Clearly, this is not a new episode, but it is an apology for the delay and an assurance that yes, there will be a great guest (Jenni Miller!) and theme (Andrea Arnold!) for May beginning next week rather than this week. Thanks for your patience, everybody!

Clearly, this is not a new episode, but it is an apology for the delay and an assurance that yes, there will be a great guest (Jenni Miller!) and theme (Andrea Arnold!) for May beginning next week rather than this week. Thanks for your patience, everybody!

Clearly, this is not a new episode, but it is an apology for the delay and an assurance that yes, there will be a great guest (Jenni Miller!) and theme (Andrea Arnold!) for May beginning next week rather than this week. Thanks for your patience, everybody!

Clearly, this is not a new episode, but it is an apology for the delay and an assurance that yes, there will be a great guest (Jenni Miller!) and theme (Andrea Arnold!) for May beginning next week rather than this week. Thanks for your patience, everybody!

Tyler and David discuss the movie-watching phases they've gone through as well as when tropes should be avoided.

Silicon Valley/ United Shades of America

Degeneration and the need to overcome it. Really really no-kidding scary movies. Honeymoon: what the hell? A nice peaceful vacation into a terrible place. The hidden gem of Honeymoon. When things happen at the end, they are also very bad. A summary that refuses to spoil Honeymoon. The ending of Honeymoon, and that thing you seriously can’t believe (or understand). A time for scary faces – and that time is during The Taking of Deborah Logan. Deborah Logan is not Deborah Morgan (sorry about that!) Learning about Alzheimer’s. Determinations of a canonical natural in The Taking of Deborah Logan. Documentary handy-cam style spooky something. Credit where credit is due. The thing in that cave that is the worst thing.

Degeneration and the need to overcome it. Really really no-kidding scary movies. Honeymoon: what the hell? A nice peaceful vacation into a terrible place. The hidden gem of Honeymoon. When things happen at the end, they are also very bad. … Continue reading →

April wraps up with Master and Commander, the Oscar-winning historical epic that is Peter Weir's most conventional film to date on IDMB (and that's not necessarily a bad thing). Sure, nobody really believes Russell Crowe as an English naval captain, but everyone can believe in the further exploration of the themes of unchangeable forces operating without concern for us.

To follow along on the path toward cinematic edification:

- [email protected]

- facebook.com/IDoMoviesBadly

- battleshippretension.com/category/idmb

April wraps up with Master and Commander, the Oscar-winning historical epic that is Peter Weir's most conventional film to date on IDMB (and that's not necessarily a bad thing). Sure, nobody really believes Russell Crowe as an English naval captain, but everyone can believe in the further exploration of the themes of unchangeable forces operating without concern for us.

To follow along on the path toward cinematic edification:

- [email protected]

- facebook.com/IDoMoviesBadly

- battleshippretension.com/category/idmb