In this episode, the boys discuss the future of literacy - in large part to avoid discussing Vinge's disappointing novel. We touch upon what the emergence of generative AI might mean for writing and reading, and we talk about the craft of writing about the future. 

The Spiders are unsure how to approach Richard Powers's Galatea 2.2, a novel which they find eerily predictive of the methods used to build contemporary AI programs like ChatGPT. Does the contemporary relevance of its scientific principles cause us to overrate its thematic depth, or to look in the wrong places for meaning? And can Chris and Hans forgive Powers's unique brand of ornate prose?

A discussion of Mary Beth Willard's "Why it's OK to enjoy the work of immoral artists," a philosophical text which advances the titular thesis, with a specific focus on Hans and Patrick's relationship to the classic early work of industrial-metal singer and alleged abusive partner Marilyn Manson.

In this episode, the Book Spider hosts discuss three important questions in literature: Can literature contain or reveal truth? What is the relationship between literature and morality? And how seriously should we take an author's intentions when discussing her work? The hosts employ a range of background texts to address these questions, including Aristotle's Poetics.

In this episode, we discuss the tiny, ugly ways an otherwise beautifully written novel can age, as well as Patrick's inclination to invoke WWOD (What Would Orwell Do?). 

The Spiders puzzle admiringly over Claire-Louise Bennett's Checkout 19, which uses interpolated stories and a fractured narrative to explore the barriers facing artistically inclined women in a sexist society. Special focus is given to the story of Tarquin Superbus, which so charmed us that we've perhaps had a difficult time exploring other aspects of the novel.

In this episode, we discuss the lasting phenomenon that is the Hitchhikers' media series. Just why is it so popular? It's not extraordinarily profound. It's certainly not upbeat, either. But: it caught the world at the right time and: it was written to be very easily digestible by a lot of different folks. 

In this episode, the Book Spider hosts tackle The Mayor of Casterbridge, by Thomas Hardy. Casterbridge is a complex novel about the rise and fall of Michael Henchard. After dramatically selling his wife and baby daughter to a stranger for five pounds, Henchard vows to abstain from alcohol for twenty years. Eighteen years after this event, the novel picks up with Henchard at the height of his powers, living as a prosperous corn merchant and the mayor of the small town of Casterbridge. However, after selling some bad grain to his constituents and being surpassed in business acumen by Farfrae, a newcomer, Henchard's fortunes fall into steep decline.

Does submission to fate bring weight or lightness? Can Milan Kundera find the clit? Special guest Sarah Ashcraft joins us to discuss The Unbearable Lightness of being, a novel whose deceptive readability hides its thematic obscurity.

In this episode, we discuss the close attention Woolf gives to her characters and how mercurial and impermanent we are under her atomic analysis. We also discuss why, it seems, To the Lighthouse is a 1 of 1, rarely emulated (at least successfully) despite the fact that Woolf is in the canon. In fact, brilliant as she is - or maybe because of her brilliance - we suggest young writers shouldn't try to emulate her. Better to read her, and enjoy her, and accept that To the Lighthouse has already been written, and need never be written again.