Episode 195 kicking off tonight with Spector "Friday Night Don't Ever Let It End" I know what that feels like, you've been with friends and you just having the time of your life and you just don't it to stop.sometimes when I do these Addictions radio
shows I get so pumped up and just like oh my God our two hours is already here. I can't wait till' Monday comes around to do it all over again. Well that's normally how I feel sometimes I'm just so exhausted I don't even want to think about doing another show. Today it's scorching heart hot in the studio but I'm loving all of the things coming into the Addictions inbox so the desire for the show is humongous. Thanks to all of you listeners and musicians for your well wishes, yes I am still recovering but doing a lot better and should have surgery sometime next month. Hopefully will fix this whole shebang up. This is Addictions and Other Vices Podcast 195 - Colour Me Friday. I Hope You Enjoy.
ON THE FIX MIX
• Spector - Friday Night, Don't Ever Let It End
• The Open Feel - Retrofire
• Ummagma - Human Factor
• The Capsules - Super Symmetry
• The Savage Nomads - Porno
• Isobel Trigger - Tiger Shark
• The Human League - Love Action (I Believe In Love)
• Ford - Never Again
• Pistol Shrimp - Between Us
• PINS - Young Girls
• New Order - True Faith
• Memory Flowers- Cartwheels
• Wilhelm Tell Me - Growing Younger
• The Droids - All I've Got
• Amanda Cottreau - Lady Lover
• Souvenir Season-Blind.
• Ben Folds - Life As Unusual
• Neal Hoffmann - Boy Doesn't Meet Girl
• Corey Valentine - The Glow
• Parker BOMBSHELL - Sailor's Warning
• Spaceship Days - Heartbeat.
• Simple Minds - Someone Somewhere (In Summertime)
• The Little Secrets - All I Need
• The Helio Sequence - Stoic Resemblance
• Stella Diana - Sospeso
• Rebel Kites - The Witnessing
• Fire In The Radio - June 14th
• Charlywood - Who's Keeping Score
• The Sleepovers - Sucker
• The Pinstripe Pigeon Band - It's You
• Echotape - See You Soon
• Tears For Fears - Pale Shelter
Indie rock is a genre of alternative rock that originated in the United Kingdom in the 1980s. Indie rock was extremely diverse, with subgenres that include indie pop, jangle pop, and lo-fi, among others. Originally used to describe record labels, the term became associated with the music they produced and was initially used interchangeably with alternative rock. As grunge and punk revival bands in the US, and then Britpop bands in the UK, broke into the mainstream in the 1990s, it came to be used to identify those acts that retained an outsider and underground perspective. In the 2000s, as a result of changes in the music industry and the growing importance of the Internet, a number of indie rock acts began to enjoy commercial success, leading to questions about its meaningfulness as a term.
In the mid-1980s, the term "indie" began to be used to describe the music produced on post-punk labels.[1] A number of prominent indie rock record labels were founded during the 1980s. During the 1990s, Grunge bands broke into the mainstream, and the term "alternative" lost its original counter-cultural meaning. The term "indie rock" became associated with the bands and genres that remained dedicated to their independent status.[2] By the end of the 1990s indie rock developed a number of subgenres and related styles. Following indie pop these included lo-fi, noise pop, emo, sadcore, post-rock, space rock and math rock.[2] In the 2000s, changes in the music industry and in music technology enabled a new wave of indie rock bands to achieve mainstream success.[3]
In the early 2000s, a new group of bands that played a stripped-down and back-to-basics version of guitar rock emerged into the mainstream. The commercial breakthrough from these scenes was led by four...
