great clerics of our age. Don't miss it!

Donald Trump now seems certain to be the Republican presidential candidate in this year's US presidential elections. That's a prospect that horrifies liberal America and quite a few other Americans besides. The former president secured overwhelming support from evangelical Christians in Iowa and New Hampshire and some commentators are speculating that we're seeing a resurgence of the so-called 'religious right'. Does he have born-again Christians to thank for his astonishing progress so far? In this episode of Holy Smoke my guest is Ryan Burge, the American political scientist whose Graphs on Religion substack is an authoritative guide to religious allegiance and voting patterns. You may be surprised by what he has to say. 

Just before Christmas, the Vatican's new doctrinal chief Cardinal Victor ‘Tucho’ Fernandez unveiled a new style of blessing designed to make gay couples feel at home in church without changing the Church's teaching on marriage. The Argentinian Tucho has for years been Pope Francis's protégé – but for how much longer? The new gay blessings, supposedly blessing the couple but not their union, have been decisively rejected by all the Catholic bishops of Africa, forcing Francis to backtrack and say they could ignore Fernandez’s decree. Then, last week, it was revealed that in 1998 Tucho published a book on, of all things, the theology of orgasms. It is jaw-droppingly graphic, has been widely described as ‘creepy’, and has encouraged leading cardinals hoping to succeed Francis to distance themselves from this pontificate.

Listen to this episode of Holy Smoke if you want to know about the new crisis tearing apart the Catholic Church – but be warned: the erotic musings of the future Prefect of the Dicastery for the Doctrine of the Faith are not suitable for children. 

In this festive episode of Holy Smoke, we're taken back to the Christmasses of the 1950s and 60s by Raymond Arroyo, Fox News and EWTN presenter, whose enemies in the Vatican have been trying to silence him for years. 

They've failed, thankfully – and now silencing him is even harder. Raymond, who trained in musical theatre, has produced an album entitled Christmas Merry and Bright in which he sings well-loved Christmas songs and carols in spectacular big-band arrangements inspired by one of his musical heroes, Frank Sinatra. And in one track, 'Feliz Navidad', he's joined by its composer – his friend the legendary José Feliciano. I hope you enjoy this conversation as much as I did. One thing's for sure: you'll never hear 'White Christmas' the same way after you've heard Raymond tell the story of how it came to be written...