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The queens talk about writing through sadness and grief in order to move forward and gain a different vantage point.
Please Support Breaking Form!
Review the show on Apple Podcasts here.
Aaron's STOP LYING is available from the Pitt Poetry Series. And BEAUTIFUL PEOPLE is available from Bridwell Press.
James's ROMANTIC COMEDY is available from Four Way Books.
Show Notes:
Take a look at the Tracey Emin sculpture "My Bed." It was sold at auction by Christie’s in July 2014 for £2.5 million to German collector Count Christian Duerckheim.
Read Larry Levis's poem "Boy in Video Arcade"
Read Dickinson's 670 ("One Need not be a Chamber to be Haunted"). For more variations she included on the fascicle, visit the Emily Dickinson Online archive at Harvard's Houghton Library here.
In an interview with Melanie Brooks and published in Creative Nonfiction (Winter 2017), Mark Doty says about grief: "It was like just pushing my way up this very tall, spirally staircase. I'd write and cry and write and cry and write and cry." Read the essay here (jstor access required).
By Aaron Smith and James Allen Hall5
9191 ratings
The queens talk about writing through sadness and grief in order to move forward and gain a different vantage point.
Please Support Breaking Form!
Review the show on Apple Podcasts here.
Aaron's STOP LYING is available from the Pitt Poetry Series. And BEAUTIFUL PEOPLE is available from Bridwell Press.
James's ROMANTIC COMEDY is available from Four Way Books.
Show Notes:
Take a look at the Tracey Emin sculpture "My Bed." It was sold at auction by Christie’s in July 2014 for £2.5 million to German collector Count Christian Duerckheim.
Read Larry Levis's poem "Boy in Video Arcade"
Read Dickinson's 670 ("One Need not be a Chamber to be Haunted"). For more variations she included on the fascicle, visit the Emily Dickinson Online archive at Harvard's Houghton Library here.
In an interview with Melanie Brooks and published in Creative Nonfiction (Winter 2017), Mark Doty says about grief: "It was like just pushing my way up this very tall, spirally staircase. I'd write and cry and write and cry and write and cry." Read the essay here (jstor access required).

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