[Accessory Reel] To Catch a Thief (1955) — Glamour, Grapes & Cat Burglars

With a chilled Blush wine in hand, Tata and Mamie bask in the Riviera sun, following Cary Grant’s debonair jewel thief and Grace Kelly’s flawless frocks. They sip, swoon, and sass through car chases and champagne, wondering aloud: is it possible to catch a thief… or just fall hopelessly for him?

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To Catch a Thief (1955) Silk, Smoke & Stolen Jewels: The Allure of To Catch a Thief

On the Riviera, nothing glitters without a shadow—and even the cat has secrets.

The French Riviera shimmers beneath the summer sun. Champagne chills on marble terraces. And somewhere, a thief slips through open windows, leaving nothing but perfume and panic behind.

In this episode, we follow the elegant trail of Alfred Hitchcock’s To Catch a Thief (1955), a seductive blend of mystery, romance, and visual splendor. Told through cinematic storytelling, we step into the espadrilles of John Robie—the infamous “Cat”—as he evades suspicion, stalks a copycat criminal, and finds himself tangled in the jewels and games of a dazzling heiress, played with razor-edged charm by Grace Kelly.

We examine how Hitchcock turns the crime caper into a slow-burning tango of attraction, identity, and reinvention. From rooftop chases to masked balls, from stolen gems to whispered confessions, we unpack how To Catch a Thief plays with gender roles, postwar privilege, and the idea that sometimes, to escape your past... you have to steal a future.

Settle in with a glass of chilled blush or rose, and join us on the Riviera—where every shadow tells a story, and the quietest night hides the cleverest thief.

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Lace, Lies & Lethal Wine: Unpacking Arsenic and Old Lace

In a Brooklyn house of doilies and death, the sweetest ladies serve the deadliest brew.

On Halloween night, the Brewster house glows with jack-o’-lantern charm—but behind the lace curtains, a sinister kindness brews. In this episode, we descend into the darkly delightful chaos of Arsenic and Old Lace (1944), where murder wears a smile and madness is a family tradition.

Told in cinematic narrative, we unpack Frank Capra’s macabre comedy through the eyes of Mortimer Brewster, a writer who uncovers that his beloved aunts are serial killers—with manners. As bodies pile up in the cellar and long-lost brothers return with surgical tools and delusions of grandeur, the film blurs the line between sanity and showmanship, love and lunacy.

We explore Cary Grant’s iconic physical comedy, the play’s theatrical roots, and how the film show the film depicts female serial killers. Why do audiences laugh when bodies are buried in the basement? And how does the film use cozy tropes—afternoon tea, polite conversation, family dinners—to expose the absurdity of violence in plain sight?

Pour a cup (just… don’t drink it), and join us for a tale of deception, devotion, and dashes of arsenic—all told in velvet tones, with a deadly wink.

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[Accessory Reel] Arsenic and Old Lace (1944) — Poison & Peculiar Aunts

Tata and Mamie pour a glass (no arsenic, promise) and cackle their way through this screwball murder-fest. As Cary Grant melts down and sweet little old ladies rack up a body count, they pair every sinister smile with a sip of Blueberry wine and ask the real questions: how many bodies is too many in the cellar?

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[Accessory Reel] A Romance of the Redwoods (1917): Sips, Schemers & Silent Scandals

In this Accessory Reel bonus companion track, Tata and Mamie take a sentimental stroll into the silent shadows of A Romance of the Redwoods (1917), all while sipping Mission Angelica—the California classic as golden and sweet as Mary Pickford’s curls.

As the organ swells and the intertitles flutter, our duo dishes hot takes on shady strangers, frontier flirtations, and the delicate art of surviving a gold rush town with your virtue (and maybe your valuables) intact. With every sip, they decode vintage expressions, overanalyze meaningful glances, and speculate wildly about the drama—both onscreen and off.

So grab your glass of Mission Angelica and prepare to fall headfirst into a tale of danger, desire, and crime—all lovingly accessorized by Tata and Mamie’s signature sass. Because even in a silent film, accessories—and commentary—speak volumes.

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Whispers Among Giants: Mission Angelica & Romance of the Redwoods

Where towering trees and tender tales meet in a glass of Mission Angelica.

Step into the enchanting world of Romance of the Redwoods (1917), a silent film that weaves love and mystery beneath the majestic canopy of California’s ancient redwoods. This episode pairs the timeless charm of the film with Mission Angelica, a wine as graceful and nuanced as the whispered secrets shared among the giants. Join us as we uncork history, romance, and the magic of the silent era—savoring every note of this woodland fairytale one sip at a time.

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[Accessory Reel] D.O.A. (1949): A Killer Pour-formance

In this Accessory Reel bonus track, your favorite co-conspirators Tata and Mamie uncork a West Virginia red blend and spiral into the cinematic chaos that is D.O.A. (1949). As they sip, snark, and sleuth their way through poisoned protagonists, shady dames, and bureaucratic wild goose chases, they offer a wine-soaked, real-time commentary that’s equal parts film critique and felony-adjacent fun.

This isn’t your average watch-along. It’s a spirited (and somewhat inebriated) dive into noir logic gaps, glorious overacting, and the eternal mystery: why would you solve your own murder after you’ve already been murdered?

So pour a glass, press play, and let Tata and Mamie accessorize your evening with one part vino, two parts venom, and just a dash of vintage danger. After all, in film noir—and in fashion—it's all about the accessories.

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Poison Plots & Pour Decisions: D.O.A. with a Bold Red Blend

One man’s dying day, one killer red—drink up the drama before time runs out.

What would you do if you discovered you’d been murdered... and had only hours to solve it? In this noir classic, D.O.A. (1949) delivers a time-ticking tale of betrayal, bureaucracy, and a very bad drink. We pair this fatal mystery with a bold red blend—dark, intense, and layered with intrigue. Join us as we unravel the poisoned puzzle, sip by suspenseful sip, and toast to fatal flaws and fateful pours. This episode is equal parts vintage cinema and velvety danger.

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[Accessory Reel] The Lady Vanishes (1938): Tracks, Traminette & Twists

In this Accessory Reel bonus track, Tata and Mamie uncork a floral, slightly spicy Traminette and hop aboard Hitchcock’s most delightful mystery train, The Lady Vanishes (1938). As the countryside blurs past, they sip and sass their way through vanishing governesses, suspicious strangers, and enough tea to fuel a small British Empire.

Between gulps, they marvel at the witty flirting, debate the wisdom of trusting cricket-obsessed gentlemen, and point out every moment where a less selfishness might have solved the plot faster. Their commentary moves at express-train speed—part keen-eyed sleuthing, part wine-fueled derailment—as they toast to intrigue, espionage, and the fine art of eavesdropping in a dining car.

So pour yourself a glass of Traminette, press play, and let Tata and Mamie accessorize your ride with fragrant humor, floral notes of gossip, and just a hint of danger. After all, on this journey, the wine isn’t the only thing with a complex bouquet.

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Vanish with a Vintner: Traminette & the Lady in White

A floral white wine, a vanished passenger, and Hitchcock at his most delightfully deceptive.

All aboard for intrigue, illusion, and a glass of something delightfully aromatic. In this episode, we pair The Lady Vanishes (1938), Alfred Hitchcock's charming and suspenseful train-bound mystery, with a chilled glass of Traminette—a white wine as floral and mysterious as the plot itself. As secrets unravel and characters collide in this classic British thriller, we sip our way through the twists, turns, and teasings of a story where nothing is quite as it seems...except the perfect pairing.

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