Body and Soul

Nadine Helstroffer is one of dance's treasures--a poetic, luminous performer whose choreography reflects her insight into life, nature and spirituality. She has been a good friend for many years, and I'm pleased to present an interview we recorded in the summer of 2007 in the home she shares with filmmaker John Bush. Among other things, Nadine and I talked about their experiences filming in Tibet, and I urge you to follow the links for more information about all of John and Nadine's projects.

GUEST BIO

Nadine Helstroffer, French-born, has been presenting her choreography in the U.S., Canada and France since 1981. Her work includes “Clock Lock,” “Threshold” and “Earthbound.” She has taught dance and directed workshops in France, Korea and the U.S. Since 1998 she has been leading the BodyResonance Workshop which explores the link between meditation and movement. She has been presenting her workshop at the Zen Center of NYC, the New School University, New York Insight Meditation Society and Bowling Green State University.

Ms. Helstroffer obtained a doctorate in philosophy under the direction of Daniel Charles of the Sorbonne (Subject: An Innovative Approach to Dance) at Nanterre University/Paris-X, France, in 1980. Her academic interests in Eastern philosophies and her exposure to the East through her dance career have guided her toward an integration of Eastern philosophies and Western movements. She collaborated with composers Yas Jaz from Sankai Juku Company, Philip Fraser (devotee of Shri Shri Ravi Shankar) and David Hykes, founder of the Harmonic Choir.

In New York, the Rubin Museum of Art commissioned her 30-minute solo piece, “Absence Presence,” performed in the gallery of the exhibition "Handprints and Footprints of Buddhist Art" in 2005 and filmed by John Bush. She was also invited by the museum to dance her choreography as part of a performance by Hykes's Harmonic Choir.

She has worked in collaboration with filmmaker John Bush on a 40-minute dance film-- “Shimmer”--shot entirely outdoors in New York City. An excerpt--"Portal"--has been screened at Galapagos Art Space, curated by the experimental film group Ocularis, and has had a special screening at the 2006 High Falls Film Festival.

“Vajra Realm,” a dance pilgrimage with Nadine Helstroffer filmed in Central Tibet, was released in January 2007 as a special feature on the DVD “Vajra Sky Over Tibet,” the third film of the “Yatra Trilogy” by John Bush. It is distributed by WGBH Boston.

For additional information on “Vajra Realm” and all of Ms. Helstroffer's work, visit Direct Pictures at http://www.directpictures.com/.

LINK:

http://www.directpictures.com/

Body and Soul is the official podcast of InfiniteBody dance blog at

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http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

(c)2008, Eva Yaa Asantewaa

Dalia Carella is one of those bold, glamorous, old-school entertainers clearly born to rule the stage. And she's a serious creative artist whose painstaking approach to the dances of diverse cultures has been shaped by mentors of notable integrity. I interviewed her in October 2007. She was then a new member of the faculty of Dance New Amsterdam (DNA), and we spoke about her career and her pioneering involvement in DNA's Performance Project where she introduced students to the rich music and dance traditions of the Near and Middle East and the Maghreb.

GUEST BIO

Dalia Carella is a world-renowned Near/Middle Eastern contemporary dancer, choreographer, instructress and global fusion artist. Audiences from around the world have applauded her mystical and innovative dances and choreographies that are taken from the tradition of the countries she is representing. Carella has delved deeply in the studies of dances from the Near and Middle East including Egypt, Turkey, Lebanon, as well as North Africa including Morocco and Algeria. Her dances are both traditional and contemporary with a spiritual essence behind each and every movement that she creates. Some of Carella's new works represent both traditional and contemporary movement and range from sacred rituals to ethnic contemporary theater pieces and cabaret macabre inspired by the 1920s and '30s.

Her dance background also includes studies in Flamenco, Indian/Bollywood/Bhangra, African, Samba, Salsa, Bomba and Plena from Puerto Rico as well as jazz and ballet. Carella also created her signature dance form in 1985, "Dunyavi Gypsy (Roma) Dance," for which she is known throughout the world. The core of Dalia's Dunyavi work is extensive research of the Romany trail, focusing primarily on the Roma dances of Spain, India, Turkey and most recently, movements from North Africa. Dalia has also been performing and teaching a second style of Gypsy Rom dance, "El Mundo," that is evolving from her continuing studies of Middle Eastern, Andalusia and Latin dance influences. For more information, visit http://www.daliacarella.com/bio.html.

LINK

http://www.daliacarella.com

Body and Soul is the official podcast of InfiniteBody dance blog at

http://infinitebody.blogspot.com. Subscribe through iTunes or at

http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

(c)2008, Eva Yaa Asantewaa

When you need to look at the arts from a lot of different angles, it's helpful to have someone like the versatile Fran Kirmser in your corner. Here’s an interview I conducted with Fran in the fall of 2007 as she was preparing to facilitate a series of workshops for performing artists, sponsored by The Field. We chatted about the many roles she has played in her distinguished career as a performer, choreographer, theater producer, master fundraiser, a consultant to dance and theater companies, and a founder of Manhattan Theatre Source. This radiant, seemingly tireless advocate of dance and theater has a grand vision and the practical tools to back it up.

Guest Bio

Fran Kirmser has worked for over twelve years, producing, promoting and fundraising for dance and theater. Collectively she has raised millions of dollars in institutional funding and corporate sponsorships for hundreds of companies. She has held positions in Development, Public Relations, Management, or Booking and Representation with the following organizations: Lincoln Center Avery Fisher Hall, Doug Varone and Dancers, Sandra Cameron Dance Center, Pentacle. She is a founder of Manhattan Theatre Source where she served as Producing Artistic Director. Fran produced August Wilson's Radio Golf on Broadway, nominated for four Tony Awards. Recently she founded Made to Move, Inc.--a non-profit dedicated to the advancement of public knowledge of the art of dance and theater and co-created and produced the commercial musical SIDD based on the novel "Siddhartha" by Hermann Hesse. Additionally Fran has worked on the development of new theatrical works with Circle in the Square Repertory Theater and Musical Theatre Works among others.

Fran is a graduate of Skidmore College with continuing education at NYU Tisch Dance Residency Program, Laban Institute of Movement, American Academy of Dramatic Arts, the New School University and Columbia University Graduate School of Psychology. She has served on the New York Foundation for the Arts (www.nyfa.org) funding panel and teaches numerous development and promotional workshops with The Field (www.thefield.org) and throughout the city.

Trained in dance and choreography, favorite past projects include choreography for Only Heaven composer Ricki Ian Gordon, and performing the repertory of Bill T. Jones/Arnie Zane Co., American Dance Machine, Susan Marshall, Ralph Lemon, Isadora Duncan, Doris Humphrey, and Jack Cole.

LINK:

http://www.frankirmser.com/

Body and Soul is the official podcast of InfiniteBody dance blog at

http://infinitebody.blogspot.com. Subscribe through iTunes or at

http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

(c)2008, Eva Yaa Asantewaa

I admire Yanira Castro's darkly poetic and mysterious artistry. Her sense-laden works have the capacity to take watchers deep into experience and to change our habits of seeing, listening and thinking. I hope you will enjoy my interview with Yanira and find yourself similarly immersed in her newest work, "Center of Sleep."

GUEST BIO

Yanira Castro+Company is a New York City-based ensemble of dancers and designers that fuses experiments in movement with original music and visual elements such as video and installations to create vivid, contemporary scenarios for their audiences that transform and engage their experience of the work.

Award-winning choreographer Yanira Castro was born in Puerto Rico and received her B.A. in Theater & Dance and Literature at Amherst College. She has been making work with a core group of performers and designers since 1997, presenting this work widely, including at Dance Theater Workshop, The Chocolate Factory, Danspace Project and numerous other venues. Most recently, she has been working on site-based installations.

UPCOMING EVENTS

Yanira Castro+Dancers will present the world premiere of "Center of Sleep" at Dance Theater Workshop (February 27-March 1, 2008) with two shows per night at 7:30pm and 9:30pm. On opening night, DTW will host a free pre-show talk at 6:30 and post-show talk after the 7:30 show only. For further information and tickets, visit DTW at www.dancetheaterworkshop.org or call 212-924-0077.

LINK:

www.yaniracastrocompany.org

Body and Soul is the official podcast of InfiniteBody dance blog at

http://infinitebody.blogspot.com. Subscribe through iTunes or at

http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

(c)2008, Eva Yaa Asantewaa

Gina Gibney's choreography always reminds me of what's most important to me about art: serious attention to craft and an equally serious concern about human connection and communication. Gina is a thoughtful spokesperson for the art of dance. I've always enjoyed our encounters and usually go away feeling a little more focused and motivated as a result. I hope you'll be similarly inspired by our discussion about her work, including her development of The Distance Between Us, which premiered at the Ailey Citicorp Theater in November 2007.

This year, Gina’s company celebrates its 10th Anniversary as an all-female troupe. See below for updated information on Gibney’s projects.

GUEST BIO

Gina Gibney’s choreography has been widely presented and commissioned in the United States and abroad at such venues as Danspace Project, White Bird Dance, Yale Repertory Theater, The Duke on 42nd Street Theater, WORKS & PROCESS at the Guggenheim Museum and elsewhere. In response to her growing concern about the status of women in the professional dance world, she reorganized her company as an all-female ensemble in 1997. Since that time, she has created six evening-length works exploring the humanity and physicality of women. In 2000, she launched the Domestic Violence Project, a groundbreaking project that offers dance and creative expression to women who are survivors of domestic abuse. She is the founder of Studio 5-2, an officer of Danspace Project's Board of Directors, and a trustee of Dance/USA. Gibney graduated with honors and received an MFA in Dance from Case Western Reserve University.

UPCOMING EVENTS

Catch a sample of Gina Gibney’s work at the dancemOpolitan group show at Joe’s Pub at The Public Theater, March 14-15, 9:30 pm. For reservations, call 212-967-7555 or visit www.joespub.com.

Celebrating its 10th anniversary as an all-female troupe, Gina Gibney Dance holds its annual Women at Work gala on June 2 at the Ailey Citigroup Theater. The gala will feature a mini-retrospective performance, including excerpts from Coming from Quiet (1998), Time Remaining (2002) and unbounded (2005), and a new work developed in collaboration with survivors of domestic violence. This program will be repeated for the public on June 5 (7:30pm) as part of the Tisch Summer Dance Residency Festival.

LINK

Gina Gibney Dance at http://www.ginagibneydance.org/

Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at

http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

(c)2008, Eva Yaa Asantewaa

Today, we’ll hear from Mary Cochran (Chair of the Dance Department, Barnard College of Columbia University) and Luciana Achugar (2007 Bessie Award-winning choreographer) about Sugar Salon, a program dedicated to mentoring, commissioning and presenting women at the forefront of contemporary choreography.

GUEST BIOS:

Luciana Achugar

Luciana Achugar is a Brooklyn-based Uruguayan choreographer. After moving to New York upon graduation from Cal Arts in 1995, Achugar danced with several choreographers, including Chameckilerner and John Jasperse. From 1999 to 2003, she worked in a close collaborative relationship with choreographer Levi Gonzalez. Their work was presented in New York by Dixon Place, Movement Research at Judson Church, PS1 Contemporary Art Center, Dance-in-Progress at The Kitchen, and at Dance Theater. Achugar has also worked collaboratively with visual artists Marcos Rosales and Michael Mahalchick.

Mary Cochran

Department of Dance Chair and Associate Professor of Professional Practice at Barnard College of Columbia University, Mary Cochran has performed and taught on every continent except Antarctica. A renowned soloist with Paul Taylor Dance Company from 1984-1996, Cochran continues her association with Taylor to this day having completed 19 restagings of his masterworks and as Director of the Paul Taylor School’s Summer and Winter Intensives. Cochran has taught at numerous colleges and conservatories including Mills College, the Juilliard School, University of Michigan, Harvard University, and the North Carolina School of the Arts. She received her MFA from the University of Wisconsin/Milwaukee in May of 2005.

UPCOMING EVENT:

See Sugar Salon's performances at Abrons Arts Center (February 15-16), featuring works by the 2007-08 residents: Luciana Achugar ("Franny and Zooey"), Renée Archibald ("Curtain Wall") and Heather McArdle/BLUEPRINTVIOLATION (excerpt from "Ballad of Arrivals & Departures"). Choreographer mentor Donna Uchizono will moderate a post-performance discussion with the artists on Friday, February 15. For full schedule and ticketing details, call 212-352-3101 or visit http://www.theatermania.com.

INFORMATION LINKS:

Department of Dance, Barnard College: http://www.barnard.edu/dance

Williamsburg Art NeXus (WAX): http://www.wax205.com

Abrons Arts Center: http://www.henrystreet.org/arts

Body and Soul is the official podcast of InfiniteBody dance blog at http://infinitebody.blogspot.com. Subscribe through iTunes or at http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

(c)2008, Eva Yaa Asantewaa

One of the interviews I’m most proud of was conducted in late 2007 with dancer-choreographer Jen Abrams. I’m delighted to bring this episode out of the archives and present it in Body and Soul’s new home.

When our "half-hour" interview concluded, we were amused to see that it had actually lasted a full hour! But that's what it takes to tell even part of the story of her work with the WOW Cafe Theater collective, an historic and essential part of the still-hearty cultural abundance of Manhattan's rapidly-changing East Village. Listening to Jen talk about her background in contact improvisation, I discovered a fascinating connection between contact improvisation and the "open source," grassroots nature of WOW. Her intensity and strength as an artist working in dance, theater and poetry are more than matched by the tenacity of this theater collective and space that she so clearly loves.

And here’s her bio:

Jen Abrams’ work has been presented at BAX, HERE, Dixon Place, the Nuyorican Poets Café, and the Bowery Poetry Club, as well as at WOW Café Theater, where she has been an active member for seven years.

She has produced three full-length concerts of her own work at WOW: Itch (2000), Saturn Return (2001), and Surfacing (2002), as well as two shared bill evenings: As I Was Saying (2004, with Risa Jaroslow and Eva Lawrence) and Asunder (2006 with Clarinda Mac Low and Tara O’Con.). She was a 2005 BAX space grantee, and is co-curator and co-producer with Sally Silvers of TalkTalk WalkWalk, an annual poetry and dance festival. Her choreographic work has also been seen at WOW in the stage plays The Skriker by Caryl Churchill, All Eyes, All Sides – Beckett One Acts, Naomi Wallace’s Slaughter City, and Moira Cutler’s MetaMeshugenaMorphosis and Sonofabitch Stew, all with Dogsbody Theater. The Village Voice has called her work “quintessentially New York,” and her performances “convincing no matter what [she chooses] to do.”

Jen has studied the form of Contact Improvisation for twelve years, beginning at Oberlin College, the birthplace of the form. She relocated to New York City from Chicago, where she presented and performed in five full-length concerts with the contact improv-based company she co-founded, Limbic Fix. She is classically trained as an actor, and performed in plays throughout Chicago before moving to New York City to focus on movement-based performance. She is also a writer, and has given readings of her work at St. Mark’s Poetry Project, Halcyon, and Bar 13.

By day, Jen works as a fundraiser for a small poetry press, and serves as Managing Director for Risa Jaroslow & Dancers. She also teaches Contact Improv through Movement Research. Her roots in theater and immersion in literature inform her dances.

Visit Jen Abram's Web site at http://www.jenabrams.org.

Visit Eva Yaa Asantewaa's dance blog--InfiniteBody--at http://infinitebody.blogspot.com.

I asked my friend, Tom Pearson, to help me introduce my interviewee, Louis Mofsie, who will once again MC the Thunderbird American Indian Dancers' annual concert and pow-wow at Theater for the New City, February 8-17. Tom responded with this lovely reflection.

"Louis Mofsie is a community builder, in the truest sense. A respected elder and member of the Hopi and Winnebago tribes, and a Brooklyn native, Louis draws together urban Indians of all ages by teaching traditional dances and music, collaborating with contemporary artists, and creating opportunities for people of myriad backgrounds to gather and express cultural heritage. The dance troupe he directs, the Thunderbird American Indian Dancers, has been holding monthly socials for years at the American Indian Community House (where he serves as Chairperson of the Board of Directors) and more recently at the Museum of the American Indian, as well as annual summer powwows at the Queens County Farm for 28 years. And for 33 years, in the thick of winter, his dancers have been bringing their passionate fires to Theater for the New City.

"Events like these anchor many urban Indians to their heritage and help them redefine for themselves notions of identity, cultural inheritance, and a sense of belonging to a thriving and diverse urban American Indian community. Most native people in NYC can trace a connection to Louis in one way or another, myself included. And aside from being a brilliant musician (he has recorded several albums), an accomplished artist (he has illustrated several books), and a consummate choreographer and director--his humor, flair for the dramatic, and stage presence also make him an engaging speaker. What the camera was to Greta Garbo, the microphone is to Louis Mofsie! Always an educator, he imparts his wisdom and cultural knowledge every time he MCs a powwow or introduces a performance at a school showing or in the theater by explaning a dance's origin or a song's meaning. And, all of the proceeds from Thunderbird events support native scholarships. It is his generous spirit, sense of community, and educational agenda that allows audiences and participants to glean a deeper understanding when they experience native culture and to walk away fortified by the power of indigenous music and dance.

"Louis loaned me an outfit and taught me my first steps for the Grass Dance a few years back, setting me on the powwow trail, and he has been my collaborator on several contemporary dance projects, at The Museum of the American Indian and Lincoln Center. This year, I am thrilled to be performing the Grass Dance with Louis and the Thunderbird Dancers at TNC."

--Tom Pearson, Co-Artistic Director, Third Rail Projects

BACKGROUND

Thunderbird American Indian Dancers, officially incorporated in 1963, traces its roots further back, to a group of teenagers called the Little Eagles. From the beginning, keenly aware of the great diversity of tribal groups living in and around the metropolitan area--each with a very distinct cultural background--its members were determined to learn and preserve the songs and dances of their own tribes, then to branch out and include other tribes. Their teachers were their fathers, mothers, aunts, uncles, and cousins. Since its formation, Louis Mofsie and the Thunderbird American Indian Dancers have visited and performed in almost all fifty states, where they have learned from a wide variety of Indian peoples.

Louis Mofsie (Hopi/Winnebago) received his M.A. from Hofstra University and taught art for 35 years at the Meadowbrook School in East Meadow, New York. Mofsie has curated exhibits at the Whitney Museum of American Art, and other venues. He has been a guest artist at the Walker Art Center and has shown his own work at the Philbrook Art Center in Tulsa, Oklahoma, and the Woodards Museum and the Gallup Ceremonials, both in Gallup, New Mexico. Mofsie has illustrated the books "The Hopi Way," "Coyote Tales," and "Teepee T

Tamango's revolutionary approach to tap transforms his dance into music with a sharpened sense of style and awe-inspiring fluidity. Born in Cayenne, French Guiana, Tamango moved to Paris at age eight and began a formal education in art. He started tap dancing in his early 20's at the American Center in Paris and the Beaux Arts de Paris, which he left to join the university of the streets before moving to New York City.

Bringing together a global mix of dancers, musicians and artists, Tamango's Urban Tap crosses and blends the cultures and rhythms of jazz, tap, hip hop, capoeira, stilt, world, free-style and more. Tamango has been hailed worldwide for the electrifying skill and elegant beauty of his dancing. The New York Times declared, "One is tempted to call him the best dancer of any kind around."

He is also a painter, drummer, didjeridoo player and spoken word artist. Currently, he is acting, singing and dancing in "In Search of Josephine," a French production that draws together stories of the sensational Josephine Baker and modern-day, flood-ravaged New Orleans.

Urban Tap performs on March 7, 2008 at New York City's Town Hall. In April, Tamango's collaborative project with jazz funk guitarist Charlie Hunter will be presented as a work-in-progress at Harlem Stage.

For more information about Tamango's Urban Tap, visit www.urbantap.net/. For ticket information for the March 7 performance at Town Hall, visit http://www.the-townhall-nyc.org/pages/calendar/march.html.

Visit Eva Yaa Asantewaa's dance blog--InfiniteBody--at http://infinitebody.blogspot.com.

Subscribe to Body and Soul, the podcast of InfiniteBody, at http://magickaleva.hipcast.com/rss/bodyandsoul.xml

and through iTunes.

(c)2008, Eva Yaa Asantewaa

Last summer, as Japan Society celebrated its centennial, I spoke with artistic director, Yoko Shioya, at the Society’s beautiful center on East 47th Street in Manhattan. She shared her thoughts on the far-ranging influence of contemporary Japanese performing arts and on the origins and significance of butoh.

Update: Japan Society will present its annual Contemporary Dance Showcase (January 11-12, 2008), featuring cutting-edge dance from Japan and, for the first time, East Asia. For more information, visit http://www.japansociety.org/dance_topic.

Subscribe to Body and Soul podcast at http://magickaleva.hipcast.com/rss/bodyandsoul.xml.

(c)2007, Eva Yaa Asantewaa