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On today's show we travel down the road to Carlow University Pittsburgh's MFA in Creative Writing Program during its annual June residency at Trinity College, Dublin where we have been invited to interview novelist Caitriona Lally about her latest book, the memoir Home Economics. So grab that flat white, latte, tea and rasher sandwich and have a listen to Caitriona's fascinating account of balancing life as a cleaner in the housekeeping department of Trinity College with the life of a successful writer.

Bold and thought-provoking, self-deprecating and soaked in Caitríona Lally's singular voice, her first memoir quietly but forcefully puzzles over personal/home economics, creativity and the true impact of 'success' and 'failure' on a writer's life.

'Since I've had my first book published, I've earned more from cleaning than from writing. The home economics don't add up.'

Between 2015 and 2021, Caitríona Lally published her first two novels, Eggshells and Wunderland. To buy her time to write during those years, she returned to the housekeeping department at Trinity College Dublin, a job she once held as a student. This begins a negotiation between the practical and creative demands of her life, further complicated when she becomes pregnant and almost impossible when the pandemic hits.

Reviews for Home Economics

"This is absolutely one to read about the reality of 'making it' as an artist, and how to live, make money and create."
– AOIFE BARRY, THE JOURNAL

"Hilarious, audacious, and deeply felt. An idiosyncratic hymn to the drudgery of life!"
– SARA BAUME

"I thought I'd be interested in Home Economics because I too work a manual job that pays a pittance, yet still provides more income than writing books. And yes, Lally is wonderfully insightful about the difficulties and advantages of such a life. But in the end it was her wit, her ever-curious and amused outlook on the daily trials and joys of life, that had me hooked. This book has that delicate quality of seeming simple while containing all the complexity of trying not simply to make a living, but to live."
– LUCY SWEENEY BYRNE

"A remarkable piece of writing ... As a fellow writer, I read the book with a profound sense of respect for what Caitríona has achieved, particularly given the difficult circumstances under which much of this work has been produced. Her account of sustaining a writing life alongside paid labour and motherhood is both unsparing and generous, and it resonated deeply with me ... There is something quietly bracing in encountering such a lucid account of a writing life, one that refuses myth-making while still allowing space for ambition, desire and joy ... This is a generous, intelligent and finely wrought book."
– PATRICK HOLLOWAY

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Intro/outro music: Colm Mac Con Iomaire, 'Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it. 

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On today's episode we visit 11 Parnell Square in Dublin for the launch of Poetry Ireland/Éigse Éireann's restored headquarters. We hear about the new performance spaces, education resources and Seamus Heaney Library and talk to director Claire Power about her vision for the building and the organisation. We also talk to Poet in Residence Sean Borodale about his poetry and his plans for the residency. Sean's widely acclaimed books include Notes for an Atlas, Asylum, Bee Journal, Human Work: A Poet's Cookbook and Inmates.

This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon. 

Intro/outro music: Colm Mac Con Iomaire, 'Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it. 

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On today’s show we talk to Joseph Woods, director of the Strokestown Poetry Festival about what this year's programme will offer poetry lovers this May Bank Holiday weekend in Strokestown House. Ands we welcome back to the breakfast table poet and Irish Times reviewer Adam Wyeth to talk with us about recent poetry publications that have grabbed his attention. Adam is himself an award-winning and critically acclaimed poet, playwright and essayist with five books published with Salmon Poetry and we are delighted to have him with us this morning.

He will be talking about Rita Ann Higgins, Jiving with Wasps: New and Selected Poems; Gerard Smyth, The Turn for Ithaca; Annemarie Ní Churreáin, Hymn for the Restless Girls; Billy Ramsell, Render; Paddy Bushe, Uncertain Passage; Jamie O'Halloran, Ballast; Colm Scully, Neanderthal Boy. 

This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon. 

Intro/outro music: Colm Mac Con Iomaire, 'Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it. 

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This morning we talk to Mary Costello about her new novel A Beautiful Loan. 

My name is Anna, and for some time now, I have been trying to account for certain events in my life – my adult life, that is – which, from this vantage point of forty-five years, I often find baffling …

In 1985 Dublin, nineteen-year-old Anna Hughes is in thrall to Peter Gallagher, an older, worldly man. Anna is introverted and naïve, and Peter’s experience, wide circle of friends and thirst for adventure captivate her. Her obsessive longing for him leads to marriage and, eventually, a crushing betrayal.
As Anna’s life becomes less predictable, she uncovers deeper layers of herself. Her journey gives an intimate portrait of a woman embracing herself as she is, claiming the life she yearns for.

“Costello is one of Ireland’s greatest writers … Her prose is precise and focused and, like a stiletto blade, sinks deep … This is a big book in a small package, about one woman’s growth”
JOHN SELF
Financial Times

”A Beautiful Loan is a beautiful novel; Mary Costello guides her reader through a cloud of emotional turmoil in fine, controlled sentences. We must hope it delivers her the belated recognition she so richly deserves”
LUCY THYNNE
Times Literary Supplement

This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon. 

Intro/outro music: Colm Mac Con Iomaire, 'Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it. 

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In this episode we go to one of our favourite places in Dublin, Hodges Figgis bookshop in Dawson Street, to interview Cathy Galvin on the occasion of the launch of her collection of poems from Bloodaxe, Ethnology, A Love Song for Connemara. We also meet and hear poet John F. Deane, who spoke about Cathy’s book and read some of his own recently published Carcanet collection, Jonah and Me, a Poetry Society Recommendation.

from Bloodaxe:

Ethnology draws on the mystical cry for the dead of Cathy Galvin's Irish-speaking ancestors. Within an epic narrative she reclaims place, people and language, creating a bridge between our own times and a Connemara community on the margins of Europe.
Drawing on classic forms within literary and oral traditions, Ethnology becomes a love song for Connemara, witness to vivid encounters: between the living and the dead and between the poets, folklorists and ethnologists who have written about the West of Ireland for their own agendas.
In her first full-length book of poetry, fragility and strength are finely balanced, focused on the ruins of an island cottage built by her great-grandfather. Here, Cathy Galvin locates humour and joy as well as mourning. The poems give a vivid, original voice to the tradition of keening, of honouring the loss of those we love.

from Carcanet

John F. Deane's new book follows the publication of his career-spanning  New and Selected Poems, which was published on the occasion of his eightieth birthday in 2023 and shows no relaxation in his descriptive and lyric powers.
Ireland's foremost living religious poet, the new book includes a sequence, 'Of Human Flesh', which takes Easter's rituals as its occasion, and dwells on its continuing purchase and meaning as the poet remembers others and walks a landscape where, sometimes, as he puts it, the spiritual and material worlds come together:

'all here fits 
together, oxbow and pillow-stone, holon and fractal, 
stunning, admonishing, this morphogenic field.'

This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon. 

Intro/outro music: Colm Mac Con Iomaire, 'Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it. 

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We’re back for the first episode of 2026. This week we’re back in Books Upstairs in Dublin to interview Hugo Hamilton about his latest novel, Conversation with the Sea.

Fleeing his failed marriage in Berlin, Lukas Dorn revisits the West of Ireland, the place of his honeymoon two decades earlier. While his former wife is being cancelled at work and his daughter is arrested at a street protest, he tries to make sense of his broken life with a journal as his sole companion. 
 
His inherited memory of the Nazi Holocaust comes face to face with the present when he meets a refugee from a recent warzone. As Lukas communes with the elements in this wild coastal place, he is forced into a confrontation with the past that will carry him to the edge of existence. 
 
Conversation with the Sea speaks with heart-rending tenderness to the present moment, as it explores truth, illusion and the deadly silencing of war in a captivating tale of love in a time of displacement. 

Truly a book for our time' PAUL LYNCH
 
FROM THE AWARD-WINNING AUTHOR OF 'THE SPECKLED PEOPLE'
   
'Told with Hamilton's signature purity of tone, an epic story about how love and history intersect.' ANNE ENRIGHT

'I don't think I've ever read a book as wise, or as moving. I will treasure it forever.' DONAL RYAN

'Hypnotic, passionate, urgent … Hamilton cuts a clean line to the truth of our mindless moment.' PAUL LYNCH

This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon. 

Intro/outro music: Colm Mac Con Iomaire, 'Thou Shalt Not Carry' from The Hare's Corner, 2008, with thanks to Colm for permission to use it. 

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Mince pie and Christmas cracker laden, today’s breakfast table is very festive indeed as we celebrate the best of books and cultural events in 2025. To help us celebrate we’ve gathered at our table four writers who have each been asked to choose just one book, either fiction or non fiction that they’ve especially admired this year and one cultural event –  film, exhibition, music or anything else –  that they have enjoyed over the last twelve months. The four writers are Sarah Gilmartin, Neil Hegarty, Caitriona Lally and Philip Davison.

Books recommended: Anne Enright: Attention: Writing on Life, Art and the World
Gerbrand Bakker: The Hairdresser’s Son; Ben Macintyre: The Spy and the Traitor ;
Sarah Moss: Ghost Wall; Helen Garner: Collected Diaries 1978-1998: How to end a story and Tim MacGabhann: The Black Pool: A Memoir of Forgetting.

This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon.

Intro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry’ from The Hare’s Corner, 2008, with thanks to Colm for permission to use it. Logo designed by Freya Sirr.

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This morning we welcome poet and critic Ciarán O’Rourke to our breakfast table here in Dublin 8. Ciarán has published two collections of poems with Irish Pages Press, The Buried Breath in 2018  and Phantom Gang in 2022, and he also runs the poetry website ragpickerpoetry.net. Ciarán talk about five recent books of poetry: Eiléan Ní Cuilleanáin, New Selected Poems; Catherine Ann Cullen, Storm Damages; Keith Payne, Savage Acres; Patrick Cotter, Quality Control at the Miracle Factory; Kevin Graham, Time's Guest.

Mark Granier is an award-winning Irish poet and photographer whose work has been widely published and admired for its sharp imagery, lyric precision, and subtle wit. Over the past two decades, he has brought out several acclaimed collections, including Airborne, Haunt, Fade Street,  as well as Ghostlight, New and Selected Poems. His latest book, Everything You Always Wanted To Know, is perhaps his most personal and revealing to date, weaving together memory, intimacy, and the everyday with a striking visual clarity. 

This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon.

Intro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry’ from The Hare’s Corner, 2008, with thanks to Colm for permission to use it. Logo designed by Freya Sirr.

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On today’s episode we travel to IMMA and the Dublin Book Festival to meet and talk with İlhan Sami Çomak, a Kurdish Turkish poet who has spent almost  thirty years imprisoned in Turkey. He was arrested in 1994 and charged with membership of the banned Kurdistan Workers' Part. In jail, Çomak released eight books of poetry and became one of Turkey's longest serving political prisoners. He is here in Dublin to mark the Day of the imprisoned Writer at the invitation of Irish PEN which followed an extensive international campaign for his release. Ilhan is accompanied by his interpreter Ipak Özel.

Also in this episode writer, filmmaker and  lecturer  Ferdia MacAnna joins us the breakfast table to talk to us about  Every One Still Here by Liadan Ní Chuinn, the widely acclaimed collection of short stories published by the Stinging Fly Press, and now by Granta as well. 

This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon.

Intro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry’ from The Hare’s Corner, 2008, with thanks to Colm for permission to use it. Logo designed by Freya Sirr.

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On this morning's episode we talk to Ger Reidy about his latest poetry collection, Clay;  Liam Carson tells us about the latest edition of IMRAM, the Irish language festival and the increasing visibility of Irish, and I chat to Enda Wyley about her book, Sudden Light and about winning the Lawrence O' Shaughnessy Award for poetry.

This episode is supported by a Project Award from the Arts Council/An Chomhairle Ealaíon.

Intro/outro music: Colm Mac Con Iomaire, ‘Thou Shalt Not Carry’ from The Hare’s Corner, 2008, with thanks to Colm for permission to use it. Logo designed by Freya Sirr.

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